The weather in the south changes as soon as you say it.

A sudden heavy rain broke the peace of Jingcheng Town. Many tourists who came here were looking for cultural and creative shops everywhere to hide from the rain.

However, these cultural and creative stores that specialize in selling various craft porcelains and allow tourists to make their own pottery. Because of this rain, there has been a wave of business.

Ye Weiyang's heart was quite collapsed when he looked out the window of "a rare misty day".

The theme he chose was blue and white porcelain, but "the sky blue color is waiting for misty rain" had nothing to do with blue and white porcelain, and even violated the rules of firing kilns. Kilns are not opened on rainy days.

More importantly, this sentence is still the core lyrics of the entire song "Blue and White Porcelain", and the memory point.

Obviously, it is impossible to delete or modify. Once delete or modify, the soul of this song will be gone.

Ye Weiyang didn't think that his lyrics could surpass Fang Wenshan, so he modified this lyrics better.

That would be troublesome.

If he sings blue and white porcelain, but the lyrics go against the craftsmanship of the porcelain, will he be considered wrong and then reduce his impression score?

Ye Weiyang stood on the eaves under the rain and began to disturb himself.

After a moment of entanglement, Ye Weiyang decided to continue using this set of words!

If you don’t talk about anything else, just talk about the aesthetics of the lyrics of "Blue and White Porcelain", there is absolutely nothing to say.

How many infatuated love, the bitter lovesickness that cannot be waited for, and the love that cannot be fulfilled can be summarized by "the sky is waiting for mist and rain, and I am waiting for you".

Such lyrics cannot be discarded just because they are contrary to reality.

The same thing is said, art is derived from reality, but it is higher than reality.

Does Fang Wenshan himself know that "sky blue" has nothing to do with "blue and white porcelain"?

Ye Weiyang doesn't believe it.

Even if he had a little understanding of the situation and looked at the pictures of blue and white porcelain and Ru kiln, he could tell which one was sky blue.

After a little question, you will know that the kiln cannot be opened on rainy days, because the humidity is too high, so the temperature in the kiln cannot be controlled properly.

As a professional lyricist, Fang Wenshan made such a low-level mistake when writing a song that is related to blue and white porcelain.

But people still choose to use this lyrics, which means that Fang Wenshan still can't bear to give up this good lyrics that occasionally inspired.

Facts have also proved that this sentence is indeed enough to amazed the audience and has become a timeless classic.

Moreover, most of the songs "Blue and White Porcelain" describe emotions, and basically they describe blue and white porcelain. Even if the occasional sentence is Ru kiln porcelain, it seems to be injustice.

Ye Weiyang believed that as long as he sang this song on the stage of his second performance, he would definitely receive a lot of applause. No one would care about these trivial things under the light of this excellent music.

This is indeed the case.

Fang Wenshan was interviewed and asked about the incongruity of the lyrics.

This was how Fang Wenshan answered at that time.

In fact, after he finished writing this song, he considered using "Ru Kiln" as the title, rather than "Blue and White Porcelain", because this song was written on Ru Kiln and Blue and White Porcelain at the same time.

But after thinking for a long time, he still did not choose the title of "Ru Kiln".

Although due to the war and the factors such as the glaze formula and firing process, there are only more than 70 Ru kiln treasures handed down from all over the world, which can be regarded as the country's treasure and is extremely precious.

Using "Ru Kiln" as the song title can indeed give the song a sense of shock brought by unparalleled rarity.

But the problem arises again, because the pure and top-quality Ru kiln only has one color, which is "sky blue", with no fancy patterns at all, and the shape is simple and elegant, just like the works of today's minimalist masters.

However, the simple connotation and durable texture unique to Ru Kiln are not enough to describe the bizarre and changeable love, both love and hate.

The theme of the song "Blue and White Porcelain" is to use objects to describe people and porcelain to describe love.

So in the end he gave up using Ru Kiln as a song name.

In addition to its characteristics not suitable for lingering love, the name of Ru Kiln is also slightly less poignant.

After several twists and turns, the song title was finally confirmed to be "blue and white porcelain", which was first burned in the Tang Dynasty and has been one of the most representative exported artworks in China for more than a thousand years."

So in fact, although the song "Blue and White Porcelain" is called "Blue and White Porcelain", it actually describes two types of porcelain "Blue and White Porcelain" and "Ru Kiln"!

Ye Weiyang actually didn't know these things before.

But after Teacher Guan Xuan's guidance, he figured out what the theme of this song was.

But even so, Ye Weiyang decided to continue to use "Blue and White Porcelain", and he did not intend to make any changes to the lyrics.

If you really want to change, you will only backfire.

The essence of lyrics is to express a kind of artistic conception, so that we can appreciate it. This is the fundamental point. To do this is good lyrics, good poems, and good articles. If you are entangled in grammar, typos, and format, you will lose the root of the root and go to the end.

I believe that the excellence of the song "Blue and White Porcelain" is enough to cover up this flaw.

In the next few days, Ye Weiyang followed Teacher Guan Xuan and began to participate in the production of a kiln of blue and white porcelain throughout.

Starting from the first step in making blue and white porcelain, I tried to make a blue and white porcelain work by myself.

However, the first time he did it, there were naturally many unsatisfactory things.

It’s better to refine fetal soil and make embryos, but it’s nothing more than “playing with mud”, but he’s very quick to get started.

But from the beginning of painting, Ye Weiyang was timid.

How could he draw anything? He would use a brush to draw it. He painted it on a good utensil like a chicken pecking at rice.

It's a pretty flower, just like a chicken's feet, and there's no aesthetic sense at all.

But Ye Weiyang was quite satisfied with it. After all, this was done by himself. As the saying goes, he is full of harvest.

After mixing water, placing glaze, firing kilns, and making all the processes, Ye Weiyang really felt the difficulty of making blue and white porcelain.

Especially when burning kilns, the master never relies on a thermometer, and the temperature control in the kiln is all based on one feeling!

As we all know, whether the temperature control is good during the kiln directly determines the final quality of the porcelain. Even if the difference is a few degrees, it will cause the final product to fail to achieve the most perfect presentation effect.

But in Teacher Guan Xuan's hands, the flames were like a well-behaved kitten. Teacher Guan Xuan could control the number of degrees at a few degrees, not much at a little, not much at a little.

In the end, Ye Weiyang's "blue and white chicken claw pattern folding plate" took a total of two days to make it perfectly.

Except for the plate being a little crooked and the blue and white patterns on it are a bit ugly, Ye Weiyang is very satisfied in other aspects.

While waiting for the successful firing of blue and white porcelain, Ye Weiyang also dug out the lyrics and music scores of the song "Blue and White Porcelain".

However, during his continuous communication and digging of the score with Teacher Guan Xuan, he came up with a new idea.
Chapter completed!