In swordsmanship, four types of sword techniques, strike, stab, frame and wash are collectively called "Four Mother Swords".

When hitting the finger, use the front end of the sword blade, one to three inches, the wrist shaking force is short, like hitting a bell and chime.

You can click up and down, or you can hit left and right obliquely or flatly. The tip of the sword is directed toward the direction of the little finger and is called a forward strike, such as going down, hitting the head to the left, hitting the wrist, etc. The end of the sword is directed toward the thumb toward the counterattack, such as hitting the ear, buckle the wrist, etc.

The fingers are flexed and extended through the arms, and use the tip of the sword to directly follow any part of the opponent's body along the direction of the sword body.

The sword body is horizontal and the sword body is a flat spike, and the sword body is vertical and vertically called a vertical spike. Combined with the direction and footwork of the sword, the body technique, there are also advance spikes, retreat spikes, independent spikes, jumping spikes, jumping spikes, changing hands, turning spikes, serial spikes, etc.

The grid refers to obstruction and blocking. Use the tip of the sword or the front end of the blade to pick out the opponent's attacking weapons. The left hook is the straight grid, the right hook is the reverse grid, the upper hook is the Chongtian grid, the left hook is the left grid, the right hook is the right grid or the reverse grid.

Washing means "cat washes your face", including flat washing, oblique washing, upper washing, and lower washing.

In addition, in swordsmanship, there are also thirteen trends, namely, pulling, lifting, latching, hitting, stabbing, pointing, collapse, stirring, pressing, chopping, cutting, and washing. This is the core basic sword technique of swordsmanship.

It can be said that almost all sword techniques and sword techniques are transformed from these four mother swords and thirteen postures.

Chang Le learned from martial arts novels based on the fictional sword technique of Dugu Nine Swords, which is actually not separated from the category of these four mother swords and thirteen postures.

The so-called Hunyuan style means that there are no moves, which are completely different from time to place. According to actual conditions, control the changes in the sword posture and use them to defeat the enemy and win.

In fact, before the old era, swords had a high status among weapons. The heroes wore swords, the elegant and noble ones wore swords, and the general commander swords. In the ritual activities, the swords were the divine objects that subdue demons and demons. In the inheritance of Tao, swords also represent Dharma.

The sword represents righteousness and determination!

When a young disciple travels out, his master will give him a sword and warn him to remember his own style and not be dragged down. If he encounters worldly concerns, he should make a quick decision to cut off the worldly relationship.

Swords are light weapons, and when used, they require the sword to go with you and carry the sword with your body. When used, they must do so. The sword and the body are in harmony, the body and the qi are in harmony, the qi is in harmony, the speed and slowness are in harmony, and the hardness and softness are also needed. The hands, eyes, body, steps, spirit and form are both wonderful.

Walking like a dragon coming out of water, quiet like a cat catching a mouse, during movement, the hands divide yin and yang, the body hides the eight trigrams, step on the nine palaces, combine the qi inside and shape outside.

Although this Hunyuan style was created by Chang Le behind closed doors, it has not been tested by actual combat.

However, Chang Le used the first time he used it, he injured the blood-colored lotus and forced the bald girl to retreat. It can be seen that Chang Le made the sword technique he made was not like a good thing.

Now Chang Le is going to fight a life-and-death battle with the blood-colored lotus. Before this sword is released, there is a momentum that condenses on him.

The blood-colored lotus and the bald girl watching were surprised to see Chang Le's momentum changed in an instant.

If Chang Le was Chang Le, a sword or a sword before, then now Chang Le himself seems to have become a sword.

The sword is full of sharpness, as if it wants to pierce the sky, ride the wind, take the human level thousands of miles away, and then return with your heart and move at will.

Changle's condensed energy returned to the spirit, and it seemed that he had realized something suddenly.

The way of swordsmanship depends entirely on the spirit. The way of Tao is achieved through the strength of the spirit. Practice essence into qi, Practice qi into gods, Practice divine to achieve Tao, and the sword and god are united. This is not far from the way of swordsmanship.

The way to swords is to practice the qi of yin and yang in harmony. The first thing to do is to maintain the essence and nourish the qi, calm the mind and hold the same mind. At the same time, practice boxing as the basis. Only by practicing swordsmanship can you achieve twice the result with half the effort, so that the sword is like using boxing.

The elements of using a sword are nothing more than courage, internal strength, speed, calmness, etc.

The beauty of swordsmanship lies in the coordination and cooperation of the whole body, and the eyes, techniques, footwork, body, waist and so on, making it easy to move and take.

The purpose is to empty the head and top the head, hold the chest and pull the back, loosen the waist and move the wrists, and sink the energy into the Dantian. The spirit of the sword is to move forward bravely, just like a arrow. Before the enemy's sword moves, my sword has arrived.

As the saying goes, the mind, mind, eyes, hands, feet, waist and hips are like curves, internal strength, dantian, internal energy, spirit, courage, internal and external skills, diligent practice, body and swords combine to achieve enlightenment.

Dantian is like a warehouse, where the internal strength is stored. If the body and sword are united, the sword will look like a person's limbs. If the internal strength can penetrate the sword's edge directly, the sword will not be violated.

The palm of your hand is empty to make the sword live, the foot is empty to walk quickly, the heart is hollow to the heart, the eyes are one. This is the so-called three empty spaces. Only after today's actual combat can Chang Le truly understand the meaning of it.

The key to using a sword is to observe changes with your eyes. If you move slightly, I will move first. If you move, you will change, and if you change, you will change.

The so-called "in-one" dagger is a dangerous thing, which means that the sword is not separated from the hand and the sword is not attached to the sword. The sword is the king of short weapons, and there are blades on all sides, so its usage is very different from the sword technique.

Chang Le suddenly moved without warning. He straddled left, right, left wing, reverse scale thorn, flat belly thorn, double bright thorn, spiral style, chariot grid, windbreak, like a storm, storm, slamming, storm, storm, storm, storm, storm, storm, and stinging.

If you want to describe him, your posture at this time can only be described as strong in shape, strong in bones, dignified in style, smooth and unobstructed, free in swaying, suddenly retracted, waving freely, and waving at once, slow and fast, and agile in body style, and colorful.

Although Chang Le used many postures to attack the blood-colored lotus, these were all Hunyuan styles.

This is Chang Le. This Hunyuan style is so powerful that he integrates all possibilities into the style, and then according to the situation, as he likes.

The blood-colored lotus shouted loudly and cursed, and its petals were killed in a scattered manner. Every sword of Chang Le would cut it down, a petal on the flower.

These petals seem to be more important than the rhizomes that were cut off by Chang Le before, for the blood-colored lotus.

When every petal is cut off, the blood-colored lotus will burst into tears. I don’t know whether it is physical pain or psychological sorrow.

"You damn human, you won't die a good death! You will regret it..." The blood-colored lotus shouted at Chang Le, "If you kill me, someone will seek revenge on you."

"Oh? Then I'll wait." Chang Le didn't care about the threat of the blood-colored lotus, as if someone avenged you, so he would let the horse come over.

The blood-colored lotus was shocked and angry about Chang Le's attitude. He did not expect that Chang Le was not afraid at all, and a bad premonition arose in his heart.

Looking at Chang Le’s appearance, he must put it to death.

The blood-colored flowers were full of resentment, looking at the bald girl watching the battle.
Chapter completed!