"Opening a painting exhibition? My painter is still far from being able to start a painting exhibition."

Huang Meiling said with a wry smile.

Seeing that she dared to laugh at herself, Chen Rui breathed a sigh of relief when he knew that she was not angry.

"Ah? Not that! I see that all the paintings you have are good?"

Chen Rui pointed at the studio, there were dozens of various copied paintings hanging above.

Huang Meiling looked up at him, her eyes were very strange, and Chen Rui felt a little embarrassed when he looked at him.

"are you serious?"

"Ah! Cough cough cough..."

Chen Rui could only use dry cough to resolve his embarrassment.

"Hahaha, I'm teasing you, of course I know what my level is!"

"Hey, I have been learning Western oil painting since I was a child, and I always feel that I still have some talent in this regard."

"But who thought that after learning for almost twenty years, I still couldn't learn the essence of it."

"For example, at the beginning, I learned from Rembrow, and Ingel learned from them to draw classical oil paintings."

"It's a pity that I can't draw the exquisite level of theirs..."

"I feel like I can't reach their level, so I started to learn from Monet, Cézanne, Picasso, and draw abstractions."

"But no matter how you learn, you can't learn the casual and free manners that others do."

"Hey, it seems that I really don't have the talent in drawing..."

After hearing Huang Meiling say this, Chen Rui sighed in his heart that this beauty has learned so much.

After learning this way, I learned all the representatives of several major European painting schools!

Earlier, he had ‘collected’ so many European oil paintings.

He has both the collections of Rembrow's and Monet's, so he has also studied these two people and the European oil painting faction.

Therefore, Chen Rui has quite some insights into the European oil painting sect.

For example, why is Rembrand's paintings so expensive, and why is he so high in the European oil painting circle?

That's because he and Angel are the peak representatives of European classicalism.

What is the European classical school? It is actually the realistic school of painting.

Their paintings focus on reality and try to be as close to reality as possible.

Moreover, their paintings pay great attention to the beauty of lines and power.

So from the beginning of the European Renaissance, the earliest Leonardo da Vinci began to bring about the European realistic style.

More than two hundred years later, Rembrow and Ingle brought this style to a peak.

But after Rembrandt and Ingel, the European oil painting industry suddenly changed.

The painters behind are no longer painting classical and realistic paintings.

Instead, he began to turn to abstract...

Why?

Because the painter in front of you has already taken this road to the top?

If the painters behind us are still following you, wouldn’t they be terrible all the way?

So, after Rembrandt, Monet, Cezanne and Gauguin, the group of people like Rembrandt, simply created the abstract school.

In fact, this abstract school is very similar to our ink painting school, and it is so confused.

What people pay attention to is such a artistic conception!!!

This is also one of the main reasons why Monet, Cezanne and Gauguin have such a high status in the oil painting industry.

Because the three of them can be said to be the founders of the early days of the Abstract Arts.

Only then did the abstract masters such as Picasso, Kandinsky, and Mondrian appear.

Until now, the Western oil painting industry still has abstract art as the mainstream.

Why has the classical realism never returned?

Because of the appearance of cameras, how can they be so damn?

At this moment, Chen Rui looked at Huang Meiling who was a little lonely beside him and thought for a moment and comforted her.

"Ha, if you had known this, you might as well learn Chinese painting from the beginning."

Huang Meiling was stunned and quickly understood what he meant.

Then I couldn't help laughing.

"You guy, do you want to be exhausted?"

"If I learn Chinese painting, wouldn't I have more styles to learn?"

In fact, our Eastern Dragon Kingdom is similar to the Western history in the history of painting development.

Before the Song Dynasty, our Chinese painting school, the mainstream painting style, was the realism school!

This painting method reached its peak in the Song Dynasty.

But in the Yuan Dynasty, painters changed their paths.

Because he found that if he still draws according to the realistic drawing method of drawing.

Then they will never be able to catch up with the predecessors of the Song Dynasty.

Therefore, in the Yuan Dynasty, the painting method of the ink painting school was created, which was hazy and focused on an artistic conception.

In the Ming Dynasty, for the same reason, painters also opened a different track.

At this time, the green landscapes of Zhejiang School became the mainstream of the painting world.

In the Qing Dynasty, our painting style was updated and iterated again.

Because the Chinese paintings of the Qing Dynasty added Western realistic painting techniques based on the artistic conception of ink and wash.

Therefore, our painting style is also iterating forward.

It’s not that the painting method in front is not good, but that the painter in front is very good.

If the painter behind doesn't want to follow the previous painter, he can only change the track...

It turns out that since our ancestors, we already knew the principle of changing lanes and overtaking!

"Actually you can think so."

"Those you feel inferior to are the top students in all schools of painting."

"You are naturally slightly worse than them, but what if you compare with the other painters of these schools?"

"We can't compare to Lenbrunn and Angel, can we still compare to the realistic figures such as Hals, Vermeer, and Young Vanc?"

"We are not as good as masters like Van Gogh, Monet, Picasso, and Kandinsky."

"Can we still compare to Juan Miro, Kuberka, Malevic, these abstract minions?"

Chen Rui was talking nonsense here, but Huang Meiling on the opposite side was already smiling.

Although I also know that Chen Rui can really praise her, I have to say that these flatteries really hit her heart.

She has always regarded herself very highly, so she often compares herself with masters such as Rembrow, Angel, Van Gogh, and Monet.

But now when I think about what Chen Rui said, it seems to be reasonable.

Why do you have to compare with these masters who have established sects?

What if those other painters compare?

Although Chen Rui said that Hares, Vermeer, Yang Fancl, Juan Miro were not small minions.

But if he really competed with them, Huang Meiling suddenly felt a sense of confidence.

It seems that it is not impossible to compare yourself with them!

Seeing the smile gradually appearing on Huang Meiling's mouth, Chen Rui also breathed a sigh of relief.

Finally, he coaxed the beauty back.

"By the way, you just said, you seem to have studied the pigment ratio of Da Vinci?"

"Can you make a color adjustment?"
Chapter completed!