Chapter 186 182. Mr. Zhao, the winner in life belongs to you!

In the scene just now, both Tan Zhuo and Chen Chong have maximized their aura.

The weak have the persistence of the weak, and the strong have the oppression of the strong.

The collision of eyes and auras between the two people is very exciting.

This also affected the status of other actors.

Next, there was a scene where the little girl was dragged away by the female police officer La Wen’s arm and interrogated alone. Since there was no part for Su Chen, Su Chen sat in front of the monitor to guide the entire scene.

The effect he wants is high pressure.

The high degree of pressure will make the audience watching the movie in the cinema feel a strong sense of discomfort.

Chen Chong's fierce aura must be developed in this scene.

However, the actor's expressiveness is one thing, but the director's lens language and design are another matter.

Suchen sat in front of the monitor.

"Inside the office, except for the little girl and teacher Chen Chong, as well as the photographer and sound recordist, no one else is allowed to enter."

Because children have a strong sense of belief.

Among the necessary elements for an actor, one of the most important points is a sense of belief.

When adults learn to perform, they all say that they need to cultivate a sense of belief, but this is actually wrong.

Everyone has a sense of faith when they are young, but as they grow up, they don’t believe in more and more things and their thoughts become more complex, so they are not as strong as children.

This is also the reason why in some TV series or movies, the audience will say that the adult actors are not as good as children.

Because you tell children that the man standing opposite, wearing a sack, is Ultraman.

Children will believe that this is the real Ultraman.

If you tell the child that in this scene, you are my daughter and I am your father, then the child will really think that you are the father.

So in order to give children the most realistic reaction.

For internal office interrogations, the fewer staff around, the more realistic the interrogation effect will be for the child.

All her reactions and actions will become more realistic.

Of course, Su Chen had communicated with the young actor for a long time before this, and only after apologizing to her did she shoot like this.

"Come, Teacher Chen Chong."

"In this scene, our shots are a little more scattered and broken."

"For the camera, this scene needs to reflect the oppression of female police officer Rawin. I have to use a tripod to shoot. The camera has to be steady at all angles. It has two angles, depression and elevation, to give me contrast."

After arranging everything, Su Chen sat on the director's chair.

Xiao Yang next to him looked at Su Chen, he was also learning Su Chen's directing style.

This kind of knowledge in mind, knowing exactly which shot will bring out that effect, this is the great thing about a good director.

This is Su Chen's second time as a director.

But he didn't feel unfamiliar or unconfident. Everything was done steadily, which made Xiao Yang envious.

Unlike him, I start to panic at every turn. From which angle should I shoot the next shot? After shooting, is it easy to edit it in post-production?

How to use the camera to give the audience some other perceptions besides the actors' performances?

There was a little envy in Xiao Yang's eyes.

I really hope that one day I can be as happy as Su Chen. Even watching him make a movie seems like art.

Xiao Yang sighed silently in his heart.

I know that I am still far behind. Whether it is the ability to control the overall situation or the handling of details, I need to polish it for another two or three years.

…

Here Su Chen shouted to turn on the phone.

The cameras are all supported on tripods.

Chen Chong carried the little girl An An and strode past the blinds in the corridor.

She gritted her teeth, and the veins on her neck popped out.

An An cried and was held in Chen Chong's hand.

The light coming from the blinds reflected on Chen Chong's face, making her look particularly terrifying.

boom!

The door to the inner office was slammed shut.

Chen Chong threw the little girl An An to the center of the office, and then she strode up to An An and squatted down in front of her.

An An was scared to tears.

Chen Chong also feels sorry for the little girl, but as an actor, she must seize the opportunity to act with young actors, because the state of an adult can be adjusted, but the state of a young actor can be captured.

"I know your father won't let you say it."

"But you listen to their voices."

There was a scream outside the house.

Chen Chong's lower eyelids trembled slightly, and she chewed every word tightly: "If this continues, they will be beaten to death."

"You are going to be an orphan."

"Never see them again."

"Only you can save mom and dad now, tell me!"

Chen Chong grabbed the little girl An An's arm. She stared and showed her white teeth.

"What on earth did you see that night!"

The intersection of anger, the loss of patience, the disappearance of his son, and the hatred for this family.

The combination of all these emotions made Chen Chong restrain himself in the first half of his sentence, but he almost shouted out the second half!

Her breath was disordered and her sanity was on the verge of collapse.

Little Anan was crying so much that she didn't even know what to do.

Su Chen sat in front of the monitor, stared at the screen, and signaled to raise the camera position and hold still.

Then, on little An'an's face, as the female police officer Raven slowly stood up, a shadow of Raven slowly rose from low to high on little An'an's face.

Until the shadow covered the little girl's eyes.

After Xiao Yang saw this shot, goosebumps appeared on the back of his neck.

Is this the language of the lens?

If Xiao Yang was asked to shoot this scene, then he would definitely use a simple front-reverse fight, with the girl saying something and the policewoman saying something. To make it better, just give the two people a long shot and add one or two close-ups.

But Su Chen's technique of using the camera to tell stories and put pressure on the audience requires talent.

"Fortunately, this guy is an actor. If he became a director, I don't know how many directors would be unemployed!"

Xiao Yang stood next to Su Chen and began to take on the role of himself.

If it were me, how would I capture the next shot?

The next shot is a shot of the female police officer screaming loudly in anger, which should give the audience a sufficient sense of fear.

Xiao Yang designed the scene in his mind and immediately decided that if it were him, he would directly give a close-up of a female police officer's eyes, and finally cut the little girl's frightened reaction to exaggerate the scene.

Best results.

However, the next second, I heard Su Chen shouting.

"The cameraman used the track to advance from behind An An. After finally pushing to An An's body, the track stopped, pushed the focus, and pushed the camera until it reached a close-up of Teacher Chen Chong's face!"

Xiao Yang raised his eyebrows.

Right now, you can see from the monitor what effect Su Chen will have on this scene.

The image inside the lens is blue.

In this tone, the light texture will be very strong.

A beam of light imitated the effect of an office ceiling light, shining down from directly above Chen Chong's head.

This kind of light highlights Chen Chong's cheekbones, uses light and shadow to reflect the actor's facial features, and enhances the ruthlessness in Chen Chong's face.

The camera slowly pans over the head of the little girl.

Chen Chong's breathing gradually became rapid.

When the camera gradually moved to a close-up of Chen Chong's face, Chen Chong's emotions had already reached their peak.

She shouted ferociously to the little girl: "Say it!!!!!!"
To be continued...