"Ah? Hahaha..." Lao Wang couldn't help amusing Zhou Zhi.

"Or there is another possibility."

"What's possible?"

"Well, is Wang Jianhui also a time traveler..." Godfather complained at the side

"What is a time traveler?" Gu Zhenduo was stunned for a moment.

"Elbow is obsessed with making up stories." His godfather laughed: "He always likes to imagine that some historical figures appear inexplicably in the past from modern society, and even though he tries his best to cover it up, he can still find some traces of modern people.

feature'."

"for example?"

"For example, Cao Cao, history records his deviant behavior in his youth; and his views on love, which required his wives to learn skills to support themselves so that they would be able to survive after his death; and when he was a boy, he liked to carry a small leather satchel with a slanted shoulder..."

"Any more?"

"Well... there is also Wang Mang, who may be a planning economist. By the way, among the cultural relics brought this time, there is the 'Daquan Fifty' stamped by the New Dynasty. This is a coinage method that has never appeared in Chinese civilization.

…”

"Hahaha, you kid, the leather bag is something mentioned in "Historical Records of the Yin Dynasty". As for stamping, although there is no such thing, cold forging is a mature technology that has long been mature."

"Furthermore, during the New Dynasty, we had long been closely connected with the West through the Silk Road. Ancient Roman stamped coins were also unearthed in many tombs of the Han Dynasty. Are the Chinese so smart that they can't understand this?"

Gu Youwen smiled and said: "In the final analysis, manual stamping is only suitable for processing gold and silver. Bronze is too hard and the processing cost is too high. However, the large-scale circulation of gold and silver in ancient China only happened after the Ming Dynasty. Therefore, the stamping and minting technology is the most advanced in China.

It was useless and the new dynasty simply tried it and eliminated it."

"If you really want to study the technical background and causes, it's a big article, and a time traveler can be fooled by just one sentence."

"Master, there are many kinds of articles. The literary processing and thesis research are two different paths." Zhou Zhi found it funny: "My godfather deliberately brought this up when everyone was discussing academics, in order to highlight my

The irrationality of this train of thought leads to the incomprehensible nature of my whole being. Using this end to attack the rest of me is the old routine of decadent literati for thousands of years."

"Hahahaha..." Gu Youwen put his hands on his hands and laughed: "Dawen is not bad, he can really read the book thoroughly!"

This time even the godfather couldn't help it anymore: "Master, are you too partial?"

…

…

The middle room is actually the future exhibition hall and the current storage room. This is the best place to protect it, so many important cultural relics are stored here.

The "rabbit-headed dragon-body seal" that could prove Wang Jian's identity, break tradition, and make Zhou Zhi once again believe that Wang Jian was a time traveler, was placed in the glass cabinet.

As far as the zodiac is concerned, the dragon belongs to earth and the rabbit belongs to wood. The two are in conflict and generally do not appear on the same carving theme.

However, Zhou Zhi had already figured out that Wang Jian was a "local bandit". He was a scoundrel in his youth, killing cattle, stealing donkeys, and selling salt. The villagers called him the bastard of thieves.

The funniest thing is that after Wang Jian became emperor, he once chatted with Feng Juan, his manager, about the past. He took off his clothes and exposed his back, and said angrily: "People say that I was a prisoner back then and was punished by the government. Look at me."

My back! Is this a back that has been spanked with a rod?! How can a back that has been spanked with a rod still be so intact and without any scars?"

Feng Juan was also a wonderful man. He didn't give Wang Jian any face and exclaimed: "Oh, Your Majesty, what kind of good medicine did you use at that time that can leave no trace at all?!"

So at best he was the founding emperor of the short-lived dynasty of Qianshu, but at worst he was a warlord bumpkin who ruled a separatist region. It was not unusual for him to do anything out of the ordinary.

In addition to the important cultural relics, there is a silver bowl forgotten by the tomb robbers at that time, which contains a large jade belt with gorgeous carvings.

Regarding this large belt, the inscriptions on it also record a story, that is, Wang Jian's palace caught fire overnight and burned the buildings. At that time, many guards wanted to put out the fire, but Wang Jian stopped them and told them to calm down.

When daybreak came, the fire subsided, and countless treasures were destroyed. Only one piece of jade was spared.

Wang Jian thought it was God's will, so he carved it into a large belt, wore it all the time, and later took it to the tomb.

For ordinary viewers, the seal and jade belt themselves are priceless treasures. But for the scholars here, these textual information and pattern information are priceless treasures that are more important than the carrier itself.

Also a priceless treasure is Wang Jian's mourning book, which is carved on fifty-one jade slips and contains flattering articles introducing Wang Jian's life and the mourning of his descendants.

The article itself is generally written, but the introduction to Wang Jian's life is very important information, and it can complement the history book.

The calligraphy is also good, with the Wei stele font. Zhou Zhi found that the mourning book had been rubbed, and he thought that he had a gift for his fourth cousin when he went back.

In addition to these, the most important cultural relics are the twenty-four jile stone carvings surrounding the coffin bed.

Gu Youwen introduced to Zhou Zhi: "The style of music and dance has been very popular in the capital of Shu since the Qin and Han Dynasties. By the Tang Dynasty, music and dance reached its peak."

""Qidong Yeyu" states that Shu elites are especially able to dabble in ancient and modern times and quote classics and history. The book "Tang Xiaxiao" believes that during the Tang and Five Dynasties, "Sichuan opera topped the world" and pointed out that "there is nothing in the world, but there is something in Shu"

, Everything in the world, the best in Shu'."

Zhou Zhi inspected the reliefs one by one and found that there were twenty-two people holding musical instruments and two people dancing, all of whom were women.

Among the musical instruments, three types of string instruments can be identified: pipa, harp and harp, and zither;

In addition to the flute, sheng, and xiao, there are three unknown types of wind music;

Percussion has a board and a drum, but it’s hard to tell what kind of board the board is and what kind of drum the drum is.

There is also a weird musical instrument that is even more obscure.

"How's it going? Elbow, what's the gain?" Lao Wang asked.

"This is a band that plays Hu music. Both the instruments and costumes have the style of the Western Regions. The drums are not of the Central Plains style, and except for the flute, sheng, Xiao, and zither, the other instruments are not Central Plains instruments either."

"The harp-like thing in the strings should be a harp, and I can't recognize anything else."

"anything else?"

"Also, since it appears on Wang Jian's coffin bed, there is no doubt that this is a palace band."

"The costumes, orchestrations, and locations of these people are all uniform, indicating that this should be a big orchestra. But if there are many ensembles of instruments, the range and timbre will conflict with each other, so their performance should be a 'suite.'

That is to say, it should not be done all at once, but should be done in layers, chapters, instruments, and possibly even plots."

"Any more?"

"Well...no more."

"It's not bad at all." Lao Wang was quite satisfied with Zhou Zhi: "It's pretty good to be able to see so many things."

"The inference of the Western Region Orchestra is correct, but the clothing and instruments are from the Western Regions, but the people are not necessarily from the Western Regions. Judging from the ethnographic characteristics, the musicians and dancers in the orchestra are all Han Chinese."
Chapter completed!