Fang Tian has been looking for opportunities to "win with one move".

This is a tactic that works in any battle.

The key to this trick is to quickly find the right offensive position and not move too much. When seizing the opportunity to attack the opponent, you must quickly slash and win quickly.

Often, many people are defeated before they can use their full abilities.

However, this method has very high requirements for the speed of using the knife. The essence is to use the enemy's hesitation moment to win at a quick victory.

Therefore, when fighting fiercely, to find a moment and take the initiative, you must practice your moves to a state of proficiency.

But unfortunately, Fang Tian’s opponent obviously did not give him a chance.

Then when attacking the opponent, the opponent will defend, then you can use a feint to make the opponent feel nervous, and then take advantage of the opponent's nervousness and relax for a moment, attack again and quickly win.

During the battle, Fang Tian initially used two swords to fight against his opponent at the same time. In the end, Fang Tian used a trick to throw the sword with his right hand towards his opponent's chest, in an attempt to win the victory.

But what Fang Tian still welcomed was failure.

The stone tablet obtained by Fang Tian believes that when holding the double sword, the correct way to hold the knife is to keep the thumb and index finger relaxed, the middle finger is not tight or loose, and the ring finger and little finger must be tightly clamped.

Once the knife is released during the fight, the only idea in my mind is to consider how to knock down the enemy and make up my mind.

Once you draw the knife, hold the knife in the best way to hold it. Do not draw the knife first and then adjust the grasping method, and do not allow gestures to form an angle that is difficult to display.

Whether blocking, tying, knocking, or defending the opponent's knife, these actions should be completed only by subtle movements of the thumb and index finger. In any case, drawing the sword is to defeat the enemy and win, and there is nothing else.

The way of holding the knife is no different, no matter how you test the knife or in actual combat, the hands and swords should not be stiff under all circumstances. A stiff hand is a dead hand, and a flexible hand is a living hand.

As for the steps in the knife technique, when moving the steps, the toes should be slightly off the ground and firmly stepped on the ground with the heels.

In addition, when fighting, different steps should be taken according to the situation. The speed of the foot moves can be fast or slow, and the distance between the steps can be large or small.

But no matter whether it is big or small, fast or slow, the pace should be the same as usual, and you should avoid errors such as jumping, frivolity and stagnation.

Whenever you move the position, you must not just move one foot. This kind of footwork should be used whether it is attacking, killing, pulling away, or even dodging.

In this way, you can move left and right, front and back. The specific way of moving is to move right, and the left foot will follow up immediately.

If the foot retreats, the left foot will also be withdrawn.

In short, in combat, always moving one foot alone is a taboo in military and infantry techniques.

"Swoosh!"

Fang Tian slashed at his opponent with a knife. The opponent stood up and knocked out the blade. After knocking Fang Tian's blade, he immediately borrowed the counterattack power of Fang Tian's knife from Fang Tian's knife, and used the knife to press it against Fang Tian's blade and slashed towards Fang Tian's right neck.

Because at this time Fang Tian's blade was knocked behind the side door, there was no way to go back to the middle lane and find a horizontal line to block his knife, because with a flash of lightning, the opponent's knife would be cut.

At this time, no matter how Fang Tian blocked it, he could no longer block his knife.

At this moment, the situation is extremely dangerous!

Fang Tian didn't care about anything else at the moment. He got off the ground and avoided the attack in a very embarrassing way.

The terrifying thing about weapons lies in their super lethality. Because the instrument's hardness, strength, sharpness and lethality effect, coupled with the role of physical principles such as leverage in weapons, determines that the instruments are much stronger than the limbs of flesh and blood, and the lethality efficiency is much higher, thus determining the "one-hit kill" nature of the combat.

It is determined that in a cold fight, there will never be a situation of entanglement between each other. At the moment when the two collide with each other, it is often the moment when the two people are divided into high and low levels.

Whoever seizes the opportunity and succeeds in the first strike, he will be the winner. Therefore, what cold soldiers pursue is fast, fierce, and one-hit kill, but do not overestimate the vigorous physical strength and the numerous tricks.

The concept in the stone tablet inscription is to attack the opponent. No matter what moves you use, the ultimate goal is to greet the opponent, if you are not just trying to scare people.

The attack targets of the opponent's attack are the opponent's bodies, but the attack angles of each move are different.

The same is true for the opponent's attack on one's side. The similarity and regularity are that no matter how many moves are, the final landing point is nothing more than a line from the opponent or one's side from left to right, or a line from right to left, or a line from right to left, or a line from own to middle line.

If you grasp these three lines, you will also grasp all the opponent's attacks on us.

That is, when you attack the opponent, you can only attack the opponent's left, center and right three gates from these three lines. Similarly, when the opponent attacks me, you can only attack the opponent's left, center and right three gates from your own side, and attack the opponent's left, center and right three gates.

For example, Fang Tian attacks the opponent with a knife, and the opponent strikes back at Fang Tian. If you want to attack cleverly and quickly and effectively control and resolve his offensive, you must first understand where the opponent's power comes from.

In essence, there are only two types of movement trajectories of knife attacks, one is swing and the other is stabbing.

With one knife, press the hands, there are actually the direction of the force emitted by the waist and legs, and the direction of the knife itself, there are only two types of relationships. One is the function.

The direction of force is perpendicular to the direction of the blade body, or at an angle, such as the chopping, sweeping, etc., while the other is that the force emitted is in a straight line with the instrument body, such as the method of stabbing the knife.

When the opponent's sword attacks, if Fang Tian dodges the direction he is not threatened by the opponent's sword and walks to a safe place, this direction is called Shengmen.

If Fang Tian’s direction of dodging is exactly where the enemy sword threatens, and he walks to the place where he is hit, this direction is the Death Gate.

This is essentially a question of the direction of force, which is to determine which direction the opponent's knife attack is moving forward.

The direction of the force of the attack is to rush forward along the tip of the knife, forming a straight line with the direction of the blade, so facing the tip of the knife is a dead door, and dodging to the left and right sides is a life door.

The direction of the attacks in the direction of their force is an arc-shaped trajectory.

The direction of its force is perpendicular to the blade body. The biggest threat is on the tip of the blade and the arc belt swept by the blade body. The direction of its attack force is on the tangent of these arcs.

If Fang Tian walks in the direction of force, he is walking in the death gate. If he moves in the direction of this force, he avoids the direction of the opponent's attack force, he is walking in the life gate.

In short, no matter what tricks the opponent uses to attack, Fang Tian can understand where the life and death gate is located as long as he determines the direction of the attack power of his sword.

When the opponent's sword attacks from any angle to Fang Tian's left, the direction of its attack power is to point from Fang Tian's left to the right. Fang Tian's left is the death gate and the life gate on the right. Only by dodging to the right can he walk out of his threat circle.

If the enemy sword attacks from any angle to Fang Tian’s right, the direction of its attack power is to point from his right to the left. At this time, Fang Tian’s right is the gate of death and the gate of life on the left. Only by dodging to the left can he walk out of his threat circle.

If the opponent's sword stabs directly towards Fang Tian, ​​the direction of its attack power is on the straight line that has always attacked Fang Tian. If Fang Tian blocks his line and does not move, it will be a death gate. Fang Tian dodges left and right, and avoiding this line is a life gate.

Of course, just a simple defense does not make much sense for Fang Tian’s victory.

While Fang Tian was dodging, he also wanted to let the opponent enter his attack circle. The way he adopted should be to advance slantedly and retreat slantedly.

The rule is to determine the distance between the two sides. When it is medium and long distance, Fang Tian will dodge the block with a diagonal step.

At close range, Fang Tiangang evades blocking with a slant step back to ensure that he always maintains an effective attack distance and always makes the opponent fall within the attack and strike radius of his own weapons.

This mainly lies in the flexible use of Fang Tian's body technique, so when making progress and regressing to defend the opponent's attack, you should not make progress or regress in a straight line, but should be carried out from a certain angle.
Chapter completed!