The sound effects produced by Liu Qingshan were obviously far inferior to those of a real orchestra. Therefore, Yang Wancheng and Han Shanping began to compete for the right to speak around hiring powerful bands.

Of course, the purpose of their argument is not completely selfish, because once "Kung Fu" wins market recognition, all participating factors, including the soundtrack, will face the benefits of an upsurge.

In fact, the Xiangjiang Symphony Orchestra also has a certain reputation internationally, but it is limited to Asia. Compared with several famous orchestras in the mainland, there are still some obvious gaps.

The reason Yang Wancheng insisted was because that band had a large share of Qinghuang's shares in it.

Han Shanping's reasons are even better, because several orchestras in the mainland have a good reputation internationally, and they not only focus on the promotion and dissemination of Western classic music works, but also undertake the task of performing in major state affairs and diplomatic activities.

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Among that responsibility is the responsibility for the creation and promotion of highly famous Chinese works such as the piano concerto "Yellow River". More importantly, Han Shanping's other identity is related to the international promotion of Chinese culture.

Fortunately, the dispute between the two people was in good faith, but looking at this issue from another perspective, it indirectly proved their approval of Liu Qingshan's soundtrack.

Zhou Xingchi smiled at him and said: "Look, I made such a wise decision back then. Choosing you to create the soundtrack for the entire film was indeed a wise move!"

Chen Zuming on the side was pouting: "Master Xing, can you be dissatisfied? Using him will not only save a lot of extra expenses, but also ensure that Shanzi's efforts are willing!"

He had always complained about not being able to follow him to the recording studio, but the purpose of Chen Long and his wife to hand him over to Liu Qingshan was not only to learn martial arts, but also to meet film production requirements.

This is undoubtedly a reluctant requirement for Chen Zuming, who is obsessed with music, although his current development situation has an obvious trend for the better.

However, Zhou Xingchi would not blame him for being so outspoken, not to mention that in fact, his decision to use Liu Qingshan in this way did have a considerable purpose of saving money.

Therefore, he laughed and said: "Shan Zi also has a stake in the movie, so of course he has to pay extra for his own work!"

Liu Qingshan also feels uncomfortable about his being overused.

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No matter how unhappy he is, this process is also a rare learning experience for him.

He glanced at Yang and Han, who were emphasizing their respective reasons, and laughed in a low voice: "Let them spend more time talking, at least it means that our "Kung Fu" is unanimously optimistic, and it will be the best in the official screening."

Theater support!”

He did not say this casually, because for Yang and Han, no matter how promising "Kung Fu" is, it is only a small part of their numerous investments, and the number of occupied theaters belonging to the two units is relatively small.

limited.

However, if the two of them have other ideas, such as the current use of the symphony orchestra, the management team behind them will pay more attention to it.

This is like a couple raising their children separately, each of them will have their own preferences based on their own personal preferences.

As long as the couple reaches a common understanding, they will work together to ensure the future box office of "Kung Fu", which will become a major matter of direct interest to Zhou Xingchi and Liu Qingshan.

Therefore, as soon as his words came out of his mouth, Zhou Xingchi smiled with deep understanding.

Sure enough, the result of a fierce competition was the close cooperation between the symphony orchestras from both sides of the Taiwan Strait. This happy meeting was no longer a sideshow, but was destined to become a highlight of future film promotions.

Regarding the huge BGM, there are a lot of them in Super Star Maker, all of which are absolute classics in the future film industry.

Liu Qingshan is actually very happy to get acquainted with the resources of those symphony orchestras, because he will have to have frequent business cooperation with them in the future. It is obviously a huge surprise for him to be able to hold these potential resources in his hands without spending any effort.

.

Yang and Han have different starting points. Compared with Yang Wancheng's more commercial considerations, Han Shanping cares more about merit and reputation. The combination of the two different needs is the best basis for cooperation between the symphony orchestras on both sides of the Taiwan Strait and the two places and has a bright future.

.

Liu Qingshan was able to take advantage of this unexpected opportunity without having to worry about it, and further expanded his capabilities in all aspects of future development.

The scene I shot today is an omission from the scene of the showdown between heaven and earth fighting against the fried ghost and the tailor. Otherwise, this scene would have been shot mostly at night, and it would have been quite hard to work continuously and continuously at night.

Another main reason is that the cg of that scene is basically

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Most of it is made up of nothing, so it often requires constant communication and cooperation with the director.

In addition, Zhou Xingchi is a person with high requirements and rigorous production, so it can be considered quite difficult.

And since post-production film special effects account for the vast majority, even if it is daytime, since many shots are trivial and extremely small, there is no need to worry about the impact of strong light.

There is a reason to use day time to shoot night scenes. Among the scenes that had already been shot before Liu Qingshan arrived and needed to be destroyed, Zhou Xingchi discovered that many scenes had been missed.

In order to pursue the most perfect version of the film, it can be said that he put in more meticulous spirit and creative investment than the previous version.

This is all due to Liu Qingshan, who knew all the classic pictures in the previous version, as well as the inevitable picture shortcomings.

Of course, he cannot specifically raise his doubts about a certain shot, but always uses Zhou Xingchi's professional characteristics of striving for excellence to guide him.

Another very important point is that Zhou Xingchi is different from most directors in Hong Kong and Mainland China.

Not only does he have high creative ability and unbridled imagination, he also knows how to use and require CG special effects. He is really proficient in evaluating and approving movie special effects.

Because he knows very well when to use CG stunts to benefit the film itself and produce good effects, Liu Qingshan's guidance avoids the possibility of other directors insisting on their own opinions.

Since Zhou Xingchi understands the futuristic position of current movies, he needs to strengthen more in CG creation in order to reach a higher level.

And I hope to use CG as a tool to create greater entertainment.

CG characters can actually assist in movie shooting, just like shots that couldn’t be shot with real people before, can now be done with CG.

This more advanced creative concept affects not only Hong Kong's film industry, but also the future global film trend.

In fact, when CG technology can help film shooting, at the same time, movies will bring more opportunities to CG production, so the two can be said to help and influence each other.

(End of chapter)
Chapter completed!