Author: I am a monster

However, before Liszt could sleep for long, he was woken up again by Greena who came to the door.

"What are you doing?" Liszt, who was a little irritable and had a headache because of his interrupted sleep. To put it bluntly, he just came out of bed to get angry and asked Greena as if he was very unhappy.

"The commander's order requires us to immediately start repair work on the damaged humanoids. Didn't we agree before that we would take you with us to give you a try? If you don't want to, you don't have to come." Greena was very calm.

responded.

"Didn't you say that we have to wait until the battle damage is summarized before dealing with it? Why do you want to repair it quickly?" Liszt asked strangely.

"Maybe the commander has other arrangements. Just tell me whether you want to come."

"I'm already up, what do you think?"

"Then let's go."

Then Liszt left the dormitory with Greena, but he did not go to the maintenance room immediately. Instead, he went to the bathroom on the way and washed his face with cold water to refresh himself completely before following Greene.

Na went to the room with a huge disk-shaped equipment in the middle. Some transparent equipment like training chambers were arranged side by side in front of the wall at the end of the room. Inside, there were doll-like human figures, quietly restrained.

Inside, waiting to be used by people.

After that, there were those battle-damaged humanoids that needed to have their bodies replaced. After being transported by the base, the intact humanoids were all laid on the medical bed in front of the wall on one side of the room. Their bodies were connected to various lines, and they were connected to Greena.

Under the operation, all the data was presented on the data panel she was holding in her hand.

Beyond that, there are several sets of steel tracks on the ceiling of the room, and foldable grabbers are hidden on the walls of the ceiling, waiting to be used and activated.

"Okay, let's get started." Greena, who had been operating the equipment since she called in, suddenly said.

Without talking nonsense to Liszt, he started operating on the panel in his hand again.

So the next moment, there was only a slight sound, like an electric motor, in the room, and two grippers quickly stretched out from the ceiling, like two ghost claws, hovering in the shape of a disk.

above the large instrument, and then began to move, under the constraints of the track, to the top of the transparent cabin standing against the wall.

At the same time, one of the cabins opened to both sides with a blast of air pressure, exposing the puppet being restrained inside.

Then, the two robot arms began to extend downwards, each grabbing one of the shoulders of the doll, and lifting it to the center of the disc-shaped instrument - the one that just now rose out of the disc when the instrument started.

In the middle of the two pillars, for a moment, the puppet stood on the instrument in a standing posture under a strange binding force.

Then, two huge translucent covers rose up from the disc and closed, forming a barrier like an inverted bowl, covering the entire instrument inside, completing the de facto communication with the outside world.

partition.

After that, the disk-shaped instrument chassis shone slightly, and fine laser beams shot out from the bottom of the metal pillars erected on both sides of the puppet, shining on the puppet's feet, and then began to rotate -

—

Just like in a variety show that was broadcast on a certain satellite TV, the facility that tied the question-answering guests into mummies slowly rotated along the track left on the disk.

Then, the image of the doll fell away and was replaced by the specific image of a damaged humanoid lying on the instrument.

"This is 3D printing technology?" Liszt guessed thoughtfully upon seeing this.

"Yes." Greena confirmed.

"But this humanoid spare body doesn't look any different from a humanoid puppet." Liszt followed up and asked.

"It's the same thing. It's just that the material used is much better than the dolls used to imprint human figures. Otherwise, how do you think those dolls imprinted with images are capable of functioning as soldiers?" Greena asked in return.

"..." Liszt was silent, he should have thought of it long ago.

Even the so-called 3D printing effect in front of you is just a more substantial application of the imprinting technology!

Otherwise, how can we make it universal for all humanoid bodies?

You can't just produce one humanoid, but you have to continuously produce a bunch of spare bodies that retain her image, right?

How do the producers know which figure is more seriously damaged in battle and which figure will never have problems?

Therefore, unified standards are the most important, and being independent is unacceptable.

…

Just like that, about ten minutes later, an intact base figure appeared in front of Liszt and Greena again.

But he didn't wake up, he just had the image of a battle-damaged human next to him.

So after the image creation was completed, the cover covering the instrument was opened again. The mechanical arm on the hanging shed descended, re-captured the human figure standing in the instrument, and transported it to the empty instrument next to it.

On the metal bed, Greena then asked Liszt to go up and connect various lines, and the data belonging to the battle-damaged humanoid began to be imported into the new humanoid according to the established procedure.

It still only lasted five or six minutes. As the machine beeped, the new humanoid figure, which had not moved at all, opened its eyes and sat up from the bed.

"How do you feel?" Greena asked the new humanoid with a smile.

"Everything is normal, there is no problem." The new humanoid clenched his fists, stretched out his hands, and responded with a smile.

"Well, there is no problem with the display here. Congratulations, you are healthy again." Greena congratulated.

"hey-hey."

"I have other work to do here, so I won't greet you. You can do it by yourself." After saying that, Greena once again turned her eyes to the panel in her hand, and operated the mechanical hand on the top of the room to grab the one next to her.

The discarded humanoid body was transported to a special parking location, and then another battle-damaged humanoid body that was to be replaced was transported to the instrument bed.

After that, it’s a replay of the previous scene, over and over again...

However, in less than two hours, all the battle-damaged humanoids that needed to be replaced were replaced and became ready for combat, ready to be deployed on the battlefield.

It's just that when she got here, Greena still didn't announce that the work was over, because right after that, those broken humanoids who had injuries on their bodies and needed to be repaired by the base came to the maintenance room one after another, and stood in the center very consciously.

on the disk equipment, then the partition protective cover was closed, and the 3D printing column was started again. The damage on the small broken human figure quickly disappeared and healed under the repair of the 3D printing equipment, and the humanoid returned to its intact state...

…

All in all, after spending more than an hour, all the injured dolls in the base defense battle were repaired, and the soldiers in the base were restored to their intact condition.

"How do you feel?" After sending away all the humanoids, she continued to operate the instrument to transfer the remaining discarded humanoid bodies to a special disposal channel for subsequent processing. Greena raised her head and asked Liszt.
Chapter completed!