This "Seven Stars on the Side" is also called "Stern of the Side" and its posture is like a mount on the back of a whale, be careful and seek balance, for fear of sliding into the deep sea.

This is an artistic conception. Only by entering this artistic conception can you get the body up by stepping seven stars, so that you can have the effect of this movement in the martial arts. The key is to face the coccyx with the heels, the tips of the elbows are like wings to fly, and the Jiquan point under the armpits are opened.

"call!"

Chang Le took his right foot back and moved the center of gravity right into a half-horse step with the right solid left empty seven three, and swung his right hand to the right side of the body, with the palm facing forward, the hilt of the left hand sinks to the front side of the left leg, and the forearm rotates outward.

He closed his navel, slid his waist, loosen his waist, and sagged his hips and tails. He imagined that if the enemy speared into a gun and stabbed his left leg, he would retreat backwards and draw an arc to the lower left with the handle of his left hand, and push away the enemy spear to protect his left leg.

Chang Leshou leans his left foot toward his right foot, his toes are empty on the ground, his right leg is bent to knees, his tail bone is aimed at his right heel, his right hand is raised to the top of his head, his palm is supported by the sky, his mouth is wide open, his left hand is bent to retract the hang of the knife handle, and the elbow is horizontally flat on the chest to form a left-holding knife-holding style, the blade is facing outward, the tip of the knife is facing left, and the blade and the tip of the knife are facing the enemy close to each other. The body is tilted and the front is narrowed.

Chang Le chases his left foot with his right hand and his left foot with his left foot with his right hand. This is called rear-end collision, just like the S line in the middle of the Tai Chi diagram, chasing and hiding each other. Only in this way can the blade of the horizontal sword play a martial role. If the enemy's body is close to his body, the blade will be used with the horizontal sword, and the tip of the knife will hurt the other body.

Chang Le takes the left step, bows his left knee forward, stretches his right leg straight, raises his left hand, hangs it forward with the handle of the knife, and hangs it upward with the upper edge, high to the head, and aligning the left hand to the left foot up and down.

He progressed, advanced, raised the hilt of the knife, shaped like marching against the wind and rain, holding the umbrella to shelter the wind and rain. If the enemy advances and stabs the gun, he will raise the hilt of the knife, catch the incoming gun and hang it to the left and back, causing it to fall. At the same time, he advances, this is "introduction and failure". He leads his incoming gun and moves in, so as to facilitate close attacks.

This is like the other party slaps himself in the face, but he first uses his head to protect his ears, so the other party can't hit him. This is a wonderful technique of using short to long.

Chang Le stretched out his right hand and held the handle of the knife, freed up his left hand and opened his mouth wide, pushed forward on his right wrist, straightened his right leg, first aimed at the tip of his nose at the big toenail of the forefoot, and then aimed at the heel with the coccyx. His forefoot was about to move forward, and his hands were about to chase after the forefoot.

He used the hilt and the knife ring to hit the enemy's gun bar and the gun-held arms and their heads and faces.

All the actions in this knife technique are protective actions, but this is not weakness that can be bullied, but softness embodies hardness, and dare not take action first. This is called "later attack and control people". Being good at resolving the other party to use softness to overcome hardness and skillfulness to control clumsiness.

But if you let me go, you will only have three moves. The first thing is to let you do is to be a warrior, so why bother to "fight each other"? The second thing is to let me be respectful of this sect. If you let me go, you will be to despise the other party and tease him. Once you strike back, you will raise your hand without mercy.

When the boxing posture is about to move, you should use essence, energy, and spirit to penetrate all parts of the body. The specific requirement is that although the boxing posture has not moved, the spirit is reunited and the mind is not dispersed. The abdomen is swelling, and the qi flows through the whole body. If there is a moving intention but not moving, the pre-movement momentum is called moving.

"Flash Expansion" means dodging the reality and attacking the emptiness quickly. "Flash" means dodging, dodging, and "Spian" means opening or letting go.

"Teng" means jumping or jumping, and "shi" means moving and walking.

Chang Le stretched his left leg and raised his knee, lifted his right knee, and at the same time he pulled his left hand to the left, and the right hand knife slid down to the right, with the blade facing outward, and the two hands were divided into a knee-lifting style.

He lifted his left ear slightly up and stood on his left waist to seek stability. He cooperated with the hand and the knife holding hand to slide downwards, spreading the two sides, tying his navel, placing his chest, and lifting his right knee to find the heart and mouth.

If the enemy enters the lower gun and stabs the leg, Chang Le will dodge the right knee, and at the same time, the right knife slides downward to shoot the gun, or intercepts the gun bar and the arm holding the gun.

Chang Le's right foot fell to the front of the right, bent his right knee and bowed his right knee, and moved his left foot half a step horizontally to the right, forming a right bow step, and the tip of the right hand twitched to the front of the left hand, and the tiger's mouth crossed the right wrist and pushed the piercing forcefully.

He flashed to the right, looked to the left, and the tip of the knife chased his eyes, and the sword god was united. This movement was bionic, and he learned "cats flew around dogs, rabbits flew over eagles."

Its momentum is like a snake in Changshan. When it hits its head, it responds to its tail; when it hits its tail, it responds to its head; when it hits its center, it corresponds to its head and tail. When it attacks my left, I attacks my right, and I attacks my top, and I attacks my bottom. It both moves and moves, and has both attack and defense. The level spear is stabbed in the middle, and I doves and stabs the ribs with the tip of the knife.

Chang Le's left heel goes to the right foot, and the toes are empty on the ground is Ding Xu Step. At the same time, rotate the right arm inward, turn the wrist to make the blade horizontally facing upwards and above the top of the head, and lift the left arm inwards and upwards, and use the back of the knife to trench the back of the elbow.

He thrust his chest and back, and his armpits were empty. The inner side of his right arm and the inner side of his left leg were sucked and combined. If the enemy was slashing at his head, he would raise a horizontal knife and put it on the rack, and use a blade to cut off his gun and his arm. The knife and the gun were intersected to form a cross, which could break the straight and both attack and defense.

Chang Le took the left step, arched his left knee forward, stretched his right leg, and slapped his left hand to the back to form a hook to the back of his body. Pinch his five fingers together with his empty palm, with his fingertips facing up, and waved his right hand around the head, slashed flat to the front left, and the blade was facing left.

Chang Le tried to attack his left hand and attacked his back as much as possible. The right hand knife was on the top of the head and was a round circle around the top of the head. It was circled with the wrist joint as the axis, not a brain-wrapped knife, because the brain-wrapped knife body had to circumvent the back of the body, so there was no need for this.

He used his left hand to snare the opponent's gun, and advanced forward, and waved his knife with his right hand to slash the opponent's waist flat.

The use of eyes and the coordination of sword techniques and eyes are also very important, that is, the left hand knife on the left, the right hand knife on the right hand, the knife on the right hand, and the knife on the same side moves.

The eyes go first, the hands chase the eyes, the spirit goes, the intention chases, the energy is urging, the strength comes, the hand represents the intention, the knife is the extension of the hand, and the knife also represents the intention.

Various sword techniques, that is, various ideas, in the application of martial arts, use sword techniques to kill enemies, be steady, accurate and ruthless. It means that you can see it correctly and then use the sword, and do not move blindly.

At the same time, the look is also an invisible hand. Staring at the other person's eyes with his eyes can make up for the shortcomings of his hands. If you look at him, you will start to scare him, which is called Divine Beat.

The so-called look left, look right, look near, look far away, look left, look left, look left, look right, look right, look left, look right, look left, look left, look right, look left, look front, look forward to the seven stars.

"Three Fronts" refers to the three plates in front of the eyes, in front of the hands, in front of the feet, and in the upper, middle, and lower of the opponent. The main one is the other's eyes, shoulders, and hips. Once you cast your eyes, you must see through him.

Eyes are the seeds of the heart. When you look at his eyes, you will know his mind. Just stare at the other person’s eyes and control his whole body.

Watch the shoulders and arms, and move the front shoulders first because they move their arms, watch the hips and legs, move the front hips and hips first, so as not to be confused by the opponent's spear. This is the skill of measuring the enemy, reconnaissance, and surveillance. Only by knowing yourself and the other can you win every battle.

At the critical moment of life and death, if you cannot win, you will lose, and if you lose, you will die.

The so-called "If you don't hit you hard, if you don't hit you lazy, if you don't hit you, if you don't have eyes," means the importance of using eyes.
Chapter completed!