Tilting his head, Fan Ning subconsciously stretched out his palm to touch the lower half of his face. "No, it's mainly about what you mean by personal spare time? Ah, it's already half past six..."

The highlights of the concert that night were naturally Prokofiev's "Piano Concerto No. 3" in the first half and Debussy's "La Mer" in the second half.

In the introduction of "Pu San", Fan Ning's instructions are always elegant and natural, and the pure and clear sound of the clarinet takes the lead, leading the band to create a broad and singing atmosphere with the characteristics of folk songs.

This is another lyrical and exquisite romantic masterpiece. The audience thought so at first and found a comfortable sitting position.

Suddenly, Viadlin's fingers dropped down from the sky, playing a highly syncopated, concise, brisk and vibrant rhythmic theme on the piano part!

C major, the simplest key, is pure white, with no sharps or flats.

But in the future, its development techniques are so bold that it is completely wandering on the edge of the tonal limit!

The augmented triads with ff intensity, the minor and minor seventh chords with flat fifths, the sharp piercing minor second, the emphasis of the weak beat, and the extremely restless rhythm created a humorous and grotesque image in an instant.

At the end of the presentation, the piano plays a continuous triplet of equal parts.

The playing speed of Allegro is combined with the string pizzicato of the orchestra, and this image gradually evolves into a tension-filled contradiction of fairy tale and horror.

Music fans gained an aesthetic experience they had never experienced before.

Obviously there is still a strong shadow of Hoffmann's ethnic material in it, but it is very exciting! Novel! Bizarre!

Moreover, when pianist "Li" handled this piano association, he simply expanded the boundaries of what people think of as "showing off skills" exponentially!

For example, the singing elements in the music are created by his wonderful breathing to create an "extremely high" dance rhythm;

The passages are full of fantasy and contemplation, and the audience's mind wanders as they hear illusions and light constantly overflowing from their skulls.

In some clips, the audience heard vent-like beatings, or saw puppet-like dull figures, those mechanical rhythms, "dry" timbres, rough and violent movements, or charming and playful key touches.

Everything is constantly testing the limits of dramatic tension.

Mr. Fan Ning's "Piano Concerto No. 3 in C major".

The ladies sitting in the front row, clutching their clothes and listening with bated breath, are convinced that——
Chapter completed!