According to the arrangement of the program team, after breakfast, the five children will go to the tunnel to search for "treasures". The so-called treasures are nothing more than toys such as light sticks.

The five fathers were waiting at the other end of the tunnel for their children to return from their "treasure hunt" as a surprise. Liu Qingshan and Jin Xishan were also squatting there with the parents.

The subsequent surprise did happen, but the children still only had a brief intimacy with their father, and then turned their attention to Jin Xishan, which made the parents jealous.

In the afternoon, the children played with the grandfather and grandmother on the island, while the fathers helped the locals repair the roofs.

In the evening, the fathers took the initiative to invite the old people to have a meal together. During the dinner, the old people were so moved that they shed tears. Then they played games together until the crowd dispersed.

This program is about five celebrity fathers taking care of their children's food and daily life alone during a 72-hour outdoor experience, and jointly completing a series of tasks set by the program team.

The invited guests do not need to spend three days and two nights with them, but can leave that night after two days and two nights.

Liu Qingshan and his wife left quietly at midnight that night, but the children already knew that they would leave early, otherwise Jin Xishan would not be seen on the morning of the third day, and several of the younger children would have to leave.

Crying.

After Jin Xishan got into the car, her expression was obviously reluctant. Fortunately, Liu Qingshan now knew how to make her happy.

"Since we love children so much, why don't we have one ourselves?" He then took the opportunity to whisper in his ear while the car was bumping.

A blush immediately appeared on Jin Xishan's face. She glanced at the driver and two agents in front of her, and then she quietly stretched out a hand and pinched Liu Qingshan's waist.

He whispered back: "I want to give birth too. You know it's impossible, so you know how to tempt my sister with such a thing!"

In fact, there were also people sitting in the last row of the business car at this time. They were the staff of the MCC company headquarters who came with Park Hyun-hee.

Those two people were sent here after learning at MCC that Liu Qingshan and Jin Xishan were spotted by the director of "Late Autumn". They both had some friendship with Kim Tae-yong, and the purpose of rushing here was to try their best to facilitate this matter.

Moreover, Kim Tae-yong is already waiting in Kyoto. For this meeting, Liu Qingshan even asked Zhou Xingchi for a

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Day off.

Also because there were outsiders sitting in the back row, Liu Qingshan didn't dare to get too close to Jin Xishan, so he didn't dare to say anything even if the little hand on the seat twisted him.

The other reason why the two guests from the cold country came to the island was to inspect this program on Kyoto Channel.

The MCC headquarters had previously intended to introduce it because they had an agreement with Liu Qingshan that MCC had the first right to sign contracts for any program planned by him.

This preferential agreement was also an additional condition for successfully renewing the contract according to Jin Xishan's personal wishes. At that time, MCC took a fancy to Liu Qingshan's ability, but did not want the first possibility to be realized to be a variety show.

The reason why this company obtained the content information of "Where Are We Going, Dad" in such a short period of time was naturally through the branch office led by Park Hye Jin.

In just the first two episodes, the program's high quality and potential business opportunities have attracted the attention of relevant departments. So this time, while MCC arranged for Liu Qingshan and Kim Tae-yong to meet, they also inspected the filming of "Where Are We Going, Dad?"

.

Kyoto Channel will support Han Guo's intention to cooperate with both hands. The benefits of the first cooperation are one thing. It can allow mainland variety shows to achieve program output in a relatively backward situation. The meaning is greater than the profit, and they

The station has received praise and strong support from the top departments.

At ten o'clock in the morning, the meeting with Kim Taeyong was arranged in the conference room on the third floor of the Kyoto branch.

However, there were only two of them involved, and everyone else, including Jin Xishan, had to stay away before getting permission.

On this point, Liu Qingshan and Kim Tae-yong thought of it together, because he had already done a detailed investigation and knew that Liu Qingshan's screenwriting ability was probably better than his.

Moreover, Kim Tae-yong attaches great importance to this script and has the determination to never give up until it is filmed.

At the same time, he also heard in advance that Liu Qingshan was very familiar with the content of "Late Autumn" and had already developed ideas for the adaptation.

But he still didn't guess that as soon as Liu Qingshan met him, he came up with the already formed adaptation script, and even specially divided the shots of some key plots.

So the first hour the two met, Kim Tae-yong was immersed in studying so that he could

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Find out some details that are not in line with the national conditions of the cold country.

It's a pity that before he put down the script, he didn't find anything he thought was unreasonable, so when he looked at Liu Qingshan, his eyes became extremely happy.

But he was a professional after all, so he did not directly praise him, but asked his doubts about the various changes he had made with Liu Qingshan.

Liu Qingshan had anticipated this: "To be honest, I have seen your "Late Autumn" script, but I would like to share my views on some issues in the first three versions! Personally, I think those three films have a common flaw, which is

The rhythm is loose and the self-righteousness has no regard for the audience's feelings, and it talks about itself."

Kim Tae-yong obviously doesn't agree with Liu Qingshan's views, not because his qualifications and abilities are not enough to evaluate the three senior directors, but because he only focuses on the two aspects mentioned.

Liu Qingshan patiently explained to him: "First of all, let me talk about the loose rhythm. From the first three versions, it can be seen that the director wants to express a unique mood and meaning of the movie through those emotionally extended shots.

.However, the three directors obviously lack the skill and confidence of master directors. Those so-called emotional shots that are deliberately prolonged lack both room for imagination and connotation for people to think. My personal understanding is,

It seems hollow, dragging, and boring.”

"But Mr. Liu, don't you think that this kind of slow-paced, long-shot film needs gloomy and sad tones, concise dialogue and large areas of white space? In addition to the foggy weather in Seattle, even if the sky clears up occasionally

But it also makes people feel depressed and lethargic? I don’t think there is anything hollow or dull in it. As for the plot being procrastinating, we have somewhat similar views.”

Liu Qingshan shook his head: "This issue does not require the two of us to come up with a consensus today. After all, art is a matter of different opinions. When I come out with my suggestions, you can calm down and think about whether we can learn from each other.

If necessary, then we will discuss whether to cooperate. After all, you are the director, I am just expressing my understanding as an actor!"

"Well, I'm impatient, you might as well speak slowly!"

Kim Taeyong's expression was very calm because he realized Liu Qingshan's serious attitude and knew that the other party was simply thinking about the film.

(End of chapter)
Chapter completed!