A unilateral cruel massacre began, and the heroic charge of militia fell down one by one with the sound of gunfire, like mahjong plaques, and artillery fire shattered the wooden city gate like thunder. Japanese soldiers rushed in from all directions from the city gate. The officer in the head, wearing a major general uniform and a Bushido, raised his chest and pulled the militia leader who was covered in blood with blood and wailing, galloping and dragging the streets... Killing, robbing, and wantonly filled the city... and everyone's hearts were also filled in the theater.

A college student in the front row clenched his fists tightly and couldn't help but curse: "A bunch of dogs..." As the plot develops, everyone's emotions are constantly suppressed, and the anger in his heart begins to accumulate...

Wang Qun, who was in the front row, narrowed his eyes disapprovingly. For a professional director like him, although the emotional rendering of the previous plot is good, the plot is very old-fashioned. Japan killed Taiwanese people, and then the Taiwanese indigenous people counterattacked. This Li Xiaole turned out to be like this...

Wang Qun was in a relaxed mood and asked Liu Jialiang next to him with a slight joking smile: "Old Liu, I think the confrontation between Japan and the indigenous people is. If you were here to design, how would you design it?" In war movies, the most direct visual impact to the audience is the war process, which is extremely important.

"If it were me... according to my habits, I would design some very imposing bow-pulling methods, and the fighting movements should be more gorgeous, highlighting the bravery of the tribe, and letting the indigenous people throw a scimitar and hitting the enemy. Of course, I would definitely design some traps, such as beast traps, thorny bamboos, etc.... Of course, some brotherhood should also be highlighted, such as one person is injured, and the tribe members have to rescue him to the death."

Liu Jialiang had almost no idea, so he said a lot of routines in action group design. Isn’t this the same thing for primitive tribes to modern soldiers in Hollywood?

But the plot was beyond his expectations. After Japan suppressed the people in Taiwan, it began to attack the mountainous areas. The first contact battle between the two sides was completely different from what they imagined. The battle was very short. The Seidk tribe did not use any tricks, but just lured the Japanese to the place where they were ambushed and shot them with a hunting gun.

Moreover, there is no gorgeous kung fu fighting in the battle, just a brute force hitting the nose with one punch. If you cut a hunting knife, you will kill a Japanese.

This simple and crude method made Liu Jialiang, who had an indifferent look on his face before, staring at the screen with great appreciation.

This movie is completely different from the thinking of traditional movies, and it fully presents the real and cruel fighting style. Liu Jialiang does not know Li Xiaole, but he can talk to him from the film style.

Li Xiaole seemed to stare at him condescendingly, and then told him:

"Hunters want to kill people is not as difficult as you think. Why do they need guns? Trouble making a trap just to attack a few enemies. Why is this? The Seidks are fighting guerrilla warfare and do not spend time designing traps. Their trap is very simple. There is only one type of trap, which is to lure the enemy to the ambush site and kill them all at once.

Why do you think they will throw them with hunting knives? Is it just to show off? The hunting knives are the only close weapon. Once they are thrown out, they will become fighting with the enemy empty-handed. Heroes do not mean stupidity. They are hunters, not idiots...

Sacrifice yourself to save people? This kind of plot only appears in Hollywood movies. Will a hunter sacrifice himself in a rain of bullets to save a person who is about to die? To save people only within their ability, even ordinary people are like this, let alone this group of Saidkes who are willing to do anything?”

Liu Jialiang looked at the camera and could clearly feel Li Xiaole's intentions. He couldn't help but take a deep breath of admiration and sighed to Wang Qun: "This director is not an ordinary person. He shoots in this real way, and it is very well-known. This film's aura is different from other films, with a truly fierce murderous aura..."

Wang Qun was stunned when he heard this, but forced a smile and said, "He is just that kind of arrogant and ignorant young man, and he dares to ignore the consequences of anything."

The plot on the screen is going on. After the Japanese failed the first battle, in order to annihilate the indigenous people, all transactions between the Han and the indigenous people were forbidden, and then they gathered heavy troops to attack the mountainous areas with all their might.

Hundreds of Japanese soldiers on the big screen, marching in a panoramic view in a foggy valley. The road beside the cliff is only one meter wide, and there is a mountain stream on one side. The camera is pushed up and the peaks are like towering in the clouds to the top of the mountain...

Most viewers simply opened their mouths and sighed that the scenery was so beautiful. The film critics who focused on recording the details in the first few days couldn't help but open their mouths slightly and whispered: "Wow..."

I saw towering mountains, densely packed in the cliffs of indigenous people lie quietly in the top of the mountain forest. The spears and arrows in their hands were quietly facing the valley. The short swords on their backs reflected the sunlight and were covered with leaves. On the other hand, the tribe led by Mona Ludao's father, who had tattoos on his face, was also quietly waiting for the arrival of his prey.

Under the nervous soundtrack, the audience was nervous and looking forward to it, while the film critics in the front row were completely amazed by the cotton. Wang Qun was also extremely shocked and opened his mouth and asked Wei Lilian beside him.

"Teacher Wei, it was a panoramic shot just now. Is it an aerial shot? Why do I think the distance between the upper and lower is too large?"

"No... no aerial photography can capture the close-up scenes of the deep mountains... There is only one possibility for him to push the camera like this. Some of the background here is a CG picture." Wei Lilian frowned and thought for a while.

"It's true or false, why can't I see at all? Which section is cg?" Liu Jialiang next to him asked in confusion.

Wei Lilian has been working in the movie cg industry for 24 years. He touched his chin and was silent when facing this problem. As a professional cg teacher, he usually just took a look at the picture and could analyze where to use cg. But just a quick look just now, he really found which section was virtual... This special effect is really too realistic.

"This really doesn't look like a Chinese film... it's better than many Hollywood movies... This mainland director is really capable..." Wei Lilian sighed with great admiration.

CG industry professionals are different from ordinary audiences. Wei Lilian has been engaged in this industry for more than 20 years and is clear about the gap between Chinese films and Hollywood films. Why can't Chinese films make big scenes? One is insufficient funds, and the second most important thing is lack of technology.

If a movie wants to make CG, the color tone of the image must be determined in the early stage. Which scene can be made into CG, which angle can be used, and how to pull the camera, the director must be clear. Otherwise, after the filming is done, he will throw it to the special effects company and say, "What effect is needed, you must make it for me." That is absolutely impossible.

This is also why, although there are many large scenes in mainland China, except for director Zhang Yimou, the audience is very fake at first glance, which has a huge difference with Hollywood movies.

This is not only because of the lack of funding for CG in the later stage, but more importantly, the director was not prepared for the preliminary work at all. For example, when Director Wang Jing of Hong Kong tried "The Future Police", the CG teacher's skills were not bad, and Director Wang Jing himself did not understand this technology at all, which created extremely poor visual effects.

The big scene of the camera just now was just a glance, but the ordinary audience would leave a huge impression in their hearts, feeling that the world presented in this movie is real.

Because this seemingly simple long shot contains a perfect sense of fusion between the two sides, scenery, space and time. This is the most commonly used method in Hollywood movies. It is like the surreal theme of "The Lord of the Rings" and "Harry Potter". Why does it make the audience feel that he is real?

It is because he has made such large scenes of pulling lenses throughout the article, and in domestic films, they are usually only fixed as a solid-state picture or a small scene, and there are few large scenes of turning lenses.

How did this shot be taken? Li Xiaole actually spent a whole week of sightseeing and constantly felt suitable in the mountains. After selecting 9 candidates, he took samples from 6 different angles for each scene, and then went back to adjust the angle on the computer one by one to compare the amount of CG production and whether the color transition was smooth.

In the end, he chose one of the most suitable ones from 36 samples. The long lens on the screen is actually 3 real lenses, and the cg splicing is not visible at all. The audience completely thought it was real, which is the effort put into the early preparations.

This is precisely the director's own foundation, and he must be clear about the sense of the scenery, the color matching transition, and the model structure of the natural scenery in the building.

There was once a very ridiculous argument in domestic films: "Hollywood movies are made of money, nothing is great. If you give domestic film directors enough money, you can also make blockbusters."

This is definitely fucking bullshit!

When the director was filming, it was like playing with a Rubik's Cube. The resources in his hands were like various color surfaces. Put the most suitable color surfaces where it should be placed, and the movie was considered successful.

Domestic film directors are like playing the 2*2 movie cube. When they see Spielberg and James Cameron playing the 5*5 size movie cube, they think they are actually similar. They do the same thing. They are all the same principle. They cannot just play the color surface together, and the principles are the same...

But they didn't think about it. In fact, the difficulty was more than a thousand times different... A unilateral cruel massacre began, and the heroic charge of militia fell down one by one with the sound of gunfire, like mahjong plaques, and artillery fire broke the wooden city gate like thunder. Japanese soldiers rushed in from all directions from the city gate. The officer in the head, wearing a major general uniform and a Bushido, raised his chest and pulled the militia leader who was covered in blood with blood and wailing, galloping and dragging the streets... Killing, robbing, and wantonly filled the city... and everyone's hearts were also filled in the theater.

A college student in the front row clenched his fists tightly and couldn't help but curse: "A bunch of dogs..." As the plot develops, everyone's emotions are constantly suppressed, and the anger in his heart begins to accumulate...

Wang Qun, who was in the front row, narrowed his eyes disapprovingly. For a professional director like him, although the emotional rendering of the previous plot is good, the plot is very old-fashioned. Japan killed Taiwanese people, and then the Taiwanese indigenous people counterattacked. This Li Xiaole turned out to be like this...

Wang Qun was in a relaxed mood and asked Liu Jialiang next to him with a slight joking smile: "Old Liu, I think the confrontation between Japan and the indigenous people is. If you were here to design, how would you design it?" In war movies, the most direct visual impact to the audience is the war process, which is extremely important.

"If it were me... according to my habits, I would design some very imposing bow-pulling methods, and the fighting movements should be more gorgeous, highlighting the bravery of the tribe, and letting the indigenous people throw a scimitar and hitting the enemy. Of course, I would definitely design some traps, such as beast traps, thorny bamboos, etc.... Of course, some brotherhood should also be highlighted, such as one person is injured, and the tribe members have to rescue him to the death."

Liu Jialiang had almost no idea, so he said a lot of routines in action group design. Isn’t this the same thing for primitive tribes to modern soldiers in Hollywood?

But the plot was beyond his expectations. After Japan suppressed the people in Taiwan, it began to attack the mountainous areas. The first contact battle between the two sides was completely different from what they imagined. The battle was very short. The Seidk tribe did not use any tricks, but just lured the Japanese to the place where they were ambushed and shot them with a hunting gun.

Moreover, there is no gorgeous kung fu fighting in the battle, just a brute force hitting the nose with one punch. If you cut a hunting knife, you will kill a Japanese.

This simple and crude method made Liu Jialiang, who had an indifferent look on his face before, staring at the screen with great appreciation.

This movie is completely different from the thinking of traditional movies, and it fully presents the real and cruel fighting style. Liu Jialiang does not know Li Xiaole, but he can talk to him from the film style.

Li Xiaole seemed to stare at him condescendingly, and then told him:

"Hunters want to kill people is not as difficult as you think. Why do they need guns? Trouble making a trap just to attack a few enemies. Why is this? The Seidks are fighting guerrilla warfare and do not spend time designing traps. Their trap is very simple. There is only one type of trap, which is to lure the enemy to the ambush site and kill them all at once.

Why do you think they will throw them with hunting knives? Is it just to show off? The hunting knives are the only close weapon. Once they are thrown out, they will become fighting with the enemy empty-handed. Heroes do not mean stupidity. They are hunters, not idiots...

Sacrifice yourself to save people? This kind of plot only appears in Hollywood movies. Will a hunter sacrifice himself in a rain of bullets to save a person who is about to die? To save people only within their ability, even ordinary people are like this, let alone this group of Saidkes who are willing to do anything?”

Liu Jialiang looked at the camera and could clearly feel Li Xiaole's intentions. He couldn't help but take a deep breath of admiration and sighed to Wang Qun: "This director is not an ordinary person. He shoots in this real way, and it is very well-known. This film's aura is different from other films, with a truly fierce murderous aura..."

Wang Qun was stunned when he heard this, but forced a smile and said, "He is just that kind of arrogant and ignorant young man, and he dares to ignore the consequences of anything."

The plot on the screen is going on. After the Japanese failed the first battle, in order to annihilate the indigenous people, all transactions between the Han and the indigenous people were forbidden, and then they gathered heavy troops to attack the mountainous areas with all their might.

Hundreds of Japanese soldiers on the big screen, marching in a panoramic view in a foggy valley. The road beside the cliff is only one meter wide, and there is a mountain stream on one side. The camera is pushed up and the peaks are like towering in the clouds to the top of the mountain...

Most viewers simply opened their mouths and sighed that the scenery was so beautiful. The film critics who focused on recording the details in the first few days couldn't help but open their mouths slightly and whispered: "Wow..."

I saw towering mountains, densely packed in the cliffs of indigenous people lie quietly in the top of the mountain forest. The spears and arrows in their hands were quietly facing the valley. The short swords on their backs reflected the sunlight and were covered with leaves. On the other hand, the tribe led by Mona Ludao's father, who had tattoos on his face, was also quietly waiting for the arrival of his prey.

Under the nervous soundtrack, the audience was nervous and looking forward to it, while the film critics in the front row were completely amazed by the cotton. Wang Qun was also extremely shocked and opened his mouth and asked Wei Lilian beside him.

"Teacher Wei, it was a panoramic shot just now. Is it an aerial shot? Why do I think the distance between the upper and lower is too large?"

"No... no aerial photography can capture the close-up scenes of the deep mountains... There is only one possibility for him to push the camera like this. Some of the background here is a CG picture." Wei Lilian frowned and thought for a while.

"It's true or false, why can't I see at all? Which section is cg?" Liu Jialiang next to him asked in confusion.

Wei Lilian has been working in the movie cg industry for 24 years. He touched his chin and was silent when facing this problem. As a professional cg teacher, he usually just took a look at the picture and could analyze where to use cg. But just a quick look just now, he really found which section was virtual... This special effect is really too realistic.

"This really doesn't look like a Chinese film... it's better than many Hollywood movies... This mainland director is really capable..." Wei Lilian sighed with great admiration.

CG industry professionals are different from ordinary audiences. Wei Lilian has been engaged in this industry for more than 20 years and is clear about the gap between Chinese films and Hollywood films. Why can't Chinese films make big scenes? One is insufficient funds, and the second most important thing is lack of technology.

If a movie wants to make CG, the color tone of the image must be determined in the early stage. Which scene can be made into CG, which angle can be used, and how to pull the camera, the director must be clear. Otherwise, after the filming is done, he will throw it to the special effects company and say, "What effect is needed, you must make it for me." That is absolutely impossible.

This is also why, although there are many large scenes in mainland China, except for director Zhang Yimou, the audience is very fake at first glance, which has a huge difference with Hollywood movies.

This is not only because of the lack of funding for CG in the later stage, but more importantly, the director was not prepared for the preliminary work at all. For example, when Director Wang Jing of Hong Kong tried "The Future Police", the CG teacher's skills were not bad, and Director Wang Jing himself did not understand this technology at all, which created extremely poor visual effects.

The big scene of the camera just now was just a glance, but the ordinary audience would leave a huge impression in their hearts, feeling that the world presented in this movie is real.

Because this seemingly simple long shot contains a perfect sense of fusion between the two sides, scenery, space and time. This is the most commonly used method in Hollywood movies. It is like the surreal theme of "The Lord of the Rings" and "Harry Potter". Why does it make the audience feel that he is real?

It is because he has made such large scenes of pulling lenses throughout the article, and in domestic films, they are usually only fixed as a solid-state picture or a small scene, and there are few large scenes of turning lenses.

How did this shot be taken? Li Xiaole actually spent a whole week of sightseeing and constantly felt suitable in the mountains. After selecting 9 candidates, he took samples from 6 different angles for each scene, and then went back to adjust the angle on the computer one by one to compare the amount of CG production and whether the color transition was smooth.

In the end, he chose one of the most suitable ones from 36 samples. The long lens on the screen is actually 3 real lenses, and the cg splicing is not visible at all. The audience completely thought it was real, which is the effort put into the early preparations.

This is precisely the director's own foundation, and he must be clear about the sense of the scenery, the color matching transition, and the model structure of the natural scenery in the building.

There was once a very ridiculous argument in domestic films: "Hollywood movies are made of money, nothing is great. If you give domestic film directors enough money, you can also make blockbusters."

This is definitely fucking bullshit!

When the director was filming, it was like playing with a Rubik's Cube. The resources in his hands were like various color surfaces. Put the most suitable color surfaces where it should be placed, and the movie was considered successful.

Domestic film directors are like playing the 2*2 movie cube. When they see Spielberg and James Cameron playing the 5*5 size movie cube, they think they are actually similar. They do the same thing. They are all the same principle. They cannot just play the color surface together, and the principles are the same...
Chapter completed!