Of course, I won’t go to Jiangcheng now, and the county party committee secretary will not be so hasty.

He also needs to carefully study Ye Sansheng's plan and adjust and supplement from his perspective.

Ye Sansheng's plan has not changed much about the content of other projects, - no one can do it. Just as Zhang Shicai, chairman of the sauce garden factory, said, sauerkraut is sauerkraut, you cannot do it like pork selling, the content of those projects is like that, black pig farming is black pig business, fishing and fruit agriculture is agriculture, and you can't make flowers.

Ye Sansheng's method is to remove the drought and preserve the essence, sort out and summarize, and the most important thing is to refine the core, then bind it, and then parasitic marketing.

The creativity comes from Emei Mountain - Director Ju of Leshan Scenic Management District. In their industry, it is a routine. Director Ju said that she was once transferred to Guangping County to help promote the newly completed great man’s former residence. After investigation, the strategy they formulated was "five one project". Simply put, it is to instill tourists in the hometown of great men in Guangping County. You must visit the former residence of great men. When visiting the former residence of great men, you must do five things, such as walking around the former residence of great men, buying a biography or souvenir, eating a hard meal of the former residence of great men, etc., and adding hints or word of mouth to it: great men promote the resumption of the college entrance examination, so after these five things, the child’s college entrance examination can be blessed.

Ye Sansheng thought this bundle was good, so he looked around and decided to come with a higher bundle, which was tied to Jiangcheng, Daqian Pavilion, Yangtze River Pavilion, Painter Village and Grassland Village, and was preparing to replace Wangjiaba Folk Tourism Park with a folk museum, Yangtze River Fishing and Fruit Agricultural Theme Park with Zhongchuan Agricultural Museum, Yanshiling Oil Tea Tourist Park with an oil tea exhibition hall, Banpoling Black Pig Breeding Belt with a Black Pig Science and Technology Museum, first build the museum, and then do supporting construction in the name of cooperating with the building of the museum, and develop corresponding industries. In this way, with the renovation of the museum as the banner, the entire Linjiang New City Phase II will be completely made into a cultural and tourism project, and then use a few museums to lead and drive related industries.

As for Linjiang Ancient Town, we also consider building a folk house exhibition hall, preserving a group of roughly intact old houses, building an ancient town under this banner, making a tourist street, and the development of Baolai Mountain is to build an art village.

In this way, each project will refine a museum, and then tie these museums together with the famous Daqian Pavilion and the Yangtze River Pavilion, which are slightly famous in the province and the Yangtze River Pavilion. In the future, we will promote the positioning. When we come to Jiangcheng, we must see several major museums and collect a loud slogan, such as "If you don't see several major museums in Jiangcheng, it will be useless to call you an expert."

This is the main consideration of Ye Sansheng’s Linjiang New City Phase II project.

Of course, Daqian Pavilion is because there is a world-famous painter in Jiangcheng, who is known as the same as Picasso. It was released in five hundred years, so it built a national-level memorial hall, including a museum and a landscape park. It is a tourist landmark of Jiangcheng. The Yangtze Pavilion is a nationally famous news pioneer in Jiangcheng. It began to report on the Red Army during the Long March era. After the founding of New China, it served as the president of the People's Daily. Now the highest news award was established in his name. These two major museums have long been two business cards of Jiangcheng. Ye Sansheng was able to consider this way. It is incredible to post several new museums to the top.

There is no doubt that Daqian Pavilion and Changjiang Pavilion are definitely unwilling to do so, but what they say doesn't matter. The leader only needs to say it. To obey Jiangcheng Cultural Tourism, the elder brother must take his younger brother to play. This leader, Ouyang Jian, is not qualified, and must be the secretary of the municipal committee to make decisions. This is why Ouyang Jian said he would take them to see Zhou Zhongrong immediately.

As for the development of Baolai Mountain, the Artist Village was built.

The plan is to invite about 30 artists to go to Baolai Mountain to set up their own studio, including ceramics, paintings, writers, musicians, filmmakers, poets, fashion and other aspects, with works and achievements, and have a certain influence across the country to form a group effect.

However, the invitation method reflects Ye Sansheng's ambition and is also one of the two key points in this plan.

Simply put, this invitation method is to turn the artist passively into activeness.

In the past, this kind of cultural and tourism development was generally planned and designed by the developer, repairing the main buildings and inviting merchants to enter the venue. However, Ye Sansheng took the invitation to this development, only planning the various functional areas of Baolai Mountain, and then reserved the land to form points and surfaces, and divided into more than 30 pieces of land of large and small sizes and different terrain. Artists can register, negotiate and bid for the land according to their respective requirements and interests, and then design and build their own "utopia".

At the same time, the land they obtain can also build hotels, homestays, restaurants and other auxiliary business places, and attract them to enter the construction and management of art villages, have the right to speak and have a sense of ownership, and this feeling is particularly important and attractive to artists.

In this way, once artists enter, they will give full play to their initiative and attract more tourists to Mount Baolai, instead of putting all the work of cultivating all the market, attracting crowds, and community management on the main house.

——There is another hidden beauty of this plan, which is that it solves the biggest difficulties of Liu Chengjia and others. They can take down the land legitimately through an artist friend, build villas, homestays, and living spaces according to their wishes, completely from "active to passive", from "wanting to reach out" to "being invited", enter Baolai Mountain openly, and the buildings are more free and can meet their needs more.

——Yang Zhong fully understood Ye Sansheng's meticulousness and painstaking efforts at first glance, and admired him extremely. The same is true for Ouyang Jian, although he would not reach out like Liu Chengjia and the others, he is very cautious now.

Baolai Mountain will use the Artist Village as a starting point to drive the development of other projects. At the same time, in terms of marketing, it is like the previous museums, and tied up the Jiangcheng Painter Village and the Grassland Village, which have now become well-known. Whether the publicity is five museums and three villages in the future, it will be tied up to promote first.

In fact, Ye Sansheng didn’t have much confidence in what the black pig restaurant and folk museum in the end would become, and he could not intervene directly. However, he was very confident about the artist village of Baolai Village, and believed that once the invitation was issued, many artists who did not receive the invitation to know the information would come. He believed that according to this plan, the artist village would definitely be far more than the current painter village in the future, and the grassland village would become the cultural business card of the entire Jiangcheng and even Xichuan.
Chapter completed!