Chapter 180: A Flick of a Pen!
Ideas, ideas, you have to think first before you can find a solution.
Wang Yang was like this. He looked at the three of them and killed a large number of brain cells. He ruled out one reason for persuasion after another in his mind, and finally decided on several solutions.
First, let’s explain their thoughts with etiquette and emotion, and express their thoughts clearly and thoroughly to them, which shows that they are thinking too briefly. This year, they can get through it in a daze, and next year may be fine, but in another two years, it will inevitably be deserted.
Second, build a beautiful blueprint and tell them that as long as you go through a hundred thousand miles and go through eighty-one difficulties, you can reach a paradise of happiness.
Three, Wang Yang is thinking about the third point.
A few days later, another batch of rabbits and civets were born, and the number increased again.
Osteologists are becoming more and more confident. Let’s see, if they don’t eat it, they will be flooded.
The decrease in food also increases the anxiety of driving away the judgment, complaining constantly, and if you don’t hunt and store it, it will be gone!
Xiaohong became more calm and sharpened her knife, not far from the moment she caught and ate.
The passage of time not only did not weaken their beliefs, but instead increased and showed a stubborn development trend.
Wang Yang couldn't wait anymore. If he didn't explain it clearly now, he wouldn't listen to anything he said at that time.
He summoned everyone to hold the nth discussion meeting on the urban development plan and the future direction of mankind. This time, all members participated, and everyone could express their opinions and raise their confusion and confusion.
Everyone was in high spirits at the meeting, and the response was great, shocking the world.
Wang Yang invited everyone to the sand table and said the first thing he said... was wrong, and the first painting he drew made everyone's eyes widen.
He drew a canyon, which looks like the canyon where everyone lives, and there are houses inside.
However, no grass grows inside and outside the canyon, and the houses have decayed and collapsed, scattered beside them, and there is no one living in the cave, which is desolate and dilapidated.
Everyone looked at it and didn't understand it very well. This painting had no beginning or end and was in the dark clouds and mist.
The meaning is still very clear. The picture is so desolate and abandoned, so no one will live there.
What they don't understand is why no one lives in their own memory? This scene never happened in their memory, and it seems that the future will not develop like this.
The exorcist and others raised doubts, pointed at the crowd, pointed at the small animals in the canyon, and asked what they meant. Why weren't everyone in the painting? The small animals weren't inside the painting?
Yes, they were very confused, but they had never questioned Wang Yang's painting level. Only Li Si can currently draw a little bit of comparison with the paintings he drew, and he is at the level of a master among the crowd.
Everyone did not question the content in the painting, because Wang Yang did not like abstract paintings or unrealistic landscape paintings. If you want him to draw a chrysanthemum to appreciate it, it would be better to ask him to think about the theory of relativity.
Therefore, all along, the things he painted were very practical and happened around him, but he often showed different things to everyone from a special perspective.
Those things often surprise everyone, too strange ideas, and often marvel at them.
Moreover, Wang Yang seemed to be able to predict the future. When he heard the croaker elephant cry for the first time some time ago, Wang Yang immediately drew a picture of an elephant for everyone.
Everyone had never seen an elephant, so they didn't understand it, but when they saw the elephant, they were all surprised. Why did Wang Yang know so much?
This time, Wang Yang drew another very different painting, which really made them confused. Is this meant something?
Faced with everyone's doubts, Wang Yang seemed to be slow. He expanded the painting and drew images around the canyon.
Those places should have been forests, but this time Wang Yang left a large gap, and occasionally one or two withered old trees appeared in the blank space.
Crows flew past in the sky, and white bones scattered on the ground, and those bones were all human skulls.
He painted bigger and bigger, and even drew two mountains. In the end, the painting became a panoramic view with a considerable coverage area.
Everyone stared blankly, not knowing what to say.
What terrible experience happened here that turned into this?
Obviously, they believed in Wang Yang's painting, and panic and fear flashed across their faces. As someone who shocked them countless times, no one would doubt it.
But they couldn't understand, so they wanted the process.
This is the difference between them now and the past. They did not need process or explanation in the past. They would be whatever Wang Yang said, and they would be said by Wang Yang every time.
And now they have more thoughts, want to know the process, and want to know how to calculate it.
Wang Yang was telling them about his feelings and reason, which was what he thought of these days.
But there are difficulties. They have no idea about the time of the picture. They don’t know how many years it will be. Some people even think it will happen recently.
Wang Yang wanted them to understand that the painting he painted had a time span, so one painting was not enough to explain.
He did not erase this painting, and this painting had to be used as a benchmark.
Then he walked to the entrance of the cave, sprinkled sand all over the cave, and painted the entire cave, and everyone helped sprinkle sand aside.
He drew another painting. In this painting, it was still the whole picture nearby, but there were extremely dense forests, with fruit trees in the forest, wolves on the left mountain, fear cats on the right mountain, and wild boars in the primeval forest in front.
There are no orchards outside the canyon, there are no houses in the canyon, only twenty people. One of them is holding a large wooden stake and carved with wooden barrels, and the other little guy squats beside him and looks at it in a daze.
As soon as this painting was released, everyone laughed. This is the memory they had. It was a few years ago. At that time, the tribe was still very small and they were still using clumsy stone tools. Most of the food was made for their living by fruits, unlike today's big fish and big meat.
And that memory was quite impressive, because in that year, everyone encountered a crisis of insufficient storage, and Wang Yang stored food early and buried it underground.
The person who was making the wooden barrel should be Wang Yang, and the person who squatted next to him should be Zhang San.
Seeing that everyone understood, Wang Yang continued to draw pictures.
This is still a panoramic view of the canyon. The difference is that there are few fruit trees outside the canyon. A group of about ten people is walking in from outside the canyon. Everyone is holding wooden spears in their hands, excited, and they caught a wild boar.
This picture is also very obvious, it was the early stage when everyone started hunting animals.
Wang Yang painted again, this time he painted everyone to hunt, and there were even fewer fruit trees outside.
Afterwards, he drew several pictures, including people raising small animals deep in the cave, building chicken coops, and then opening an orchard, moving all small animals out of the cave for feeding.
He also drew the stupid guy named Blade Tooth Tiger and was caught by everyone.
Everyone looked at the past and found it very interesting, but they didn't expect that there could be many changes in the same scene.
Moreover, they gradually realized that this was a picture of time, starting from the earliest period, selecting the most eye-catching events to show the time and slowly flowing.
This effect is the effect that Wang Yang wants, using their own memories to label the picture by labeling time.
But the focus of the paintings later was not on the canyon, nor was it related to the lives of everyone, because everyone had a lot of time to hunt in the same way.
He began to use the surrounding environment as a benchmark and quietly change the center of gravity of time.
He drew that there were many small animals in the original forest, such as snakes and so on.
Afterwards, the snakes advanced towards the primeval forest and the fruit trees began to decrease.
Then another cloak of other animals evacuated, and the fruit trees became fewer.
Finally, all the animals left, and a sudden burst of vitality emerged from this boring picture.
A group of ferrets migrated from the north, and they attacked the tribe.
During this period, everyone fought with the wolves, and with this as the dividing point, lynxes, reindeer, cave lions and cave bears that followed came.
There is also the last hairy elephant.
It's like a cycle of reincarnation, all the old leaves, the new comes gradually, and then prospers to the peak and disappears again.
Finally, Wang Yang drew the picture in front of him, and the exorcist, Xiaohong, and the bone scientist were quarreling.
The three of them were embarrassed, the others burst into laughter, and finally the painting has come to this point.
Wang Yang looked up at them, and continued to draw without any hesitation.
This time, three paintings are arranged side by side, three canyons, but they all happen at the same time.
That is the theory that the three of them firmly believe.
He drew the idea of expelling the enemy and stored the food. He drew the idea of Xiaohong, caught and eaten it now, and then drew the idea of the osteologist, eating the small animals raised.
The three of them had no objection to this point. At the same time, they found that Wang Yang was helping them describe their ideas, and this is the future!
First of all, the exorcists, in the first year, everyone ate well and stored them to avoid hunger, but the migratory team never stopped and was still heading south.
The next year, the final migration team was finally hunting down.
In the third year, the old ones left and the new ones stopped coming. Everyone began to have no storage and ate small animals raised.
In the fourth year, everyone endured hunger and some died.
In the fifth year, everyone was forced to move south, but the bodies rotted and smelled under fewer and fewer trees.
In the sixth year, I happened to arrive at the location of the picture Wang Yang painted. It was desolate and white bones were scattered around.
The exorcist was silent and panicked. He had never thought about such a long time ago, but now Wang Yang painted it, he understood that this method would not work.
Then, Wang Yang began to paint Xiaohong, and after a while, the bone painter was a bone painter.
Each painting is so heavy, and everyone's originally hip-hop smile gradually solidifies and finally becomes solemn.
When the bone scientists painted it, everyone could already reason about what happened next. Li Si even took Wang Yang's branches and helped him draw them.
All possibilities point to the last desolate picture.
The cave was quiet at this moment, and everyone's faces were somewhat panicked and depressed. This was a sign of destruction!
They looked at Wang Yang like help. Every time at this moment, Wang Yang would stand up, and this time, they asked him to stand up.
Chapter completed!