Zhang Daocheng quickly stepped back half a step with his left foot, twisted his body to the right, and at the same time, he drew the sword in his right hand upward and held it on the outside of his right shoulder.

The feet are bent and the knees are lifted up, forming a right independent step. At the same time, the sword of the right hand is clicked forward and downward, level with the knees, and then the fingers of the left sword are raised to the left side of the head.

When he points the sword, his body leans forward slightly, and his independent steps are very stable. When drawing the sword, he swings his wrist forward and upward, and then back to make an upward stroke. There is no outward horizontal force. The swing with the wrist should be fast, the distance should be short, and the force should be used.

At the wrist, the force reaches the predecessor of the sword.

The masked person uses his right foot as the axis, twists his body to the left, takes a step back with his left foot, and swings his toes out. At the same time, the right hand swings the sword at the wrist and bends the elbow to rest on the right side of the head. The elbow is pulled back, the sword body is flat, and the sword tip faces

In front, level with eyebrows.

Then, push the left sword finger to be at the level of the chest, with the fingertips upward, take a step forward in an arc with the right foot, buckle the toes in, turn around, bend the left foot at the knee and hang up into a right independent step, and at the same time, counter-arm force forward with the sword in the right hand.

The sword thrust out, and then the sword finger of the left hand returned to the outside of the right wrist, pointing upward.

Zhang Daocheng steps forward with his left foot, swings his toes out, and twists his body to the left. At the same time, he rotates his right sword wrist outward and bends his elbow to wrap it up. He twists his body to the right, takes a step forward with his right foot, and follows up with his left foot half a step into a right three-body step.

, at the same time, the right sword wrist is internally rotated and lifted out from the front of the left side, making it at shoulder level.

His movements should be consistent. When lifting the sword, exert force on his waist and arm, and the force should reach the upper and middle edge of the sword.

The masked man took a half-step forward with his left foot, pointed his toes outwards, and twisted his body to the left. At the same time, he rotated his right sword wrist outwards and drew the sword downward to the left. Then, the left sword finger was attached to his right wrist. He looked at the sword tip, not knowing

Stop and twist to the right, take a step forward with your right foot, follow up with your left foot half a step into a right three-body stance, and at the same time, hold the hilt of the sword with both hands and thrust the sword forward and upward, with the sword body diagonally upward.

He swung his right wrist down and back to draw the sword downwards, but he used an inch of force.

Zhang Daocheng used his two feet as an axis, turned his body to the left, and formed a left three-body stance. At the same time, he raised the sword in his right hand.

The masked man steps back with his left foot, twists his body to the left, kicks off his left foot and jumps up. At the same time, he twists his body to the right while playing with the sword in his right hand, swinging back from left to right, and then points his left sword under his right arm.

Left side of head.

Seeing the masked man approaching fiercely, Zhang Daocheng quickly stepped back to avoid the oncoming force.

The masked man takes a half-step forward with his right foot, then moves his left foot into a left three-body stance, twists his body to the left, and at the same time rotates his right hand's sword wrist outwards and sticks to his ribs, standing the sword forward and thrusting out at chest level.

Zhang Daocheng twists his right foot to the right, lifts his left leg on the inside of his right ankle, and forms a right shin step.

At the same time, he rotates the sword wrist of his right hand internally, bends his elbow and holds it horizontally. The sword blade should be flat and slightly higher than his head. Then he presses the fingers of his left sword down in front of his belly, with his fingertips pointing to the right, while looking at the sword body.

Then he bent his left knee and lifted it up, twisting his body to the left. At the same time, he rotated his right sword wrist outwards, drew the sword downward to the left and held it in front of his abdomen, pointing the sword upward. Then he lowered his left leg diagonally upward to the left, forming a left lunge.

At the same time, the sword of the right hand is stabbed forward, with the tip of the sword level with the chest, and then the sword of the left hand is pulled back on the outside of the left hip.

Zhang Daocheng's series of actions are a combo.

Fang was suppressed all of a sudden and gradually found himself at a disadvantage.

"Sword skills are never easy to teach, and they swim around like a dragon spinning."

This sword has nine mouths, and the sword has two guillotines, one sharp edge and two blades, two cutting mouths, two wiping mouths, two lifting mouths, and one stabbing mouth, a total of nine mouths.

The mouth of the guillotine is the thickest, widest and most familiar in comparison. It is also closest to the hand and can withstand strength or force. If two swords are crossed, it will be as powerful as a guillotine. This mouth is mainly used to receive the enemy's blows.

weapon.

The cutting capacity or force is second to that of the guillotine, but the speed when cutting is faster than that of the guillotine. This section reflects the amount of speed when cutting, and is the best place where the center of gravity and various factors are unified. This section is suitable for martial arts.

It is suitable for slashing and killing, and can also be used to parry enemy weapons, playing an important offensive and defensive role.

Mokou is mainly used to scratch the enemy's body when chasing or being chased by the enemy.

The piercing mouth is a sword with a sharp tip and flexible use. It is mainly used to prick various parts of the enemy's body. It is the most commonly used one among the nine swords.

The sword robe, commonly known as sword spike, evolved from the "sword rein" in the army. The army used spears for immediate combat. In order to prepare for close combat, short weapons such as swords and knives were often hung on the wrists with leather ropes.

, this rope is called "sword rein".

Sword tassels are also called "sword robes". The role of sword robes is generally regarded as a beautiful decoration. In fact, it is completely wrong. First, it is a sign of level, that is, the level is distinguished by color. Moreover, sword robes are divided into long and short.

The tassel is a symbol of beauty and has little use, while the beauty of long tassels lies in its application.

In fact, it is a soft and flexible silk weapon, which can hide seven-star nails, small hooks and other hidden weapons to enhance the actual combat power. The sword robe can be used by spitting, rolling, throwing, pulling, leading, scratching, releasing, and shaking.

Breaking techniques.

The reason why Zhang Daocheng has the upper hand is also related to his use of sword robes.

In addition, the sword finger was called "Jian Jue" or "halberd finger" in ancient times. Its hand shape is that the index finger and middle finger are kept together and straightened, the fingertips are naturally raised toward the back of the hand, and the other three fingers are bent together in the palm of the hand, and the three fingers and the palm are as round as possible. Swordsmanship

In Chinese swordsmanship, there are five commonly used sword pointing techniques, namely "front fingering", "sword holding", "side fingering", "additional fingering" and "holding fingering".

Sword fingers can not only assist in casting spells, but also have clear offensive and defensive meanings.

The front finger can click and poke the opponent's relevant acupuncture points and important parts, and the sword finger can be used to feint the opponent's face to confuse the opponent's eyes.

The holding fingers and attached fingers can assist the opponent, such as making a sound to the east and attacking in the west, pointing up to take it off, pointing up to cut it down, using the sword point to feint upward, but actually to volley downward, seducing the opponent with one virtual move and the other with the real one.

The running route of the middle sword finger and the side fingers also play a role in stabilizing the body's center of gravity, coordinating the overall movement, and increasing the click effect.

"Come with a sword and ride on the wind to slay demons in the world."

Zhang Daocheng showed off the sword moves he had just learned and pressed down on his opponent to fight. He felt extremely relaxed.

Among practitioners who practice swordsmanship, they always have a strange attachment to the sword fairy, perhaps because they can ride the wind.

The posture coincides with the imagination of the sword cultivator. Perhaps the wanton sword energy creates an artistic conception.

In the legend, sword immortals are all lonely. They may have one or two close friends, or they may not have any. They spend their days with good wine, walking on swords, and they live in ruined temples in the mountains and small deserted temples.

Among practitioners, stories about the unruly Sword Immortal have always been passed down orally from word to mouth.

The origin of each sword immortal is unknown. Perhaps his family was destroyed, or perhaps he went through hardships and finally embarked on the path of cultivating immortality. Even on the path of cultivating immortality, he has no one to accompany him, only one sword.

Everything in the world is like a dream, only a green blade rests on your head.

"Any sword or mirror must be cast from real iron that has been tempered hundreds of times. If the iron is refined, it cannot be called a refined sword without cinnabar and silver hook iron."

The characteristics of sword cultivation include using one's body as a large furnace to practice inner elixirs, externally using one's body to practice swordsmanship and practicing physical form, and using one's body to forge swords and refine weapons in the middle.

According to the knowledge of swordsmanship described in the inscription, swordsmanship can be divided into "swordsmanship" and "dao swordsmanship".

A swordsman is a tangible sword made with a special method to resist foreign aggression.

Taoist swordsmen are born with one qi, which is formless and formless, and generates the taihe energy of heaven and earth.

The sword cultivator condenses this majestic and mighty energy with the method, and uses it to pass through the gold stone and penetrate the fish and Lu, so that no one can control it.

This is not only the "brave" state of martial arts, but also the "immortal" state of immortality.

When Zhang Daocheng saw this part of the inscription, he couldn't help but feel overjoyed. Isn't this what he is pursuing, "There is no sword in the hand but a sword in the heart"?

The inscription mentions that when practicing swordsmanship, it is best to go to the cliff, take elixirs, take bigu, breathe, and receive the essence of the sun and the moon.

This sword cultivator is different from those who practice the Jindan method and live in seclusion in the city. If you encounter poisonous snakes and beasts in the deep mountains and your body is unable to resist, you can use the sword energy to subdue them.

After thoroughly understanding the news of yin and yang, he used the means of rotating the universe to change acquired golden energy into innate golden energy, and then he returned to the right path of the golden elixir.

Therefore, when swordsmanship is not accomplished, his temperament is very stubborn and withdrawn.

The first step in sword cultivation is to refine the sword, which is the innate vitality.

The second step is to cast a mirror, which is the innate soul.

If the spirit is free of distractions, always awakened, and not allowed to move, that is, the mirror is hung high, and everything that comes will be illuminated. The energy is accumulated, and it is always raised, and does not let it weaken. That is, the sword of wisdom is empty and can kill three corpses.

Those who practice Tao swordsmanship are born with one Qi, which is the formless and formless energy of Taihe that nourishes heaven and earth. Those who seek the Tao should continue to learn, explore, and seek verification.

While Zhang Daocheng was fighting with the masked man, he was studying the swordsmanship knowledge on the inscription in his mind.
Chapter completed!