After watching the movie "Fish Dance in the Storm", Xia Tian gave Chen Musheng some suggestions.

Let him cut more cheerful scenes in the early stage to avoid being too depressed in the early stage and making the audience unhappy; and the later stage plot will be deleted to make it more compact and more refreshing, and eliminate the drag and water, so that the audience's emotions cannot be effectively vented.

Chen Musheng accepted Xia Tian’s opinions one by one and planned to add and delete them in a week. Even if necessary, he would call on the actors for reshooting.

"I understand, Mr. Xia, I will make changes as per your requirements. I will ask you to take a look after the modification is completed." He assured Xia Tian.

"Very good, just do it." Xia Tian nodded and smiled.

The narrative rhythm of a movie is very important. Because movies are stories. If you want to impart the audience into it and touch their hearts, you must control the rhythm.

When to climax, when to lay the foundation, when to make the audience laugh, and when to make the audience cry, all must be carefully designed so that the audience can get the best viewing experience.

Because the audience's emotions have a threshold, suppressing them for too long or laughing for too long will make the audience feel uncomfortable.

For example, Zeng Zhiwei once filmed a comedy film "Little Little Police". This movie is full of laughter and is arranged almost every minute. Originally, he wanted the audience to laugh from ear to ear and keep laughing, but after the movie was released, the box office was surprisingly bleak.

Later, Zeng Zhiwei understood this truth, and the audience needed to rest. Too dense laughter would only make the audience feel tired.

Similarly, there is also "Making a Fight in the Sky" directed by Wang Feiqiang. Wang Feiqiang's performance in the play is hard; he is not attentive to the arrangement of laughter; the fight scenes are not unstimulating.

But it is because the whole film is either fighting or funny, and it is a bit too hard, which makes the audience feel a little uncomfortable.

An excellent director is good at controlling the rhythm of the film narrative and accumulating the audience's emotions step by step. However, he will not break through the emotional threshold. Wait for the end, the climax will appear, allowing the audience's emotions to be completely vented and the ending will be perfect.

Among them, the best ones are Lin Lingdong. The "Prison Storm" directed by him can be called a textbook.

A Yao, played by Liang Jiahui, was bullied in prison, framed by the prison guard, beaten by the black X, exploited by the prison, and even his girlfriend was far away from him... It can be said that it was extremely miserable.

But Lin Lingdong did not blindly exaggerate this kind of misery, but instead added a lot of warm scenes to it.

For example, the old fried dough stick A Zheng played by Zhou Runfa stood up to protect A Yao when he was in danger. He also said famous quotes to help him understand him. He is the best gay friend in the world!

For example, prison prisoners were having fun in the square, Zhou Runfa wore tin foil glasses and pulled the Erhutong prisoners to sing happily; for example, on New Year's Eve, everyone danced with Deng Lijun's "Sweet Honey" and so on.

These methods effectively relieve the audience's emotions, make the characters more three-dimensional, lively, more like people, and easier for the audience to take part in the role.

Until the second half of the half hour, when the inmates started to have a hunger strike, Lin Lingdong did not add any funny scenes, but instead put pressure on them layer by layer.

Prison prices soar, exploiting prisoners; big guys are vindictive and merciless; killer heroes frame and accusations, causing trouble to the east; killer heroes use knives to kill people with swords, killing them all; big guys complain first, relying on the strong to bully the weak...

The layers of emotions were superimposed, and there was nowhere to vent, which also allowed the audience's emotions to accumulate. Finally, when Ah Zheng jumped off the bed, kicked the Killer Hokage with one kick, and bit his ears, the extreme blood and violence also made the audience's emotions fluctuate and were fully released.

At the end of the video, A Yao was released from prison successfully, and all the inmates comforted him, A Zheng returned safely. This was a successful ending, and also relieved the audience's ups and downs, which was perfect!

In comparison, Chen Musheng is still a little immature in grasping the rhythm and has a lot of room for improvement.

...

"Mr. Xia, congratulations, this must be another blockbuster movie." Huang Baiming smiled and congratulated Xia Tian.

"Thank you Mr. Huang for your praise, please give me a good word." Xia Tian smiled and then took everyone out of the theater.

"Brother Tian, ​​do you want to go to my place later?" Zhang Min blushed and asked softly to Xia Tian.

Xia Tian saw her blushing and looking at her, she couldn't help but feel moved and wanted to go with her. But when he thought of Ye Zimei, who was still waiting for him at home, he felt a little reluctant.

"There are so many people here today, so I'd rather not. I'll go see you in two days." Xia Tian whispered.

"Yes." Zhang Min nodded.

With so many movie fans and so many reporters present today, it would be a bit inconvenient if she walked with Xia Tian.

Xia Tian then said goodbye to everyone, went to Ye Zimei's home, and went to Wushan with her.

To be honest, Ye Zimei's appearance is indeed not outstanding, she can only be considered a middle-class and superior figure. Not to mention that compared with great beauties such as Lin Qingxia, Li Jiaxin, Guan Zhilin, Wang Qixian, even compared with Li Lizhen, Yuan Jieying, Zhou Haimei, and Liu Jialing, she is still inferior to those of Li Lizhen, Yuan Jieying, Zhou Haimei, and Liu Jialing.

However, her figure is too prominent, with her huge breasts and a slender waist and a perfect hourglass figure, which greatly adds to her charm.

Even though Xia Tian read countless girls, he couldn't let go of her. It was not until noon the next day that he was reluctant to leave this gentle land.

...

"Mr. Xia, Mr. Haruki Kakugawa sent three more documents, which are information about the three skyscrapers in Tokyo." After returning to the company, assistant Kenji Panasonic said to Xia Tian.

Xia Tian nodded and took the information.

After Fuso signed a square agreement with the United States, under the influence of positive factors such as the appreciation of the yen and the decline in bank interest rates, Fuso's real estate prices soared, especially Tokyo Real Estate, which surged in a crazier way, and it quadrupled in just four years. It can be said that there is no more profitable deal than this.

Under such circumstances, Summer, which has always been profit-seeking, will certainly not miss this good opportunity. He and Haruki Kakugawa, began to join forces to enter Tokyo Real Estate, engaged in the speculation and selling of the real estate market.

Ordinary ordinary people speculate on housing, one house and one house, at most, only a hundred or ten houses can be used. But in summer, they can make a building with one move, with big investment and high investment, and of course, they will also have high returns.

After buying many buildings, they will sell them in two months and make a profit of 30% or 40% of them, which is a huge profit.

Haruki Kakugawa himself does not have as much money as summer. He followed the property to trade, only a small share. It is because he ate meat and drinks soup in summer. In order to drink more soup, Haruki Kakugawa really worked hard to collect real estate market information, providing summer with a lot of opportunities to make money.
Chapter completed!