156 Painting and Calligraphy
"Zheng Feng Zijin" expresses a woman's longing for a man, while "Wang Feng Cai Ge" expresses a man's longing for a woman. Yun Feiyang uses it as the content he writes, which is definitely the most in line.
In the studio, there were all kinds of pens, ink, paper and inkstones. Liu Suifeng quickly prepared it and personally polished the ink for Yun Feiyang's plain hands.
Yun Feiyang attaches great importance to this work. This is the token of love he wants to give to Liu Suifeng. He must show his full standards so that he can give back to Liu Suifeng's unreserved love for him.
After Yun Feiyang brewed for a long time, the wolf's hair was filled with thick ink and poured all his love for Liu Suifeng into the lines. An article "Wang Feng·Cai Ge" was swung.
He picked the gua, and said he couldn't see it, just like three months.
It was a bleak song that he was not seen, just like three autumns.
He picked wormwood, and said he couldn't see it, as if he was three years old.
Yun Feiyang's article "Wang Feng Cai Ge" has a rigorous and appropriate layout, with each word sonorous and powerful, with both hard and softness, with a vertical and horizontal stroke and a dot and ink. When you look carefully at each word, you feel sparse and elegant, like a refreshing breeze passing by, and every word is like a green lotus blooming in the water. The brushwork is even more sophisticated, with one breath, the brushwork is concentrating, the strokes are vigorous, the refreshing and flying momentum gives people a sense of vitality.
Yun Feiyang's font is made by many famous calligraphy masters. It is made of a masterpiece, with both hard and softness, bold and free, and extremely beautiful. This stroke was finally finalized after Yun Feiyang's talent and magical powers were trained for a long time. It is very consistent with Yun Feiyang's own surname, so he likes it very much.
In addition to the rigorous layout and the font of Yun Feiyang's calligraphy work, the most shocking thing is that the charm revealed in the whole work is very clear and very strong. The strong longing and deep love are spread across the lines, with extremely sincere and mellowness, and very strong infectiousness.
Liu Suifeng's experience of the emotions in this work is definitely the deepest, because Yun Feiyang's love was originally shown to her.
Liu Suifeng was completely immersed in the artistic conception of this work at this time and could not extricate herself. She was shocked and intoxicated by the perfection of this work, and was also moved by Yun Feiyang's strong love for her. Although she knew that Yun Feiyang was already a master of jade carvings and that his artistic level was beyond her reach, she did not expect that Yun Feiyang's attainment in calligraphy was so profound, even his teacher Kong Pinxiang was far inferior.
After a long time, Liu Suifeng broke away from his intoxicating mood, looked at Yun Feiyang with a look of strong love and admiration, and said, "Brother Feiyang, your work is really perfect. My work is simply a difference from yours. I now feel that my calligraphy work is not very suitable as a token of love for you. Why don't I change another item to you?"
"Your work is already very good. What I like is the emotions you give to the work. In your work, I can feel your love for me very strongly, so I like it very much and must collect it. Moreover, this calligraphy work is the first work you have reached the master level and has very important significance, so I have to treasure it even more." Yun Feiyang comforted.
"Brother Feiyang, I didn't expect that your attainment in calligraphy is not inferior to your level in jade carvings at all. How talent do you have? You won't have such a high attainment in painting, right?" Liu Suifeng asked admiringly.
"Actually, it's all because you like calligraphy and painting, so I have conducted special research during this period, and the level between the two is almost the same."
"I guessed that, your painting skills are so high! Can you draw a painting for me and give it to me?" Liu Suifeng asked excitedly.
"Of course it's okay. I've given me the best lotus pictures, and I'm going to draw the best picture for you. How about I'll give you a fine brushwork portrait?"
"Okay, then I must wait and see what I look like under your brush." Liu Suifeng was very excited about this.
After preparing the painting tools, Yun Feiyang thought for a moment before starting to write.
Yun Feiyang first depicts not the portrait of the character, but the background behind the character.
Yun Feiyang directly used the scene of the "Pinlan Garden" in his impression as the entire background of the picture. In this corner, Yun Feiyang used a corner of the slope stone in front of Liu Suifeng's studio. The picture is extremely simple. Next to the skinny rockery, there is a cluster of thin bamboos, sparse and green onions; a few spring orchids are distributed and scattered, with lush leaves. The overall background gives people a sense of elegance and leisure.
After drawing the background, Yun Feiyang began to deliberately portray the whole body of Liu Suifeng. The willow in the picture fluttered in white dress; long hair draped over the shoulders, fluttered in the wind; holding a scroll in his hand, his eyes were carefully observed, and his expression was extremely focused.
Liu Suifeng in the picture dresses in ancient costumes, with a focused and peaceful expression, natural and leisurely, as if everything is not lingering in his heart, and is leisurely and elegant, as if the spirit is as bright as clouds and clouds, as quiet as lakes, and the quietness and calmness of ancient talented women are revealed in their bones.
Yun Feiyang has beautiful colors in this painting, bright colors, bright but not vulgar; the structure is clear, the lines are smooth, the lines are exquisite, and the agile and elegant. The overall picture has a strong visual impact and appeal, exuding an elegant and beautiful temperament, and the tranquility and leisure atmosphere permeates it is particularly obvious.
After Yun Feiyang finished painting Liu Suifeng's full body image, he mentioned Cao Xueqin's "The Fairy of Jinghuan" in a large blank space on the left in cursive script.
Just leave Liuwu and suddenly leave the flower room.
But wherever you walk, birds frighten the trees in the garden; when it is about to arrive, the shadows are in the corridor.
The fairy's sleeves suddenly float, and I heard the fragrance of musk orchids; the lotus clothes were about to move, and I heard the sonorousness of the ring and pendant.
The smile on the face is filled with spring peaches, the clouds are piled with green buns; the lips are blooming with cherry blossoms, and the teeth are fragrant.
The slender waist is so clear that the wind dances in the snow; the pearls and green brilliance are so bright that the forehead is full of goose yellow.
When you appear among the flowers, you should be angry and happy; when you wander on the pond, you should be flying and swell.
The eyebrows frown and smile, and the words are about to be spoken but not spoke; the lotus steps are suddenly moved, waiting to stop and want to move.
I envy his good quality, pure and mellow; I envy his gorgeous clothes, shining articles.
I love Peter's appearance, and the fragrance is fragrant and jade is carved; I love him, and the phoenix is flying with the dragon.
How is it? Spring plum blossoms bloom in snow.
How clean is it? The autumn chrysanthemums are covered with frost.
How quiet is it, pine trees grow into empty valleys.
How beautiful is it, the clouds reflect the clear pond.
What is the text? Dragons travel to Quzhu.
What is the spirit? The moon shoots the cold river.
I should be ashamed of Xizi and truly feel ashamed of Wang Qian.
How strange!
Where did you come from?
Is it true?
Yaochi is the only one, and the purple palace is unparalleled.
Who is this? Such beauty!
Cao Xueqin's poem praising the dream fairy is most in line with the temperament of Liu Suifeng in Yun Feiyang's painting, and Liu Suifeng's peerless charm will not insult these pearl-like words.
Chapter completed!