Chapter 6 Nothing more than that

Author: Mr. Qinzuo, who works hard

Chapter 6 Nothing more than that

If it's just about the pure beauty in music, Fu Diao thinks he's no worse than others.

I remember when he was sailing on the sea, people often called him the first pianist on the five oceans and the first pianist at sea.

Although there are not many pianists at sea, not even one percent of those on land, this is still a very high compliment.

The actual situation was just as Fu Tiao thought. His performance on Chopin's Third Piano Ballade, the first piece in the Chopin International Piano Competition Qualifiers, was very eye-catching.

If this piece is really used for competition, it is not suitable. After all, the overall difficulty is indeed low.

But here comes the question, can the Little Star Variations played by top pianists and ordinary people be the same?

Mozart's works are often called by many people as the most difficult to interpret. This does not mean that Mozart's works are so difficult or difficult to perform, but that among Mozart's works, it is difficult for modern people to interpret Mozart's works.

A unique feeling.

Mozart had a childlike innocence when he wrote those works, and there was also a little adult maturity in them.

If you just want to interpret innocence, you will definitely look very stupid. If you want to interpret the maturity in innocence, you will easily fall into another misunderstanding.

The degree is very difficult to grasp.

Chopin's Third Piano Ballade also has this problem. Where is the degree?

What kind of performance is sweet between men and women? And what kind of performance is industrial syrup?

How to make the audience feel sweet when listening to your works instead of feeling boring is one of the key points.

Secondly, in addition to interpreting the sweetness in the music, you also need to pay attention to the person behind the music.

chopin!

What is played in this competition is still Chopin's after all. At the very least, you have to make your interpretation closer to Chopin. Only in this way can you achieve higher results.

Although the Chopin International Piano Competition is now divided into two major factions, the ego faction insists that performers should have a dialogue with Chopin, and the purist faction who insists that performers should abandon themselves and interpret Chopin wholeheartedly.

However, even if they are egoists, they still need the shadow of Chopin in their music, rather than simply the existence of "you".

Fu Tiao's performance in the sweetness of the music was very good, exceeding all the judges' expectations, making their bodies relax involuntarily and no longer feel so tense.

And in his interpretation of Chopin, he slightly imitated other people, with many shadows of others mixed in, which sounded strange.

Although it was still Chopin, they couldn't hear anything special in this Chopin.

After weighing the two against each other, the judges gave Fu Tiao a very high score.

If it were just a single piece, this piece would have a full 22 points!

The competition is a 25-point system, with 15 points for passing, and 22 points converted, which is 88 points out of 100!

This result is already considered very good among all the players! A normal player can be considered very good if he can score 20 points. Only a very small number of people who have the qualifications to win the championship from the beginning can score 23

points, a score of about 24 points.

If it weren't for Fu Tiao's overly mixed interpretation of Chopin, his piece would definitely have scored 24 or even 25 points.

However, this is only the first piece, and there are many other pieces that have not yet been performed.

The works that Fu Tiao initially submitted to the Chopin International Piano Competition Organizing Committee were Chopin Etudes 10-4 and 25-10. In words that ordinary people can understand, the folk translation of these two works is, Black Keys,

Winter wind.

Fu Tiao has a slight problem with these two works. His interpretation of these two works is slightly inconsistent with everyone's expectations.

There are no mistakes, not even a single mistake was made in these two works.

Is there a problem with the tempo? No.

After all, when Fu Tiao played the piano with others on the boat, his speed was so fast that one person could play the parts of two people. Even if he could not restore his previous state after being reborn, there would still be no problem with the speed of playing these two pieces.

But when it comes to the interpretation of the final work, problems arise.

The performance of Fu Diao in these two works is still the same as before. Chopin's feeling is not pure enough, and it feels like a lot of things are mixed in.

The basic standards are met, but other content is still slightly lacking. The expressions of several judges wrinkled slightly, thinking.

"This Dior seems to have some problems with his interpretation of Chopin. In the previous Chopin Piano Ballade No. 3, his beauty in performance made up for some of the loopholes above, and now these two etudes

, his problems in music interpretation are more obvious."

"Well, technically there is absolutely no problem, but there is a slight flaw in the interpretation of the content. This needs to be corrected. Personally, I tend to give the etude a score of 19, which is not bad, but not perfect."

"Well, let's continue looking at it later. The two mazurkas at the end are also fast-paced works. These two works may be relatively weak for him. Focus on the nocturne at the end."

"Yes, if his personal performance talent lies in the beauty of music, I think he can make the final judgment after listening to the nocturne."

"It's a pity. This person's score should have been quite high. Who is his tutor? For choosing a work like this for him, is there something wrong with his teacher's brain? Doesn't he know how to use his strengths and avoid his weaknesses?"

"Perhaps the teacher thinks that he has no problem with his performance and is so talented that he is not afraid of choosing music?"

"There's another possibility...he doesn't have a mentor."

After the last sound fell, the other judges looked at each other, and then laughed at the same time.

"Hahaha, how could there be no teacher?"

"Yeah, how can you enter the preliminaries of the competition without a mentor?"

"Although I don't want to admit it, basically all of the Xiao Sai contestants came from well-known teachers, with almost no exceptions."

"Yes, yes, that teacher of his may just be not very good at coaching competitions."

Everyone laughed and ignored the incident.

Everything else was just as these judges noticed. Fu played the mazurka well, and there was absolutely nothing wrong with it. But it can only be said that it was not that satisfactory.

Fu Diao himself didn't feel anything, he was just immersed in his own music.

The large screen next to it scrolled, and Fu Diao's last piece appeared on the screen.

"Chopin Nocturne:Op27,No1"

Everyone's slightly lazy bodies couldn't help but sit up straight and looked at Fu Diao in front of them carefully.

They were a little curious about how Fu could play his nocturnes.

After all, Fu Diao gave them a great shock in terms of the beauty of music!

In the sight of everyone, Fu Tiao just raised his hand, took a deep breath, and leaned forward slightly.

With an extremely gentle gesture, he dropped the first note.

I’ve written 40 chapters, it’s so comfortable
Chapter completed!