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Immortal Tea Party 16: Overturning the domestic war

The Battle of the Upside Down Sea has finally come to an end.
While Boss He was floating on the sea after returning home with a full load, we did a post-event inventory as usual.
This battle is obviously a battle between immortals and demons in an environment with abundant spiritual energy. Why is it not written as a melee between high-level gangsters who need desperate measures like normal fantasy fairy novels?
That's not difficult, really not difficult.
Some book friends complained, wouldn’t it be better if A passed away? Why are there so many twists and turns, and why are there always reversals?
Because what I understand as a "war between super powerful forces" is definitely not a fight between real immortals for ordinary immortals to watch. Ordinary immortals fight for everyone to watch, and everyone can only watch and wait to die.
It contains at least three levels of confrontation:
The first is the hot war, including -
Seize the territory: the battle for the lighthouse, the battle to defend the Shenxi meteorite,
Grab resources: compete for Xuanjing and Xuanjing ores.
There is no need to go into details about destroying the enemy’s effective forces.
Secondly, there is a war of public opinion. Bai Ziqi spread information that is difficult to distinguish between true and false to the Tiangong troops, damaging the enemy's morale and successfully instigating rebellion.
Finally, there is the battle of laws (sea of ​​consciousness) in the highest dimension. This is relatively abstract. If compared to reality, you can understand that one side uses international law as a weapon, while the other side makes moves according to the "established order."
In this kind of war, every unit, every cell, and every individual must be engaged in battle and confrontation.
Just like the reality we live in.
Then there is the trump card of both sides in the war, which is the big killer at the bottom of the box.
Using your ultimate move does not necessarily mean you will take advantage, and using your trump card does not necessarily mean you will win.
The key lies in rhythm and timing.
Miao Zhantian, as the attacker, is characterized by "fierceness" and can bombard you with all kinds of magical powers; Qianhuan, as the defender, is characterized by "stableness". It doesn't matter how many people die, anyway, human life is a card, and it is a card.
To fight out.
At this point, Qian Huan wins. When the game is about to end, your opponent who still holds Wang Zha in his hand can slap you in the face.
Some people say that the trump cards are unlimited, but that doesn’t mean you, the author, have as many cards as you say?
Now that the Battle of the Upside Down Sea has ended, let's count the cards. The trump cards played by both sides are actually similar.
They are both foxes who have been practicing for thousands of years, who can be any worse than the other?
Then why did Qian Huan fail to win in the end? Because of variables, because He Lingchuan appeared in the middle.
War itself is uncertain. Who knows where the accident will happen, who knows where the cause and effect will suddenly appear and retribution will be on you or your opponent.
Well, we mainly plan for the Battle of the Upside Down Sea from three aspects: confrontation form, war weapons, and variable accidents. When these elements are intertwined with each other, the scene will be complicated, the war will be lengthened, and it will bring danger to everyone.
It is a "suffering" that both of us, as players in the game, and as spectators, can all experience.
I know Shuangwen usually doesn’t write this way, but what is the confrontational quality it inspires as a war element?
It is wisdom, courage and tenacity, as well as awe of war:
We can only treat it seriously and cautiously until the moment of victory.
Don’t start a war lightly, if you want to fight, you must win!
Just like reality.
Take your eyes back from the book and look west and south. Do those wars and confrontations contain the above elements I mentioned?
I mapped my understanding and thinking about war onto this fantasy battlefield, so there was this unique and complex Battle of the Upside Down Sea.
Of course I have to stack up:
This is just a family talk, just for everyone to enjoy after dinner. How much can I know about the war, right?
I know some people want to ask, why do you have to project real wars onto fantasy battlefields when you are clearly writing a fairy novel?
That has to do with the underlying concepts and logical structure of the entire book "". The space is limited, so we will talk about it when we have the opportunity in the future. Everyone knows that when I write a book, I must have a straight root and not grow branches randomly.
Chapter completed!
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