The kestrel in the cab at the front of the car spoke a secret word, and the secret technique Luke had arranged here was activated. The door leading to the cab opened and stretched, and the light curtain became blurred and transparent during the stretching, revealing a stage behind it.

The lights were illuminated from above, and several puppets appeared in the middle of the stage.

The setting of the stage is a secret room. One of the puppets is lying on the ground with a bloody dagger stuck in his chest. The other puppets are wearing different clothes to represent their different identities.

The black and white puppet show also started at the same time.

Luke patted the empty seat next to him and said to Sandpaper: "Sit next to me. This secret technique is very dangerous. I have to always remind Kestrel what to do. If you make a wrong step, she and Boiling will die."

Sandpaper immediately sat down next to Luke obediently and asked: "Mr. Governor, did the secret technique you arranged not activate?"

"It's started, listen!"

A musical prelude sounded at this time.

Then Kestrel and Boiling walked onto the stage from the backstage, and the puppet show began to recite the narration, introducing the process of the murder. The combination of the melody of the music and the narration of the puppet show actually seemed like a BGM specially added for the plot, which was very able to set off the story.

The mood of the plot.

Sandpaper asked in surprise: "Are the two secret arts mixed together?"

"It should be..." While the narration of the puppet show was not over, Luke quickly said to the sandpaper: "Now Kestrel and Boiling are detectives and detective assistants in the puppet show. They cannot leave the stage, nor can they cast magic and

Combat skills can only be used to infer the guilt of the murderer based on the clues found in the plot.

As for the secret technique I arranged... After the prelude of the song is over, everyone in the secret technique must sing along with the lyrics. Those who can't sing will be punished with a thirty-second mental attack, during which their bodies will dance to the music.

After a song ends, the person who has been mentally attacked for the longest time will have his strength severely weakened."

Sandpaper looked strange and said: "How come there is such a strange secret technique?"

"The secret technique is inherently weird. The person who developed this secret technique likes to fight with others." Luke said with a smile: "I originally wanted you to activate this secret technique, but I didn't expect it to be Kestrel. Listen.

It’s also good to listen to Kestrel singing, this kid is usually too serious.”

Sandpaper didn't expect that she was almost plotted by Luke, but when she could hear the kestrel singing, she immediately forgave Luke.

But then she thought about it, and she couldn't help but worry and said: "If the kestrel can't sing, won't it be in trouble?"

"What's the trouble? If you can't sing and dance, your strength will be weakened after a song ends. Aren't there still us out there? What I'm worried about is..."

"What are you afraid of?"

"My secret technique has merged with Belga's secret technique. I'm afraid we are going to watch a musical."

"ah!"

It turns out that Luke's worry was correct. The intro of the music ended with the narration of the puppet show, the singing part was interrupted, and the plot began.

Because the conversation between Luke and the puppet waiter did not connect, the puppet show randomly went to "The Secret Room of Cobb's Toast".

The plot is about a serial murder case in a manor. In the whole case, seven people were killed successively, the manor owner, the manor owner's second son, the cook, the groom, the guard, the maid, and the gardener. All the deceased died in the secret room.

, although after investigation and reasoning, all the secret room murder techniques were cracked, the murderer was still not found.

Now on the stage is the first act of a puppet show. The manor owner dies in a closed cellar, and the detective comes on stage to investigate the case.

People trapped in the secret technique should not first consider how to find the murderer, but first consider how to avoid being killed. Although this secret technique has never been cracked by the players, whoever survives longer will be one of the players.

Popular sports.

When the puppet show started, Luke said to Sandpaper: "Let the kestrel talk to the cook first and go to the kitchen to check today's dinner. You can find a table knife in the kitchen."

Sandpaper informed Kestrel of Luke's strategy through the telepathy between sisters.

Kestrel immediately went to the cook with Boil and asked to check today's dinner.

The cook agreed, and the scenery on the stage became the kitchen.

Kestrel obtained a table knife according to Luke's instructions.

Then Kestrel and the cook returned to the scene of the crime in excitement.

At this time, the music suddenly started, and after a brief prelude, it came to the lyrics.

The name of the song is "Moonlight Song under the Night Wind". It is a song written by Brutov, a well-known composer in Raging Wave City. It tells the story of a pair of lovers walking in the night wind.

The song has a very beautiful melody and is very popular.

Kestrel learned the secret rule of "Give me time for a song" through the instructions from Sandpaper, and immediately started humming along with the lyrics after the intro.

What is unexpected is that Kestrel has an excellent voice. He sings the artistic conception of the lyrics along with the melody, making people feel as if they can really see a couple in love walking under the moonlight.

As for the rest...

The puppets certainly didn't know how to sing "Moonlight in the Night Wind", and they danced to the kestrel's song one by one. Even the puppets playing corpses on the ground danced along, with their gentle dance steps as if they were professional dancers.

Bo Bo couldn't sing, he just danced along with him. He walked with light steps, and he didn't look like a heavyweight war machine at all.

In addition to the puppets and Boiling, there is also an extra dancer on the stage.

He was wearing a black smock, and his face was hidden in the shadow of the hood. During the singing, his dance steps were very unnatural, as if he was being held by some force in resistance and dancing. Several times he seemed to turn into black mist.

He ran away, but every time he was pulled back to continue jumping, his movements were as stiff as a zombie.

Just like that, Luke and Kestrel in the audience were drinking tea while admiring the weird scenes on the stage.

Between the black and white tones, the horror is tinged with a sense of humor.

The song "Moonlight in the Night Wind" ended, and the plot of the puppet show continued. In the guide provided by Luke, the kestrel obtained another worn-out leather armor from the manor guard. There were weapons, protective gear, and the murderer

Not daring to kill easily, Kestrel and Boiling can survive until the next scene begins.

Luke then directed the kestrel to collect information, and before the end of the first act, he was imprisoned as the second son of the manor owner as the most likely suspect.

The second victim in the serial murder case of "Cobb's Toast Chamber" was the second son of the manor owner. The place of death was in the manor prison. If the murderer was given a head, he would not kill the detective.

The first act of the puppet show ended, and the music started playing again during the cutscene.

"The Thousand Nights Away from Home" tells the story of a traveler who suddenly felt homesickness in his heart while camping in the mountains.

This song is not as widely sung as "Moonlight Under the Night Wind", and the continuous pitch changes in the bass part make it difficult for most people to sing it completely.

As a result, after the prelude ended, Kestrel started singing along with the tune again.

The bass inflection was clear and smooth, which made Luke couldn't help but applaud. He said to the sandpaper: "I didn't expect the kestrel to sing so well! If you follow my plan, you will never have such an effect singing on it."

Sandpaper said with a dark face: "I will tell Miss Qingkong what you want to tease me about, and she will definitely help me come forward."

"Don't be so petty." Luke said with a smile: "Actually, your voice is very unique, with a unique metallic feel. I think you five sisters can form a band... think about it."

Sandpaper actually considered Luke's joke very seriously.

On the stage, puppets and Bodhisattva danced to Kestrel's singing, and Belga, the hidden third apostle, was dragged out again and danced along with him in awkward dance moves.

At this time, Belga wanted to die.

He couldn't understand how someone could develop such a perverted secret technique. Because he couldn't sing, his mind was constantly attacked, and his body was out of control, being dragged into various poses like a puppet on strings.

This secret technique is placed in the cab of the train.

This is a trap!

This assassination had long been anticipated by the opponent.

After the train was pulled into the space set up by the Abyss Master, the person arranged by the other party in the cab at the front of the train immediately started the train, causing the Abyss Master who did not enter the carriage in time to fall into space turbulence. At the same time, the changing spatial coordinates of the train also

The joint secret technique cannot be deployed in a compound manner, and the power of the secret technique is greatly reduced.

The other party calculated that he would come to the front cab of the train first to stop the train, and arranged the secret technique here in advance.

Now that one's own secret technique is merged with the opponent's secret technique, a stage of the puppet show will be completed, and a song and dance will be forced.

After dancing, your body will become weak.

Dance again and your body will become even weaker.

It was simply a competition to see who would die first in the other's secret technique.

At the end of the second song, Berga retreated to the backstage of the stage. His strength was once again lost and he was worried that he would die of exhaustion if he played a few more songs.

On the contrary, the other party acted confidently and confidently in his puppet show.

Thinking that the man in the audience could stop the puppet show from starting, Belga no longer had the confidence he had in the secret technique he had designed.

Can he crack this fatal secret?

Thinking of the deaths of the four apostles of the abyss, thinking of the mysterious elf Qingkong, and then looking at the man in the audience drinking tea and applauding.

Belga feels that he is the clown in the whole show.

End the secret technique and escape from here before you die.

Halfway through the second act of the puppet show, when the music started playing again, Berga immediately released the secret technique of "black and white puppet show".

The black and white faded away, and the carriage regained its color.

The puppets all dispersed into dust and disappeared, but the stage was still there. The music stopped suddenly, allowing Kestrel to hold back her breath as she was getting ready to sing.

When two secret techniques are fused, one of them will be released and the other will be difficult to maintain.

Belga, wearing a black robe, appeared on the stage, then turned into black smoke and flashed behind the kestrel. A black mist-like rope strangled the kestrel's neck.

Belga hid behind the kestrel and poked half of his head out to look at Luke: "If I guessed correctly, you should be the meteorite."
To be continued...