The name of Qiao Jin's painting is Light.

Light is the opposite of black.

It was also a thin figure, standing there with boundless darkness behind him.

The figure's face completely appeared on the screen. At this moment, the face was slightly raised and looking ahead.

And in front, is light.

The most advanced thing about the whole painting is the color palette of light and the natural transition of dyeing, which makes people feel warm and unobtrusive. Just the excess of a few colors gives people a very kind feeling and makes people want to be involuntarily.

To get close, to possess, to bathe in that light.

And the expression on the figure's face was also very clear. The expression was not exactly a smile, it seemed a little surprised and unbelievable, but it was happy.

It's like seeing a mirage in a dream. A mirage really exists and is not something that cannot be touched or touched.

It turns out that this world is really not completely dark. It turns out that there is light in this world. It turns out that this light is so beautiful and so warm.

As long as everyone looks at this expression, they can feel the mood of the person in the painting at this moment, and completely empathize with it.

Everyone even couldn't help but want to reach out and touch the light, as if there was some magic power that made people unable to help but be fascinated.

And after looking at the light for a long time, I looked at the darkness behind the figure.

I don’t know if it’s everyone’s misunderstanding, but when I look at it again, the black seems to have faded a little, and it doesn’t seem as dark as it was when I just looked at it.

This is a static two-dimensional painting, but for some reason, everyone can see the light from the black, as if the darkness has been dispersed by the light.

Obviously the darkness is still there, but it seems to be going away.

Is this some kind of magic?

Everyone feels incredible about their own delusion.

In fact, this is not magic, but a clever use when the two colors of black and light are excessive in the late Tang Dynasty.

When people's eyes see the light in her paintings for a long time, and after overexposure, they will have a visual illusion that they are different when looking at black.

This not only uses color, but also uses the focus of human eyes.

This change of black and light is actually the best finishing touch of the whole painting.

Wonderful, really wonderful!

After seeing such a painting, everyone no longer had any thoughts of questioning and were convinced.

After looking at Qiao Jin's paintings, and then looking at Zhang Siyang's paintings next to them, it is obviously much inferior.

Zhang Siyang's paintings are very simple, and they depict the scenery in the valley.

The painter is actually very good, reproducing everything here almost perfectly.

To be honest, if Zhang Siyang's painting skills were really bad, no one would believe him even if he copied Qiao Jin's paintings.

There is nothing wrong with this painting by Zhang Siyang.

But although there is nothing wrong with it, this painting is not a good work.

Because there is no emotion in this painting.

The reason why works of art can become works of art is because of the emotions contained in them and the feelings they convey to people.

If it is only good to draw realistically with high skills, then why not use a machine to take pictures? That is much more realistic than what humans can draw by hand.

It can be said that the paintings of Zhang Siyang and Qiao Jin are completely incomparable.

This painting by Qiao Jin is called light. With eyes and brains, you can see that this painting is completely opposite to the previous black painting.

The painting skills and the way of expressing thoughts are very similar, but the feelings conveyed are completely different.

If the previous black painting wanted to express the boundless pain and helplessness, then this light painting wanted to express the hope and salvation within reach.

When she painted this painting in the late Tang Dynasty, she not only wanted to win the competition and clear up Qiao Jin's name, but she also painted it for Qiao Jin.

That little girl lived in pain and darkness all her life, and even though she had a warm family, she could not pull the poor child out of the abyss.

But at the end of Tang Dynasty, he painted this painting just to tell her that this world is not just about pain. Maybe if you raise your head a little, hope is not far from you. This hope is so warm, no matter how painful you are now.

, you are only a few feet away from happiness, you can see it just by raising your head.

No one in this world can empathize with it. The pain experienced by one person cannot be felt by another person, no matter how close the relationship is.

But art is connected. The ideas that humans want to convey through art can be perceived by another person who appreciates art.

And now, those who are looking at this painting feel such emotions.

At the end of Tang Dynasty, he hoped that Xiaojin could also feel it.

The reason why the principal looked at this painting for so long is because he is the only one here who can truly understand the true meaning of Xiaojin's painting.

The dark time Qiao Jin experienced when she was seven years old was the darkness in her heart for the rest of her life.

But deep down in this child's heart, he is so looking forward to light, so he has the current painting.

The principal knew something about what happened to Qiao Jin in the last competition.

But at that time, it was indeed Zhang Siyang who submitted the work first and it took a long time before Qiao Jin submitted it, so the principal naturally believed that Qiao Jin had plagiarized it.

Because he was afraid that the child would not be able to bear it, the principal did not talk to her alone again, for fear of adding to her psychological pressure.

The child also had a stubborn temper. He felt aggrieved but never said anything.

My family didn't tell me, my teachers didn't tell me, and I had no friends, so I just kept it in my heart.

The principal felt very guilty. As a child of Lao Qiao's family, he should have believed her.

Old man Qiao entrusted the child to him, and yet he actually made the child suffer so many grievances right under his nose. He felt so guilty!

The principal felt very guilty at this time, and his heart was full of pity for Qiao Jin.

Fortunately, fortunately, now this child has proven himself through painting.

Has it been proven?

It was Tang Mo who helped Qiao Jin clear her name, but the real Qiao Jin still remembered this incident in her heart when she died. Even when she was dying, this was still a knot in her heart.

"Classmates, you have seen Qiao Jin's paintings, and you have also seen Zhang Siyang's paintings. Qiao Jin, do you have anything to say?"

Now that the truth is known, the principal will naturally help Qiao Jin fulfill her wish.

This child spent so much time trying to clarify this fact to everyone, so naturally he would do what she wanted.

Countless pairs of eyes looked at the end of Tang Dynasty, and everyone felt very complicated.

Now the truth of the matter is before our eyes, and all the truth seems to be ready to come out.

But before they...
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