Chapter 284, Unstoppable

Author: The cat’s voice remains

Chapter 284, Unstoppable

["Is this the Lion's Roar Kung Fu? Who does Tai Chi?"

"Ah, lion's roar, Tai Chi!"

"It's a waste of soup and medicine even if it's cured, forget it,"

"kindness."

"Oh no, Brother Chen, drive quickly! Drive!"

As soon as the scene changed, the charterer didn't know when he was sitting in the front seat of the car, and the charterer didn't know when he was sitting between Brother Chen and Master.

An ax helped the younger brother run over: "Brother!"

The master reprimanded loudly: "What are you doing, brother! Do you have a sense of public morality? You are so noisy and noisy that the neighbors don't have to sleep? I have to go to work tomorrow, so get out of here!"

The younger brother looked at the landlord and the landlord, then walked away knowingly.

The master snorted: "You scum!"

The charterer gave Brother Chen a classic Bruce Lee pose.

The car started to leave. Brother Chen took out his cigar in fear. The master's lighter could not be lit. Suddenly it lit, but it burned Brother Chen's hair. In desperation, the master accidentally took a wine bottle and hit Brother Chen on the head.

The fire suddenly became bigger.

Then the camera turned around and what was seen in the picture was a car with flames and smoke disappearing into the dark night.]

"Ha ha ha ha……"

"Killing me."

"Lu Bu and Frog are too funny."

After seeing this segment, the audience laughed and talked, and the atmosphere in the entire theater was very relaxed and happy.

Hu Jing smiled so hard that her eyes turned into two crescent moons, the corners of her mouth curled up in a graceful arc, she lay on Lu Bu's arm and whispered: "How do you manage to be serious and funny without laughing?

?”

Lu Bu spread his hands helplessly and said, "When I was filming, I really didn't think there was anything funny."

He was telling the truth. The studio was extremely quiet at that time.

In fact, this is the "laughing fruit" created by Zhou Suichi using music. In the scene just now, the song "I Will Not Go to Hell" was used when his hair was burned. This is a typical use of words that are opposite to the current situation.

The music creates a huge contrast that makes people laugh.

When it comes to the soundtrack of "Kung Fu", it is very distinctive. The music styles are very diverse, but not confusing at all. Whether it is Chinese music or Western music, it is pure, and there is no mixture of Chinese and Western music.

The movie mainly features seven folk music pieces: "House of Flying Daggers", "East China Sea Fisherman's Song", "Zheng Feng", "Heroes Defeat the Dadu River", "The Order of the General", "The Order of the Sichuan General" and "The Little Knife Club Suite".

And two Western pieces of music, "Song of the Wanderer" and "Sabre Dance", as well as two pieces of music from the 1930s and 1940s in the old magic city, "Don't Forget Tonight" and "Dream Man", etc.

All the soundtracks were completed by Huang Yinghua. At that time, Zhou Suichi had very high requirements for music and very strict control, which put a lot of pressure on Huang Yinghua. Huang Yinghua wrote the more than 100 minutes of film scores over and over again for three or four months.

I don’t remember how many versions I wrote.

The final result is good, presenting a feast of soundtrack that is so perfect that it is so perfect. Whether it is the smallest details or the entire movie, the soundtrack is almost completely synchronized with the plot, tender, funny, and charming.

There is nostalgia, but also grand momentum and exciting rhythm.

Among them, the most outstanding song is undoubtedly "Just One Day to Live for You" composed by Liu Jiachang and adapted by Huang Yinghua. It appears in Ah Xing's robbery of the mute girl and Ah Xing's final encounter with the mute girl.

When Ah Xing robs the mute girl, the rhythm of this song matches the development of the plot and the performances of Zhou Suichi and Huang Shengyi are simply perfect and shocking.

In the end, A Xing and the mute girl met. Under the soothing saxophone playing, A Xing and the mute girl circled around and returned to their childhood. It was peaceful and quiet but shocking. It was like a full stop, giving the movie a happy ending.

.

"It's so good when lovers finally get married." Hu Jing was still immersed in the two-way love between Ah Xing and the mute girl.

"It didn't use too much pen and ink, and it was the cliché plot of a hero saving a beauty, but in the hands of Master Xing, this love became very attractive and touching." Lu Bu sighed repeatedly.

"I have seen a sentence on the Internet before, which very aptly sums up the movie of Mr. Xing. It says, 'Miss Zhou Suichi, who missed the love of his life. The movie satirizes everything except love.' This is also true of other directors.

You can't learn it." Hu Jing said slowly.

"Yes, love becomes elusive in "Tang Bohu Spots Autumn Fragrance", love becomes simple in "Domestic Lingling Paint", love ends tragically like in reality in "Westward Journey", love begins in "The God of Cookery"

It has become important, overriding everything. In "The King of Comedy", the sincerity and perseverance of love is not "I love you" but "I support you" when Yin Tianchou musters up the courage to confess to Liu Piaopiao.

"The love in "It's romantic, it's what love should be like." Lu Bu talked eloquently.

When he was a child, the mute girl handed Ah Xing a lollipop, and Ah Xing chose to leave; when he grew up, the mute girl handed Ah Xing a lollipop again, and Ah Xing ran away again; whether it was Ah Xing as a child or as an adult.

, when justice is overwhelmed by evil, love becomes extremely fragile in an era where black and white are reversed.

Ah Xing must pick up kindness in order to have love. Finally, with a kind heart, love returns to its purest moment, just like the child Ah Xing and the mute girl walked into the candy store hand in hand.

It is said that Hayao Miyazaki has created a beautiful dream for countless children, and Zhou Suichi is no different. Although the movies he makes are all commercial films, behind the funny stories, he always uses a childlike perspective to put forward various thoughts on the adult world.

and questioning, bringing a beautiful fairy tale.

"'Kung Fu' will definitely be a hit at the box office, I'm telling you!" Hu Jing suddenly said with great certainty.

"The box office is not bad, but the reputation is not good. Star Master's movies were criticized badly when they first came out." Lu Bu was still a little worried about this.

"Would anyone criticize such a good movie?" Hu Jing couldn't find any flaws. The action, special effects, soundtrack, dubbing, acting, etc. were all perfect.

"You forgot, I am a box office poison." Lu Bu made a joke of his own.

"There's nothing wrong with your performance as Brother Chen. He brought the ruthless Ax Gang to life, especially when he killed his elder sister-in-law and younger brother. He showed his bottomless and ruthless character to the fullest. If anyone dares to criticize you, I

Just go find him and argue!" Hu Jing raised her fist.

"This role was only played for ten days in total, but it has a different feeling from those previous roles, more..." Lu Bu paused, and finally used "interesting" to describe it.

"You, you have played too many roles of the same type for a period of time, and you feel tired. Now you suddenly play a role that you have never tried before, which will be very fresh." Hu Jing analyzed.

"The one who understands me is Jingjing." Lu Bu said with a smile.

"What's the name of the mute actress?" Hu Jing asked.

"My name is Huang Shengyi, what's wrong?" Lu Bu replied.

"My eyes are as clear as jade, and although I don't have a single line, I can win the hearts of countless boys and girls with just one tear." Hu Jing couldn't help but praise her, she was indeed fresh and refined, and had a charming temperament, then she added

: "She is going to reserve a position as a new four-star actress."

"Isn't it the Double Ice Four Dancing Stars? Why is there a new Four Little Flower Dancing Stars?" Lu Bu asked doubtfully.

"Alas..." Hu Jing sighed softly and said: "As we get older, a new generation replaces the old ones. The generation of actresses born in the 1980s, headed by Liu Yifei, pushed us former waves onto the beach."

"You can't say you are old when you are eighty years old, let alone when you are young." Lu Bu said calmly.

Hu Jing didn't dwell on the problem, touched her stomach and said, "I'm a little hungry."

Lu Bu also had a point, and immediately said: "Then let's go have a midnight snack."

While the two of them were looking for something to eat, the audience members who were leaving were also chatting about "Kung Fu" in groups of twos and threes.

"This one is still Xingye's usual series of small characters to big heroes. It's very classic and very meaningful."

"Yes, the little people counterattack, full of sadness and joy."

…

"Finally, it's no longer the one-man show in Zhou Suichi's previous movies, but a group of heroes dancing together. The characters such as Fire Cloud Evil God, Charter Man, Charter Woman, Coolie, Tailor, and Fried Ghost are all vivid and unique, making it unforgettable!"

"My favorites are Brother Chen and Jiang Bao. Both of them are serious and funny."

…

"This is Ah Xing's Kung Fu dream, Master Xing's Kung Fu dream, but it's not our Kung Fu dream."

"The fighting action is really fun to watch. I like this comic style."

…

Lu Bu's worries seem to be unnecessary. Judging from the feedback from viewers who have watched it, they like it a lot.

But, is that really the case?

The next day, some professional film and television newspapers, film publications, and website forums published comments on "Kung Fu".

"Entertainment Film and Television News": An Ax Gang who is looking for thugs everywhere fights against a slum. The protagonist is a low-level person in society. When he was a child, he learned the Tathagata Palm and wanted to be a righteous man, but was severely beaten by the society. Later he decided to be a bad guy, but his conscience was still intact.

He turned against the enemy and became a good person, and finally counterattacked and defeated the number one master and influenced the opponent. Plus, there was a touching love story as a foil, which was very cliché.

"Film Fortnightly": Zhou Suichi's works have shown his determination to seek breakthroughs in performance style from "The God of Cookery" to "The King of Comedy" where he directed his own works. But it was from this time on that his works were in order to carry the

More independent and even promising ideas have become nondescript. This may be due to the failure of "Shaolin Soccer"'s transformation and creative exploration, which made Zhou Suichi hope to turn over with "Kung Fu". But from this perspective, this time it is still

Overkill, obviously, the path of acting and directing is not suitable for every actor.

Maopu.com: "Kung Fu" is different from Tang Bohu's exaggerated comedy, and it's not all Yin Tianchou or Zhizunbao who laughs with tears, but it is still a "Stephen Chow work" that the audience is familiar with, and it has nothing to do with "special effects" and

The important thing about the "nonsense" debate is that as a director, he is forming his own style. It can also be summed up in one sentence. This is a display of Zhou Suichi's culmination of many years of practical experience in film production.
To be continued...