You should know that this kind of inspirational screenwriter method is only adopted by a few screenwriters with special talents in the world. Most of them have released a play in a few years, but once they have released their works, they are definitely unique. Everyone is usually an inimitable genius, such as Quentin Tarantino, and Wang Jiawei...

Li Xiaole slowly walked to Yuhiko Inoue and looked at the drawing on the ground. The dialogue written on the blank page in the middle was said by Miyamoto Musashi, who had strong beast instinct:

"I want to pray" scene.

In the "Ronkyou Journey" currently serialized by Yuhiko Inoue, the protagonist Miyamoto Musashi has been defeating the powerful swordsman and fighting, constantly looking for the meaning of his own survival. However, in a scene of sublimation, his master Xin'an told him that "the existence of heaven" would be like this beast to react? Is it a ridicule? Confused? Surprised? Or angry?

Yuhiko Inoue is obviously trapped in this plot. He needs to enter his heart and dig out the reaction Miyamoto Musashi should have... A major turning point in this story, different reactions will make the protagonist's future plot retreat in completely different directions.

This is like Duan Yu faces Zhenlong chess game in "The Legend of the Condor Heroes". The big dragon is pinned and there is only one way to survive. If he can't find that trick, he will lose all the game...

Li Xiaole also fell into thinking when he looked at it. He seemed to have seen this painting in an interview. It was an interview with Yuhiko Inoue. He talked about this Miyamoto Musashi's expression alone. He thought about it for more than 60 hours, but he was still unsure of it. He was not very satisfied with the manuscript when submitting the manuscript. Until a few months later, he came to understand what expression Miyamoto Musashi's mood should show. When he issued a single version, he drew it again.

Li Xiaole still remembers the comparison picture of the two paintings. The expression was very wonderful. He also copied those pages briefly. Although he was familiar with Inoue's works, this painting was the most impressive one.

"You stepped on my painting." A muffled groan sounded, and I saw the contemplative Yuhiko suddenly woke up, raised her head and stared at Li Xiaole with a fierce look, as if she wanted to eat him.

"Hello, Teacher Inoue, I am Li Xiaole from Black Pearl Film Company, I am your loyal fan..." Li Xiaole quickly raised his feet and stretched out his hand with a smile.

"Are you new here? Don't talk here, stay aside." Yuhiko Inoue didn't look at him at all, but continued to stare at the blank draft. He casually drew a few drafts of the protagonist's expressions, but immediately shook his head again. There were more than thirty manuscripts of the same shots he drew on the ground. He was not very satisfied with all the expressions, but if they didn't work in the end, he would choose one in it and hand it over before talking about it.

Li Xiaole was rejected by him but was not angry. Instead, she kindly reminded her, "It shouldn't be like this. When Musashi heard this, she should be recalling her life and wanting to laugh, and she felt calm in her heart."

He said that, but he felt it was very difficult to describe it himself, so he simply snatched the manuscript and pen from Inoue Yuhiko's hand, pulled the manuscript on the ground a blank space, and drew it in front of Inoue Yuhiko's face.

This action not only made Yuhiko Inoue and the cartoonists present stunned, but even Maki Hiroki and Ninomiya were stunned... What's the situation? Li Xiaole actually snatched the manuscript of Yuhiko Inoue, one of the best comic masters in Japan, and wanted to teach him to draw comics!? This is really ridiculous!?

The manuscripts on the ground were arranged in a fixed order so that they could help him straighten out his ideas and draw this key page. Unexpectedly, Li Xiaole came up and messed up him, which made Inoue Yukihiko angry. How could there be such an arrogant and rude person? But he felt a little crying and tears on the spot... He quickly put away the manuscripts on the ground and rearranged them.

But when he was lowering his body to pick up the drawing on the ground, he saw the painting that Li Xiaole was painting from the corner of his eyes and was immediately attracted... Huh? This guy's technique is quite good... No... it should be said to be very exquisite, even better than most cartoonists here... Strange, when did Shueisha produce such a talented young painter?

The cartoonists next to them all gathered around to watch the fun, and they all wanted to see what Li Xiaole was doing...

In the "Screenwriter Republic", Li Xiaole has depicted countless storyboard scripts as H for many years. He is not inferior to many people here in sketching and sketching. And most importantly, he copied this painting without thinking too much. He directly drew it from him without hesitation, and every stroke was very firm, which made the cartoonists who were cautious in writing amazing.

From the simplest outline, to the line drawing, then to the hair, clothes, and then to the eye details, gradually the portrait of Miyamoto Musashi appeared...

"Wow... this guy is so strong..." "Who is he? Is Shueisha's new cartoonist? It looks like he is only in his 20s, so why is his skills so strong?" "The style of this painting seems to be Mr. Inoue..."

Yuhiko Inoue sat cross-legged on the ground, frowned and looked at the painting for a long time, and seemed not satisfied. But just as Li Xiaole drew his eyes and the whole character came alive, raised his eyebrows and suddenly reached out to snatch the drawing. He opened his mouth and looked at the ceiling light for a while. When everyone thought he wanted to teach this newcomer comic of Shueisha a lesson, the comic master suddenly laughed excitedly and shouted: "It's this expression~! It's this expression~~! Musashi~ He understood it~~! Musashi It turns out that you want to laugh at me like this~~hahahahahahahahahahahahahahaha!"

Yuhiko Inoue took the painting and ran around the field like a child, screaming and jumping excitedly, making everyone speechless.

After Yuhiko Inoue was excitedly exaggerated, she walked to Li Xiaole and looked at him and said, "What did you say just now?"

"Teacher Inoue, let me give you a formal introduction. This is Mr. Li Xiaole, the director of Black Pearl Company... This time I am here..." Ninomiya hurriedly introduced,

"Okay~~" Inoue Yuhiko interrupted Ninomiya's introduction casually, hugged Li Xiaole's shoulder boldly and said, "Boy~~ You have a very talented person. Come and be my assistant. For five years... no... at most three years... I will guarantee that you will achieve something in comics..."

The cartoonists next to him were almost hanging on the ground as their chins were heard~~What's going on? Yuhiko Inoue, who has never accepted apprentices, actually caught a fancy to a young boy, which made all the senior cartoonists who have not yet serialized comics angry... This is simply ridiculous!

Li Xiaole was hugged by Yuhiko Inoue and was a little amused. Unexpectedly, he admired the comic master in this way. The old man who watched the documentary before should be very shy and restrained.

Looking at the eyes of countless otaku cartoonists around him, Maki Hiroki showed a shy look, and he felt that Japanese were all double-faced... He could only sigh and said, "Teacher Inoue, I'm sorry, I have signed a contract with Shueisha. I'm here to talk to you about the right to change the film version of the "Slam Dunk" National Competition. I hope you can join my film production team and serve as the animation producer~"

"Shueheshi?" Inoue Yuhiko's expression immediately became cold. He looked at Li Xiaole and seemed to think for a while before saying, "Oh... I remembered that you are the director of the movie, Li Xiaole. I have read your report. Sorry, I don't plan to make it animated in the "Slam Dunk" national competition. I won't join your team either."

"Why?" Li Xiaole knew that he was the reaction and asked with a smile. He wanted to completely convince the arrogant comic master in front of so many people, otherwise it would probably take a lot of time to miss this opportunity.

Before Inoue Yuhiko had answered, the onlookers shouted: "This is still a question~~ That's because the current animation production level is too low~~ It is impossible to show the charm of Inoue's original paintings~!" "If you want to make animated "Slam Dunk" national competition, it will take at least 20 years! The animation produced by Shueisha to Toei is simply too inexplicable!"

Editor Ninomiya was a little embarrassed. Inoue Yuhiko and Shueisha had a falling out, which was purely commercial reasons. Inoue Yuhiko was just a new painter in the early stage of "Slam Dunk Serial". His painting style was very imitated and there was not much difference from ordinary comics. However, as the serialization deepened, his painter's painting skills began to form his unique realistic style. It reached its peak during the national competition, while the animation version produced by Toei Company has remained at the level of early funny animations.

Not only is the picture too rough, but the plot has started to drag on quarter in order to extend the high ratings, and even the ridiculous thing about a few episodes of animations being stuffed into the last five minutes of the game.

In fact, this cannot be blamed on Toei's animators, because it is impossible to ask them to reach the level of Yuhiko Inoue...

"Teacher Inoue, you can rest assured that I will compress the national competition within two hours." Faced with many doubts, Li Xiaole said calmly: "As for the style of Slam Dunk masters, you can take a look at a sample first. Can you use your projector here?" He just noticed that there were projection equipment here, obviously to look at the sample to find inspiration.

Yuhiko Inoue looked at the Miyamoto Musashi painted by Li Xiaole in his hand, hesitated for a moment, and finally nodded.

Li Xiaole asked Ergong to take out his laptop, then turn off the lights on the scene, connect the projector, and call out a video. After the playback began, everyone saw a tall figure, wearing strange dot-shaped equipment at each key point of the body, dribbling on the basketball court. Because the picture was too enlarged and a little blurry, it was only seen that it was a black man, and everyone looked puzzled. What does this equipment mean?

Just saw the assistant next to him holding a big "Rukawa Kaede" poster with a dunk on his back. After taking a look, the black man dribbled the ball under his crotch and went to the three-second zone, jumped high and made a dunk posture with as amazing strength as the "Rukawa Kaede" in the poster.

Then the picture turned around. Against the background of the blue curtain, the 3D animation version of Rukawa Kaede also jumped up. The speed and force were exactly the same as Kobe's movement just now. The difference was the camera lens. Looking up from above, a "bang" sounded, the basketball was smashed out from under the net, as if it was about to hit a person's face. Seeing the basket still shaking slightly, everyone opened their eyes wide...

The static Rukawa Kaede in the poster... came back alive like a real person...
Chapter completed!