"What is the performing arts?"

The cafe is just a place where Han Yu uses it to the streets with Kim Minshuo, or a place where he is to arrange performances. After admitting that Kim Minshuo is qualified to get his professor, Han Yu took him to the place where he actually attended classes.

The basement of an old building in Cheongtandong.

"Have you ever been exposed to performance theory before?"

He picked up the coffee from the table and took a sip. Han Yu's slightly narrowed eyes looked particularly sharp under the dim light.

"Ah, the theory of performance," Song Hyuk, as a composer, has also dealt with several cross-border actors, and barely knew something about it: "Stanilavsky or something..."

Looking at Han Yu tentatively, Kim Minshuo's voice gradually lowered.

"Your classification is the division method between the former Soviets and the Chinese," Han Yu shook his finger with a soft smile: "Or it is more appropriate to be the three major schools of mainstream performance theory, Stanilawsky, Brecht, and Mei Lanfang. To be more specific, some people prefer to call them, experience, expression, and method."

"Wow." He opened his mouth slightly, and heard it was filled with fog. Jin Minshuo applauded with face: "So amazing."

"The requirement of an experience party performance is to start from oneself and live in the situation of the character." Seeing the doubts in Jin Minshuo's eyes, Han Yu smiled and explained in detail: "On the stage, in the life environment of the character, it is exactly as correct, logically, and in sequence, like a living person, thinking, hoping, seeking and moving," he stretched out his finger and pointed at Jin Minshuo, and Han Yu made the final decision: "This is the experience party!"

"That is, from the inside out, it completely becomes the character itself?" As if he understood something, Kim Minshuo lowered his head slightly, his eyes were deep, and he murmured to himself.

"That's right!" Kim Minshuo's voice was accurately captured with sharp ears, and Han Yu nodded in praise: "You are indeed very talented, so it can be understood so quickly. The ultimate goal of the experience school is to be on the stage and on the screen, in the eyes of others, the actors are no longer the actors themselves, but live characters!"

"And this is the most dangerous thing, because if the actor is too deeply immersed in the role and cannot get out of the frame of the character," Han Yu's eyes flashed with pity: "Who did you say he was?"

"Is it the actor who plays a role? Or a character who is separated from nothingness?"

Jin Minshuo held his breath and leaned back unconsciously, feeling cold sweat on his waist.

"The second way of performance is called the method school. This method has similarities with Brecht's performance system, but it cannot be simply called Brecht's theoretical system is the method school." Han Yu seemed to be very particular about this subtlety that ordinary people don't pay much attention to, and carefully reminded Kim Minshuo: "According to Brecht's proposition, actors should be superior to the role, control the role, and express the characters in the play instead of the actors melting into the role, enter the role at any time, jump out of the role at any time, face the audience, stay close and separate, and gallop freely. The actors keep a distance from the orange to form a "double image", that is, the actors are both the actors themselves and the characters in the play, and the actors use their superb acting skills to express the characters in the play."

"In other words, are the experientialists and the expressionists completely opposite?" After careful consideration of what Han Yu said, Kim Minshuo frowned and asked, "One wants the actor to be completely in line with the role, and the other wants the actor to keep a distance from the role."

"Good question!" This is how it is encountered when a student with superb understanding. Some words do not require you to mention them specifically, and he can think of them himself. Han Yu nodded with satisfaction and said, "It should be said that the two methods still have similarities. Although it is required to achieve the effect of "disconnection", Brecht still requires the actors to be experiencing, but compared with the equal status of experiential actors and roles, the performance actors require the actors to be absolutely superior to the role."

"As for the method school, it is relatively simple. Compared with the complete in-depth fit of the experience school, it requires the actors to meet the role standards at least outside, and there is a saying that "the love-freezing fish and outside the star field." It seems that the method school is not very popular, and it may be because he doesn't know much about it. Han Yu did not introduce it carefully, but just said it.

"It's emotion that moves inside and outside." Hearing Han Yu's vague Chinese, he thought about it carefully for a long time before Jin Minshuo understood the true meaning of this sentence and said it in a straightforward manner.

"Do you understand Chinese?" His eyes lit up, and Han Yu looked at Kim Minshuo and took it seriously: "That's great. When you look for information in the future, you can let you watch more Chinese movies."

"Then, you know all three ways of performing." Han Yu straightened his body from the desk with one hand and walked: "First of all, I want to make a statement that there is no saying that the three ways are higher or lower. It is only suitable or not, and whether it is better or worse."

"It can only be said that in comparison, the experience school requires the most talent of actors: the talent to liberate themselves and the talent to believe in situations. The performance party requires the highest self-control requirements, and the method school is moderate. Anyone can try it and anyone can get it, but you have to be proficient. Without decades of foundation, you can't get it."

"After saying so much, I wonder what kind of performance teacher Han Yu will teach me?" With a slight smile, Kim Minshuo looked straight into Han Yu's eyes without retreating.

"I said, there is no high or low, only suitable or not." Han Yu's attitude became much more serious: "If possible, I naturally hope to give all three to you and cultivate an unprecedented and unprecedented versatile talent. But unfortunately, that is impossible."

"The experience and the expressionists are inherently in conflicts, and the methodists take advantage of the tricks to walk the dangerous tightrope between the two."

"For example," Seeing that Kim Minshuo did not fluctuate, Han Yu tsk his mouth and raised a finger: "Senior Song Kang-ho, he is a relatively standard experientialist. Every character can be truly integrated into it. Only by being sophisticated and realistic in acting can he be called the leader of the three troikas in the Korean film industry."

"And the method school, what I admire most is the actor Chen Daoming from China," glanced at Kim Minshuo: "You should have heard of this gentleman when you study Chinese. He is himself, but every role is so interesting!"

"As for the method school, Xue Jingqiu is a relatively failed example." With a little regret, Han Yu commented: "He is a typical example of excessive force, not grasping the distance between the character, too deep, and leaning towards the experiential school, but not that high talent, so," shrugged helplessly, Han Yu joked: "If you don't have a madman, you won't survive. This is also the fundamental reason why Xue Jingqiu is called a playboy and can only be under the three horses."

"As for you," he walked to the sitting Jin Minshuo, and Han Yu lifted his chin and looked deep into Jin Minshuo's deep eyes: "What kind of method is suitable for you and which way to choose can only be understood by yourself."
Chapter completed!