Yun Feiyang also hopes that through this art exchange meeting, he can pass on some of his experiences to all the artists attending the meeting, especially more than 30 masters in various art fields. Yun Feiyang's experiences have great reference value for them. Yun Feiyang sincerely hopes that after listening to his story, these people can find ways to break through to the master level. If several of these people can break through to the master level, it will play a very positive and important role in the revival of China in the world art field.

"All the masters present have more experience in their skills than me, so I won't go into details here. I will mainly tell you about their experience in artistic conception." Yun Feiyang said.

"No matter which art form is skilled, there are traces to follow, and we can continue to make greater progress through acquired training. However, the artistic conception of the work is the most illusory. How can we make breakthroughs and progress in this area? There is no specific discussion from ancient times to the present. Your experience and experience in this area are really too precious to us, so we must listen carefully." Master Kong Pinxiang said happily.

Other masters also agreed, eager to know what amazing things Yun Feiyang has about this.

"There is indeed no clear way to reach the master's level of entering the divine realm, but there are clear requirements. This requirement is the requirement for spiritual power. The biggest threshold from a master level to a master level is the breakthrough of spiritual power. The mental power must reach the realm of perfect integration with artistic conception, so it can be considered as meeting the minimum spiritual power requirement of the master level. Therefore, if you want to break from a master level to a master level, blindly study breakthroughs and innovations in skills. Starting from a master level, you must focus on studying breakthroughs in spiritual power, which is the key to breaking from a master level."

After hearing Yun Feiyang's words, the masters suddenly realized and felt a new door open in front of them. Although they could not see the road under their feet, they had already pointed out the direction to move forward.

Master Liu Xingdong asked excitedly: "It's better to listen to your words than to read for ten years. Feiyang's point of view. I don't know how many detours we are going to avoid. At least we have seen the direction we are moving forward. However, we have no experience in how to go down our feet. Are there any specific ways to break through mental power?"

"The specific methods vary from person to person, but there are still general ideas. If you want to make a breakthrough in mental power, the direction of research should not be too dispersed. It is best to devote all your energy to one aspect that you are most interested in. For example, a person's greatest interest is to like orchids, so this can be regarded as a breakthrough point for him. If he is a painter, he is likely to be good at painting orchids, and then he will find the method of breaking through master level to master level, that is, temporarily concentrate his energy on this aspect, and devote all his mental power and emotions to the orchids he is painting. Over time, mental power will naturally make a new breakthrough. Therefore, the key point from master level to master level is to find the entry point for this breakthrough, which is very important." Yun Feiyang gave an example.

"The flying story is too incisive. Such a profound truth is very clear and clear after you give examples. I think the masters in the fields of painting and carving should have fully understood it, but we who study calligraphy should not be suitable for you. Can you give us more detailed guidance?" asked Master Kong Pinxiang.

"Although the methods are different, the principles are the same. For example, if you have your favorite poem, the most experienced sentence, or even the most researched word, these can be regarded as the entry point for breakthrough. However, the more refined the entry point, the better, and the finer the better, the shortest time it takes to break through. If this entry point is broad, it will take a long time to break through. Of course, the achievements you will achieve will naturally be greater after the breakthrough. Therefore, this entry point needs to be found according to your own actual situation, which is different for everyone." Yun Feiyang explained patiently.

"After saying this, I understand that this entry point must be the one I have the most experience, research, and favorite, so that I can make breakthroughs in the places I am best at and achieve twice the result with half the effort." Master Kong Pinxiang said clearly.

Yun Feiyang's explanation made all the participants deeply touched. Even those ordinary artists, although their realm has not reached the master level, have understood the theory taught by Yun Feiyang and have a clearer direction for their future.

"Teacher Yun, your theory is very clear, and we all understand it. I wonder if you can give us a demonstration in person and let us experience the process of creating your works in person. Can you see it?" a young artist suggested.

"Feiyang, today everyone is here to attend this art exchange meeting. The main purpose is to communicate with you in person. If you can see your creation process in person, it will definitely give you more inspiration. Why not just give you a demonstration and create another work so that you can experience it yourself. Combined with your previous theory, the effect will definitely be better." Dean Huang Qun agreed with this proposal very much.

This proposal was naturally supported by all participants, and other masters also spoke and agreed.

Creating a work is a very simple thing for Yun Feiyang. He happily agreed and said, "Since everyone asks this, I will be ugly. I just gave you an example with orchids, so I will draw a picture of orchids for you and give you a simple demonstration."

The staff quickly received a tool. After Yun Feiyang was slightly brewing, he began to pick up his pen and paint.

Under his description, a cluster of orchids soon appeared on the picture. Clouds flying in the sky describe the orchids in thick ink, which is scattered and elegant, with unique charm. There is no water, soil and wood on the picture, simple and sparse, and elegant.

In the picture, the orchid leaves are thin and strong, thick ink is lifted out, overlapping and interspersed, and the orchids seem to emit a faint fragrance. The thick, thin and long brush strokes, the dry, wet and thick ink shapes, and the combination of sparse and dense gathering makes the whole painting look relaxed and bright and full of business.

Soon, all the "Molan Tu" written by Yun Feiyang was completed.

Although this orchid picture is simple and plain, its artistic conception is very profound. From this orchid picture, people seem to see the orchid standing upright in the cold rain and blooming in the cold wind, but not being shocked by honor and disgrace, neither arrogant nor impatient, neither humble nor arrogant, nor competing for favor with flowers; it seems to see its ability to read in the empty and quiet valley, absorbing the spiritual energy of the heaven and earth, and taking the essence of the moon, one is called the fragrance, and the nobility of all flowers; it seems to see the tranquility, simple and elegant style that is not impetuous because of its fragrance, but fascinating people, fascinated by it, the charm of clear heart like water, and clear bones.

Just after Yun Feiyang's molan painting, two butterflies flew from somewhere, flying around Yun Feiyang's molan painting, and finally stayed on the orchid in the painting.

Seeing this scene, everyone was filled with praise, deeply intoxicated by the artistic conception of the molan with flying clouds.

Yun Feiyang saw two butterflies falling on the Molan Tu, and regained his interest. He picked up his pen and wrote a short poem in the blank space of the Molan Tu.

A piece of rice paper with a few strokes of ink, draw orchids to welcome the blooming of spring.

I don’t know that the fragrance of ink is the fragrance of flowers, which leads to the butterfly hall.
Chapter completed!