Chang Le used another move. After the defensive style was completed, he took a small step back and pressed the center of gravity, and used the sword force to swing back, avoided the enemy's attack, and then kicked the ground with the force, followed the trend and slashed up and down to complete the attack.

Here, footwork is the key, dodge is the core, and you must take action when the enemy's old strength is exhausted and the new strength is not born.

With the sword in front of the body and the hand behind it is a way of seducing the enemy with the body and a flexible body and technique combining defense and counterattack.

Chang Le originally wanted to take it over and apply it to the T-character two-continuous slashing technique to make the two-continuous slashing have a defensive effect, but he found that the step he used was a side-facing step, not a T-character step.

After avoiding the enemy, the side step is facing the right and the center of gravity is facing forward due to inertia, which is inconsistent with turning left and doing the T-step with force, which causes the second strike in the new T-step to appear in the first strike, and the second strike in the first strike, which is all caused by shifting the center of gravity.

Moreover, it is very difficult to make a second blade, because the curve of the turn becomes larger, the accuracy decreases, and the angles of the first and second blades have changed.

If you insist on using it, the pause will be quite large and inconsistent, and the footwork may not be used well.

Chang Le uses his right foot as the axis, turns around with force with his left foot, retreats to the left and backwards, and performs a left-handed defense.

He advances and retreats freely, attacks and returns to defense, fights against defense, flexibly steps, moves with his own heart, and uses his sword to defend against the enemy.

Chang Le uses his left foot as the axis, and turns around with his right foot, retreats to the right back, and performs a right-defense style. The right-retouch style is easier to avoid the enemy's offensive and can make a counterattack. Take a small step forward and chop down. If the opponent is left-handed, it is difficult to counterattack.

This requires practicing footwork and mastering the measure. If the enemy retreats on the left, the sword will chase after it, the enemy retreats on the right, and the sword will return.

Chang Le put the stab at the knife in a short distance and then became a stab at a short distance.

The attack of the thorn is not very powerful, but it is really threatening.

This kind of visible and intangible thorn harassment will make people who are not in a good mood begin to feel irritable and have poor strength. When facing compact and dense thorns, they often feel at a loss and become afraid, and even fail without fighting.

The key to pricking is suddenness, attacking without any precaution, and retracting it extremely quickly, like a sun snake spitting out a letter and retracting as soon as it stretches.

This kind of sword technique can extend the attack distance as you encounter and become a real sting.

The thorn is very guaranteed for its own defense. Other swordsmanship will more or less reveal some gaps while attacking, with the exception of the thorn. It really has no gaps all over its body, and it is really seamless to drill.

In fact, the thorn is not a real attack. It retracts halfway through the attack, so its gap is difficult to expose. It is difficult for the enemy to seize this attack opportunity.

The uncertainty of thorns is one of the main factors that have a strong deterrent effect on the enemy.

The so-called indefiniteness refers to the fact that the thorn moves are unfixed and attacks with the circumstances.

The master's swordsmanship is terrible, but it is terrible. In this kind of "attack as you go", it can easily make people have an illusion, sound like the east and the west, suspected that the upper and the lower, suddenly look ahead and then behind, so that they are at a loss and have to be led by someone.

The fast pace of thorns is also one of the main factors that create a powerful deterrent effect on the enemy.

It's like mosquitoes. If there are only one or two mosquitoes, you can slap them to death without any concern, but if thousands of mosquitoes buzz around you, even if they don't bite you, you will be crazy.

The terrible thing about thorns is here.

Generally, ordinary sword techniques are real. One knife is one knife, and two knifes are just two knifes.

The thorn is derived from the fast-paced battles of boxing, and therefore the festival is intensive, and three or four clicks in a second is an ordinary thing.

With fast pace and uncertainty, the thorns seem to be able to emerge from the chaotic fake movements at any time. This is really a mental tension. Conversely, the more nervous the mental tension, the greater the possibility of being assassinated.

This is equivalent to ordinary sword techniques, one is one, two is two, two swords are one, and pricks are just one. The result of the battle between the two sword techniques can be imagined.

The function of thorns is to sway and lure. After frequent clicks, the one or two swords are often harsh swords that kill people's lives.

Slashing is the lightest and most flexible technique in the sword technique. Slashing uses the entire blade as the force point to perform unemployment strikes, so it can be effective as you draw.

Chang Le pushes the ground with his left foot, and his right foot forward or diagonally moves forward to the right, and heels with his left foot, and strikes flat from right to left. This move can be used in both upper, middle and lower plates, and changes in response to the enemy.

After the attack was completed, he pushed his right foot backwards, moved his legs backwards, and left the danger zone, and retracted his right knife to become a warning.

The technique of sliding left flat-slashing knife is so fast that it can be compared to "lightning in the night". It requires that the right hand knife disappear with a swing, and the upper, middle and lower plates will be attacked as soon as possible.

The right flat cutter is usually connected behind the left flat cutter, with the first cutter opening and the second cut attacking.

Chang Le pushed the ground with his left foot and stepped forward with his right foot. At the same time, he held the knife with his right hand and drew it from right to left. The upper, middle and lower plates were taken at will. The moment he stepped forward in front of his right foot, he held the knife with his right hand and struck it flat from left to right, and then moved his feet back and quickly left the danger zone.

After Chang Le moved forward and attacked, his movements quickly moved backward were quick and quick.

He took two steps and took two steps. During the process of moving his right foot forward, that is, before the ground was landed, he swung his left cutter. When the right foot was landed, the right cutter was declared completed. He completed two quick cuts during a sliding step.

Chang Le moved his right foot horizontally to the front left. At the same time, he held the knife with his right hand and stabbed it diagonally from the upper left direction to the lower right. Then he quickly retracted his right foot and retracted his right knife into a preparatory momentum.

The key to this move lies in the footwork, that is, the left movement of the right foot, which is a clever way to get out of the opponent's straight attack, and give way to the sting, which is the most effective.

Chang Le's right foot diagonally further to the front of the right, and heels the left foot while holding the knife in his right hand, stabbing it diagonally from the upper left direction from the front and lower side, then slide back and put away the knife to be on guard.

Chang Le's footwork is to advance slanted right, and his body step slanted forward, and he uses a knife to face the front. This is an excellent attack and killing technique. In terms of confrontation, the assassination of a knife is a stab from top to front and bottom.

"call!"

With a pull of the knife, Chang Le slides his right foot diagonally forward to the right, and heels his left foot. At the same time, his body rotates slightly left, holds the knife in his right hand and stabs horizontally from right to left, with the right palm facing upward and the neck, and the chest is as high as his chest, then slides back and pulls the knife in his right hand.

Chang Le's feet aimed at slantingly, and the left stab of the right knife was placed in a very flat position.

Chang Le held the knife in his right hand, pushed the ground with his left foot, moved the center of gravity forward, lifted his right foot and stepped diagonally forward to the right, and landed on the ground with his right foot. At the same time, the right hand knife was lifted from the side of the body, and then stabbed the lower left from the upper right direction, and the tip of the knife was to the lower left.

He stabbed his right knife in place and twisted the knife to retract it. At the same time, he moved his feet backwards and left the danger zone.
Chapter completed!