That connection to the science fiction world is of course useful and not just a whim.
 As for Helsing...
 I need a Dracula, but this guy's immortality that even death can do nothing about requires an answer. Not the "that's it" answer in the comics.
 And Helsing has many connections with this world.
For example, there is the problem of the midnight vampire whose name is not mentioned in the comics. This image is very different from the vampire in "Blade", so it is set as two different races.
 The Midnight Vampire was set by me as Mina Harker, of course for the sake of logical co-production.
Because there is a Frankenstein in Howling Commandos, which is very similar to the movie "Van Helsing".
 And Mina Harker in "400 Years of Love" is merged into Marvel's Midnight Vampire.
 It is also the same reason, so the Angel Gabriel in "Hell Detective", Van Helsing in the story of Helsing, and the human who killed Accardo all became the same person.
 I think there are no logical errors in this arrangement.
As for Pioneer Technology and the Last Brigade, there are conflicts between Red Skull Hydra and the Third Reich, so there is Pioneer Technology, a scientific research organization that deviates from Hydra.
 The last group is purely a remnant of the Third Reich, and their relationship with Hydra is naturally not very good.
 And pioneer technology has become something they can think of.
 I was hesitant to make fundamental changes to some characters, but I am still hesitant now.
  I don’t want the characters I write to become a passing scene that passes by in a flash and I can’t even remember their names.
 I want these characters to be more "real".
 But emotions are difficult to control, because everyone has their own anger and sadness. Even if they all express anger, I hope their anger is different.
Burkeso's irritability and restraint are due to the incompleteness of his soul, which has to use other emotions to remind himself. Therefore, most of the time he will not say anything "sincere".
 Leiko’s sensibility and sacrifice, and the resistance she had to do.
 The complexity of Volusk's cowardice and necessity of arrogance.
There is also Kanai who only appeared in a hurry and then left, that kind of turbulent anger under the calm sea.
 The sorrow of Madoc as a prophet, and the sinking in suppressed laughter.
Talik was attracted by the evidence of shame and was burdened with anger that should not belong to him. He hesitated because of this, making strange choices and unnecessary mercy.
 Among the three ancestors, Korik doesn’t have many roles yet, because his respect for life and the anxiety caused by his hatred for killing are not well displayed. The shaping of this character will be at the next small plot point.
 The bitters of Qualkek, the conflict of ideas between Orac and Cassius, and the handover of responsibilities.
 From Vandaloni to Karasim, and then to becoming the Immortal Mr. Craig, the reincarnation and changes of the warrior monk.
There is also Andariel's madness derived from mental torture, and Duriel's pursuit of physical pain.
 Azmodan's pure sin and ugly face, and some of the reasons why the Demon God of Hatred who gave birth to Lilith became the King of Hatred.
 What kind of character do I like?
If you ask me to say, it is probably the end of myths and the rise of heroic legends, Beowulf.
I prefer a more romantic version of the name Beowulf.
ˆ˜bee·wolf
 The bee and the wolf.
This name is somewhat unreasonable, neither "knowledgeable" nor "correct", but I just stubbornly like to call it this way.
 Heroes should be complex, human, and extreme.
For the sake of sweet honey (glory, fame, face and beauty), Beowulf is like a bee that cannot even be driven away.
 When bragging about himself, he would also use erotic topics to modify his losing experience.
 The purity of sex and strength, as well as the yearning for wild power, are part of the reasons why this hero attracts me.
 But having such people around will only cause trouble.
 So I divided Bulcaisel's soul.
How can the will for a peaceful world survive in a world filled with killing and death?
This is not something that can be done regardless of ethics and bottom line. My reverence for life also makes it impossible for me to imagine the process of "killing".
 Because I feel pain, I can understand the pain caused by violence.
 But I haven't died yet, so I can't feel death and understand it.
 Even though I have experienced the death of a loved one, I am still full of doubts about death.
He even said that there is a "beautiful" fantasy about death.
　　——One afternoon, with regret and sourness, I looked at the blazing sunlight shining on the window sill and the scorched leaves of the flowers.
 Then slowly and longly exhaled his last breath.
 If that time really comes, I want to try my best to open my eyes wide and see what is in the eyes of the deceased.
 Then there is the longing for the beauty of life.
  ——In the afternoon, during a certain class break during my student days.
 The sleepy eyes in the hot summer wind and boredom.
The person in front of me happens to be the face I have seen countless times in my dreams.
 This time in the afternoon has a completely different meaning in my life, which has not had much turmoil.
 Every beautiful memory I have is at this time, and every time I have about loss and grief is also at this location.
 So I think this is my "balance".
 Tell me back to the story.
 Archangels and Hell Demons are balanced, and this must be balanced.
 How do the five archangels of courage, hope, wisdom, justice and balance achieve a balance with the devil of hell?
 The combination of wise guidance and strength should defeat those hell demons who don't look very good.
 So Lilith as "knowledge" appeared.
 Everything gained by wisdom will be included in knowledge.
 Only in this way can the archangel and the devil of hell be balanced.
Facing an existence like fear, the Archangel must have a more mysterious and powerful trump card.
 Inarius, who was purified from the incarnation of destiny into pure destiny, appeared.
 In this way, are the forces on both sides almost balanced?
 Inarius purified into fate, and the personification of his personality disappeared.
  But as the "father" of the Nephalem, Inarius cannot be as cruel as Lilith.
So the barbarians had a "prophet", and from this came their majestic destiny that did not allow for the slightest rebuttal.
 In my imagination, the first generation of Bulcasso and the druid ancestor Vasily were controlled by the "father".
  So I set the character of the first-generation Bulcaisel to be more like Lilith as a demon, which can also be related to the obvious demonic characteristics of the barbarian berserker's fury posture.
 The first generation of Bulcasso was rebellious, while Vasily was the one who complied with fate, enjoying the protection of fate and moving forward according to the path arranged by his "father".
 When "father" fell, Vasily also faced the ill will of his brothers.
 The hands of the first-generation Nephalem were covered with the blood of others. This is certain.
To be precise, these people stood beside Lilith at that time and started killing other demons and angels in the sanctuary.
 This also paved the way for the Nephalem to be unpopular with both angels and demons.
 So in the world of Diablo 3, I roughly divide it into four major positions.
 Angels, demons, biased Nephalem, and Nephalem who are full of hostility towards others.
Angels and demons don’t need much elaboration, but the two types of nephalem need to be cited with a few representative examples.
 Biased Nephalem - Crusaders, Paladins. They enjoy special care from angels, but they have never understood what angels do. They have never thought much about the derogatory "mortals" in angels' mouths.
To be continued...