A supernatural incident occurred on Zheng Qiu's side.

The situation on Wang Shifeng is similar. Liang Feifan's sudden support and recognition once again made him fall into vigilance.

Because in a sense, this old man is a living powerful man, and his status is even higher than that of Wang Luo. He is a kind of person who has great energy and can even control the fate of many people.

Wang Shifeng believed that he had no friendship with this old man and could not have been associated with him.

Could it be that Mr. Jiang has made efforts?

I don't know if it's money ability or superpowers.

"Xiao Wang, old man, I'm very interested in how your promotion method can create the cultural soil you talk about? Keep talking, I love listening." Liang Feifan said with a smile, and he looked even more kind-hearted.

Wang Shifeng grabbed his temples and chuckled, "Thank you, Mr. Liang for your love. I just want to say some of my personal feelings, and there is no way to do it."

"Young people should be more energetic. Taking every step is what we, a semi-buried old guy, should do." Liang Feifan waved his hand and encouraged.

Wang Shifeng blinked and thought it made sense, "Actually, I am not very mature. The basic logic is that quantitative change produces qualitative changes and specializes in the profession.

When it comes to cultural subject inheritance, we still have to rely on professionals like Professor Luo who specializes in dealing with academics, because they have ideals and talents, and have a sense of awe of culture."

Wang Shifeng first put a high hat on Luo Siyao, and by the way he clarified that he was an amateur person who was good at making soy sauce to prevent people from falling into trouble in the future.

"My good friend, and the general of our program team, came to Professor Liu, who told me about the difficulties of traditional culture majors, which are all relatively realistic problems. The most serious thing is the difficulty of employment, which leads to many children from ordinary families who are interested in this major will be discouraged.

After all, to be honest, since ancient times, scholars have not been engaged in production, so that they can concentrate on studying. For example, why did Li Bai write well? It is because he has nothing to do, and he has money at home, and he can become a son-in-law even if he spends money, and continue writing after he continues to write.

The same is true for Su Shi. Although he became an official, and he seemed to be a big official, he actually never touched the official seal in his life, never held real power, and was cold knowledge. All the official titles of the Song Dynasty with deputy envoys of the regiment and magistrates, sounded very powerful, but in fact they were all empty titles.

This kind of official title is basically prepared for officials like Su Shi who are very talented and talented but have no ability to govern. It is commonly known as writing poems according to the order.

It is the emperor who supports you, gives you social status and salary, but does not allow you to participate in the government affairs. You just need to travel around and write poems, and when necessary, you can give the emperor a glimpse of seeking talents and reputation. Therefore, although they are nominally officials, they are actually professional scholars.

The famous poets and literary masters in history are basically this profession. Otherwise, why did Li Bai write more than 900 poems in his life? At least there are still thousands of poems that have not been passed down. In 289 of the Tang Dynasty, more than 2,000 poets passed down more than 50,000 Tang poems.

More than 8,000 poets of the Song Dynasty, because of the movable type printing technique, there were 250,000 poems passed down. For example, Su Shi recorded more than 2,700 poems, and Lu You was even more powerful. He wrote nearly 10,000 poems in his lifetime. It was also this group of people who created our rich cultural inventory now, so professional matters should be left to professionals."

After hearing Wang Shifeng's introduction, all the audience instantly refreshed their views again.

It turns out that there were experts and scholars in ancient times, and the imperial court allocated funds to create and gave him an official position. Why does it feel a bit like...art troupe?

In an instant, everyone's image of the poet became more fuller.

Moreover, after hearing more than 50,000 Tang poems and twenty-five Song poems, everyone felt even more creepy.

I thought that 300 Tang poems were enough to be a nightmare, but I didn’t expect that this was just a drop in the bucket.

Fortunately... the Chinese textbooks are limited in length.

And... this is just the number of passed down, because the number of poems that have been lost in dynasties or wars may be even more terrifying.

In addition to regret, my mood was a little subtle.

This ancient man could write this!

"So what you mean is that people like Luo Siyao should do what they are good at, sort out documents, and be the main body of inheritance?" Liang Feifan asked with a smile.

"This is not, but the research direction is different. For example, an expert like Professor Luo who advocates retro reminds me of someone." Wang Shifeng smiled.

"Who?" He has been afraid to speak since Liang Feifan spoke. Now when he mentioned himself, Luo Siyao asked curiously.

"Hu Zhenheng." Wang Shifeng said.

"The author of "Complete Tang Poetry"? I dare not take it, I dare not take it." Luo Siyao was in awe when he heard this.

The audience was a little curious. The identity of Hu Zhenheng could be taken out by Wang Shifeng as an example, and was so respected by Luo Siyao, so he was definitely not an ordinary literati.

Moreover, this book is a bit strange. I have only heard of "Three Hundred Tang Poems". This "Complete Tang Poems" will not really record all the 50,000 Tang Poems!

Thinking of this, many student parties became a little frightened.

"This Hu Zhenheng, I hope all viewers can remember that if there were no such person, then we would be very likely to not be able to learn Tang poetry now, and Chinese civilization will always be lost as an important component, extremely bleak.

This person's achievements in the field of literature are not an exaggeration to describe the fact that he has made great efforts to turn the tide and to make the tide of his work."

Wang Shifeng looked solemn and said with a respectful tone, "Everyone must remember that all the cultural relics and cultures we can learn and appreciate now are because of a great figure like Hu Zhenheng who spent his whole life only wishing to inherit his unique knowledge for the past sages."

He is great not because of how grand he has done, but because he is willing to give up his bright future and spend his whole life for something he thinks is right and important.

I have talked about the concept called the curse of knowledge before. In fact, all viewers who have learned Tang poetry should be able to experience it personally. If Tang poetry had not been passed down and was extinct in the late Ming Dynasty, what impact would our current life have?"

Wang Shifeng's questions have caused confusion and confusion among hundreds of millions of viewers.

To be honest, the concept of Tang poetry is as friendly and natural as breathing or even their own names.

Even if the Tang poems they could really recite were inspirational Tang poems such as geese, goose, and geese.

However, it does not affect the closeness and pride of the concept of Tang poetry.

If there were no Tang poetry... it seemed that there would not be much change, but Wang Shifeng's next words enlightened them.

"When life is at its lowest point, there is no big roc rising with the wind in one day, soaring up to 90,000 miles.

When facing doubts, you will not be destroyed by your body and reputation, and will not abandon the rivers and rivers forever.

When I feel lonely, I can’t remember to advise you to have a glass of wine, and there is no friend when you go west to Yangguan.

When I visited the Yellow Crane Tower in Jiangnan, I didn’t know that there was a yellow crane that never returned. The white clouds were gone for thousands of years.

When I passed Yumen Pass, I couldn't remember that the Yellow River was far away among the white clouds, and an isolated city of thousands of miles apart."

All the audience instantly realized what Wang Shifeng said just now, as if his body lacked an important tissue, it might not affect his life, but it would also feel strange.

There are some male audiences with special circumstances who subconsciously look at their crotch and shed tears of sadness.

It hurts! It hurts so much!

China cannot lose Tang poetry!

Amid the noise, Luo Siyao looked at Wang Shifeng meaningfully because he suddenly realized that Wang Shifeng especially likes to use parallelism to motivate the audience's emotions.

Learned.

"Old Liang said before that we were envious of being born in a peaceful era with abundant supplies, so we cannot feel many daily behaviors. For people in the past, it was such a dream-making luxury.

Nowadays, everyone can record the text, which can be included in electronic products, written on notebooks, or even tattooed on their bodies. However, the ancients did not do it. Even in the late Song and Ming dynasties, paper was still expensive.

At that time, paper was precious. If you wanted to write a book called Journey to the West, it was no less than buying a fruit tablet or a high-end version, so that everyone would have a concept. Why did the ancients always say concisely and why did the single-word information in classical Chinese have such a huge amount of information."

Wang Shifeng sighed quietly

"And even if you have the conditions to write it down, the chances of being able to save it are slim. Li Bai and Du Fu are already the top authors of the Tang Dynasty. It is not an exaggeration to be called a word of money.

However, according to the research, the poet Du Fu passed down more than 1,400 poems, and these poems were written after he was forty, and he died at the age of fifty-eight. In other words, these 1,400 poems were only works of his second half of his life, and before he was forty, he had not passed down for at least twenty years.

We always say that Du Fu's poems are good for caring about the world and compassion for the world, but don't forget that this is because these poems are written during the catastrophe of the Middle Tang Dynasty, the country is turbulent, the princes are in power, the warlords eat people, and evil ghosts travel to the world.

In this situation, after seeing all the miserable world, he could only write about the sadness of his eyes. Because he traveled far away, what place is the land of happiness? How dare he linger in lingering sadness?

But don't forget that Du Fu was the one who had seen the last glorious people in the early Tang Dynasty. He was also a young man from Wuling who was once proud of his pride and saw all the flowers in Chang'an in one day. It is hard for us to imagine how crazy and unrestrained his 18-year-old poem could be.

We all know that Li Bai can write poems. The "Da Peng Fu" I just mentioned is almost everyone knows it. However, according to literature records, Li Bai had a poem called "Hongyou Wen" and "Da Peng Fu" at that time, but unfortunately, it has not been passed down.

Some people speculate that Li Bai's works in his life are at least 5,000, or even 10,000, because his writing poems are as simple as drinking water, but one of the ten that has been passed down has not yet existed.

Zhang Ruoxu, who wrote "Spring River Flower Moon Night", is known as the founder of Tang poetry. He cannot only write one poem in his life, but only one poem is passed down. The spring river tide is connected to the sea level, and the bright moon on the sea is born with the tide and becomes a masterpiece.

Master Meng’s poems are well-known all over the world. Shortly after his death, someone participated in the compilation and collection of his poems, but in the end only more than 200 poems were passed down.

Li Shangyin, who was indecisive for fifty strings of brocade, was in the name of Xiao Li, personally wrote his own collection of poems in total forty volumes, but in the end one volume was not preserved. Later generations searched for restoration through various clues, and finally more than 600 poems were circulated.

The lifelong efforts of these poets were either destroyed by war or exiled to the desolation. The poems we see now are not just empty Chinese characters, the vicissitudes contained in them are the wind and frost of our unimaginable experiences.

We may not feel the preciousness of these poems, but someone can, such as Hu Zhenheng, a native of Chicheng Mountain, realized that if these poems are not included and preserved, the descendants of China will lose their unimaginable treasures.

So he gave up his career and spent more than ten years, and spent all his money to collect and organize the "Tang Yin Tongxuan" that shocked the past and present, correcting the name of Tang poetry and continuing his bloodline. Now we can appreciate and learn these ancient poems. It is not that we should have done so, but that there are sages who go against the heavens and change their destiny in the long river of time."

Wang Shifeng's description is like a heavy hammer, knocking everyone out of their mouths.

They could not imagine how amazing Du Fu's poems would be if they were passed down.

But they knew that there must be a place for Chinese textbooks.

Even those who are not interested in poetry will feel a sense of regret.
Chapter completed!