Chapter 61 Missed again

Eighteen-year-old Nie Guangyi is at a very big turning point in his life.

He had just lost his mother, and he had a quarrel with his father, who had been close friends since childhood.

His life suddenly had no direction.

He does not necessarily have to go to Tsinghua University.

If so, he can still pass the exam if he repeats it.

Nie Guangyi no longer knows what is right and what is wrong.

His grades are very good, but his mood is very bad.

He wanted to convince himself to forgive Nie Tianqin, but he couldn't.

He wanted to tell himself not to get into trouble, but he just couldn't digest it no matter what.

He wanted to hang out with his classmates like before.

Over some inexplicable little thing, I burst out laughing.

But now he doesn't even have the desire to talk to people.

Nie Guangyi chose to leave and become an exchange student around the world.

If a person needs to constantly adapt to new environments, he may not have so much time to dwell on the past.

He doesn't even want to go to school.

Only places like museums can allow him to calm down and think.

After picking up the [Source of Aurora], Nie Guangyi did not stay in "The Wedding of Cana" for too long.

He found that even when he was staring at Veronese's masterpiece, he could think of Professor Nie who was far away in the Magic City.

A total of more than 130 people were painted in "The Wedding at Cana".

The picture clearly depicts a story from the Bible, about the miracle of Jesus turning water into wine, which was even more delicious than the wine originally provided at the wedding.

Veronese, however, painted both himself and his teacher Titian into the painting.

This has to make Nie Guangyi think of "The School of Athens" which is half a century earlier than "The Wedding at Cana".

"The School of Athens" is a masterpiece handed down by Raphael, one of the three masters of the Renaissance.

Raphael painted a total of 11 groups of 57 people in "The School of Athens".

Plato, Aristotle, his mentor Socrates...

Raphael also drew a face of his own in a very inconspicuous position.

Before the stalemate, Nie Guangyi discussed this issue with Professor Nie.

Why did ancient European painters paint in fairy tales and paint themselves together with gods? But in ancient China, it is rare to hear of such masterpieces handed down from generation to generation.

Professor Nie said that the gods in ancient China did not eat the fireworks of the human world.

But the gods in ancient Greek mythology are all kinds of fireworks.

Those gods are not perfect and have all kinds of problems.

It might be selfish, it might be carefree.

They are no different from ordinary people, so there is no sense of distance.

Thinking of Professor Nie, Nie Guangyi became irritable.

He left the Mona Lisa Hall in a hurry.

Before leaving the Louvre, he took [Aurora Source] to the lost and found office of the Louvre.

The staff there are busy assisting in handling various theft reports.

No one has time to care about an A4 piece of paper that cannot be called a work at all.

Nie Guangyi spent several hours at the lost and found office - he was so idle that he didn't know what to do.

Within a few hours, several wallets were stolen.

It’s all about being careless when looking at the Mona Lisa.

Even cash and credit cards are gone.

In that era when mobile payment had not yet taken off, it was difficult to make a move without a card and cash.

Some even cried directly there.

Nie Guangyi spent four hours in the lost and found office looking at the warmth and warmth of people, but he didn't meet anyone looking for the "painting".

In this case, even if he kept this A4, he probably wouldn't be able to escape the fate of being thrown away.

Nie Guangyi accidentally put this "work" into his bag.

It can be regarded as the origin of him and Meng Xinzhi.

It's just that I don't have a very deep memory.

I've never even seen his face, so it's strange to have memories of him.

Nie Guangyi spent some time at the lost and found office.

Meng Xinzhi and Zongji also lost some time.

On the way out of the Mona Lisa Hall in a hurry, the father and daughter met a staff member wearing a Louvre uniform who was being interviewed by a Chinese TV station.

There were two microphones for the interview, one with the TV station's logo on it.

The other one is the designed program logo.

Meng Xinzhi didn't remember the logo of the TV station. It was already very unclear whether the program logo said "Approaching Leonardo da Vinci" or "Introducing Leonardo da Vinci".

After all, she was still young at that time and didn't know all the characters yet.

Meng Xin Zhi Gui, who was originally angry, unexpectedly stopped, and Zong Ji stood beside her and listened together.

In the first half, the staff introduced the "Mona Lisa" and said there were a lot of things about this painting. Meng Xinzhi didn't remember it very clearly.

In the second half, the staff talked about the "Last Supper" in the Church of Santa Maria delle Grazie in Milan, Italy:

"Leonardo did not like to use fresco paint, which had been widely used since the Middle Ages."

"He is an inventor. He used his own original paint, which was mixed with eggs and milk."

"This has also resulted in many severely peeling areas in The Last Supper. No matter how much money is spent and how many experts are hired, it is impossible to completely repair it."

In just that moment, Meng Xinzhi changed from being depressed to being in high spirits.

That was the first time she discovered that her dreams had meaning.

Who can say that Mrs. Lisa has lost her melodious singing voice under the barrier of layers of glass?

These words are highly consistent with what Mrs. Lisa told her in the dream.

Meng Xinzhi wrote it down almost word for word.

Fourteen years later, I used my own interpretation of these words to convey the message.

And he used the shocking reason "Leonardo Da Vinci was not a professional painter" to convince Zongyi who was also troubled by why the small "Mona Lisa" became a big treasure of the museum.

Meng Xinzhi immediately wanted to go back and watch it again. After all, she was so angry that she didn't even take a photo of the check-in.

Fortunately, the Louvre also had a nightclub at that time.

Zong Ji took Meng Xinzhi to queue up again.

By the time we left, it was already night.

When the father and daughter came in, they were only thinking about the "Mona Lisa" and didn't even have time to take pictures in front of the landmark glass pyramid.

I definitely wanted to take a group photo when I came out.

But who should I take the photo with?

Zong Ji looked around and saw a young man who also wore a black suit and looked like a staff member, giving directions to a tourist holding a Chinese map.

He is also a "staff member" of the Louvre, he speaks Chinese, and he is eager to help with directions. It should be no problem for such a young man to ask him to help take a photo, right?

Nie Guangyi was captured by Zongji and took two photos of Zongji and Meng Xinzhi in front of the glass pyramid in the Paris night.

Maybe it was getting late, maybe I was in a bad mood.

Nie·Black Suit·Staff·Guangyi was neither distracted nor paying attention.

I didn't keep this incident in my memory at all.

At that time, Meng Xinzhi didn't have that unique temperament that made Nie Guangyi unable to walk at a glance.

Even if an eight-year-old girl is as pretty as a peach in spring, she cannot be as pure as a chrysanthemum in autumn.

Of course, even if they pay attention, I'm afraid not many people can remember what kind of scenic spots they were in, what kind of tourists they helped, and what kind of photos they took.
Chapter completed!