The first top national treasure had already left the cabin, and then I saw the airport staff bringing in plates of exquisite snacks, as well as some herbal tea, iced coffee, and even cigars.

People escorted them all the way here, so this kind of service can still be guaranteed. Li Mo had already prepared them, so after placing those delicious snacks and teas one by one on the few remaining tables and chairs,

The experts and security guards from Great Britain all showed gentlemanly smiles.

"Let's continue."

Wait for them all first. It will take a little longer to receive the national treasure, and they must be embarrassed to rush it.

This time they came to a rectangular machine with constant temperature, constant oxygen and constant humidity. This machine is very expensive to customize and can automatically adjust the environment inside. From the appearance, this machine is nearly 4 meters long and 0.6 meters high.

, The top is a sloping top, transparent colorless tempered glass. Through the glass, you can clearly see the national treasures stored inside.

This is "Pictures of Admonitions of Women's History".

"The next thing we see is "The Picture of Admonitions of Women's History", which was originally a silk painting by Gu Kaizhi of the Eastern Jin Dynasty, but it is a pity that the original work has disappeared. What we see now is the Tang copy of "The Picture of Proverbs of Women's History". It originally had 12 paragraphs.

, but due to its age, there are currently only 9 sections left, which are works with colors on silk.”

This "Picture of Admonitions of Women's History" is truly a masterpiece, even better than "Pictures of Emperors of All Dynasties" by Yan Liben of the Tang Dynasty.

Li Mo went on to explain: "The Picture of Proverbs of Women's History is 24.8 centimeters long and 348.2 centimeters wide. It successfully creates images of palace women of different statuses and reflects, to a certain extent, the life of women in the era in which the author lived."

""The Picture of Admonitions of Women's History" is an illustrated scroll painted by Gu Kaizhi of the Eastern Jin Dynasty based on Zhang Hua's "The History of Women". Among the nine existing paintings, the first section depicts Emperor Yuan of the Han Dynasty leading his palace people to watch beasts fighting in a tiger enclosure, and beauties in the harem.

The beauty is here. A black bear suddenly jumped out of the fence and approached Emperor Yuan of Han Dynasty. Feng Jieyu stepped forward to protect the emperor. "

"In the scroll, Feng Jieyu wears a long belted coat. Although Pingting is slim, her fearlessness in the face of the black bear running towards her is outstanding. Her spirit of fearlessness in the face of danger is very outstanding. Although the two warriors are holding weapons, one is opening his mouth.

Shouting loudly, one stabbed the black bear with all his strength, but with a look of panic on his face, which was in sharp contrast to Feng Jieyu's head held high, and more prominently demonstrated Feng Jieyu's bravery and the panicked look of other palace ladies."

Li Mo used his fingers to guide the camera forward.

"Let's look at the second paragraph. It depicts the story of Ban Jieyu bidding farewell and riding in a chariot with Emperor Cheng of the Han Dynasty. In the scroll, eight palace servants are shown carrying the chariot. Emperor Cheng of the Han Dynasty is sitting in the chariot and looking back at Ban Jie who is walking behind.

He seemed to blame her for not wanting to ride with him. At the same time, he listened to Ban Jieyu’s impassioned speech. Ban Jieyu followed him.

Standing sideways, her face is solemn and beautiful. There is also a woman sitting in the chariot, possibly the queen. She is facing to one side and dare not look at Ban Jieyu's expression. Another funeral concubine behind the chariot looks at the chariot who seems to be having an ideological struggle.

His demeanor is in sharp contrast to his classmate Jieyu, which brings out Banjie’s good demeanor and integrity.”

Li Mo has deeply studied and appreciated the "Pictures of Emperors of the Past Dynasties", and when facing this "Picture of Proverbs of Women's History", he can also feel the vivid and vivid artistic conception conveyed in the painting.

"Let's look at the third paragraph. It depicts a high mountain. There is a horse with its head just exposed in the gorge. There is a tiger squatting on the hillside and looking back. There are two rabbits running at the foot of the mountain. There are two birds beside the mountain.

One is flying in the air, and the other is standing on the rocks.

Looking up, the sun and moon are painted with colorful clouds on both sides of the mountain. There are crows in the sun and jade rabbits in the moon. This is a symbolic representation of the saying in "The Proverbs of Women's History" that "the old middle is a member, and the full moon is dim".

reason."

"At the foot of the mountain, there is a man kneeling on his right leg, bowing his left leg, and preparing to shoot with an arrow. Judging from the layout of the picture, the figure paintings are interspersed with landscapes, birds and animals, making the content of the picture lively and lively, without a monotonous feeling.

"

Li Mo has really worked hard these days, so the artistic conception and tension expressed in each painting can be clearly expressed.

There are nine paragraphs in total, and in each paragraph he expresses what Gu Kaizhi wants to express.

Zhu Changping has also been following him. Seeing that Li Mo behaved very steadily from beginning to end, he felt very happy. To be honest, Li Mo learned very little from him. At most, it was some theoretical knowledge, but he

, and even the entire Beijing University received great benefits and glory from Li Mo.

"Teacher, the current storage power of the machine that stores the "Proverbs of Female History" can last for two hours. Immediately call a crane and a large number of manpower to transport it back to the underground treasure house of Xiang Yu Treasure Hall as quickly as possible."

"Okay, I'll make arrangements right away."

The nearly four-meter-long machine slowly moved out of the cabin with the combined efforts of everyone. A truck that had been waiting for a long time drove out of the international airport under the protection of four special police officers with guns, and there were four police motorcycles in front.

Clear the way, and there must be no delays on the road.

At the entrance of Xiang Yu Treasure Hall, Chen Xiaojun and a group of security personnel had already cleared a safe passage, waiting for the "Pictures of Proverbs of Female History" to arrive smoothly.

Chen Feng stood next to Chen Xiaojun and asked, "When will we arrive?"

"In half an hour, sister-in-law, I heard from my uncle that the "Picture of Admonitions of Women's History" is more valuable than "Picture of Emperors of All Dynasties". In this case, the value must be more than 2 billion, right?"

"It should be, but that is not something we should take care of. Xiaojun, tens of thousands of collections will be stored in the underground treasure house in the past few days. You have a heavy responsibility and must not make the slightest mistake."

"Sister-in-law, don't worry. I've been guarding here for the past few days, and several other people are also watching. Not even a mosquito can escape."

"Um."

Not only is there a TV station at the international airport, but a large number of cannons and small cannons have been set up in the square in front of the Xiang Yu Treasure Museum. They are all trying to get first-hand news before the national treasure is put into storage. Therefore, many tourists do not enter the museum.

, they feel that something bigger and more worth looking forward to may happen outside.

In the cabin, Li Mo received another special safe. After opening it, a golden sword hilt was stored inside.

"The third top national treasure that has returned is the golden sword hilt from the Eastern Zhou Dynasty."

Li Mo first determined the true age, and then said: "In modern archeology, it was found that most of the cultural relics unearthed in the Eastern Zhou Dynasty were dominated by bronze. From those exquisite bronze vessels, we can get a glimpse of the brilliant and brilliant bronze at that time.

civilization."

"But in fact, in addition to mastering the smelting and casting technology of bronze, the ancestors of the Eastern Zhou Dynasty also had quite mature processing technology for gold, a very stable single metal. For this, the golden sword hilt in front of me is

It’s best to prove it.”

"This golden sword hilt is cast with a precise mold, and is decorated with 'panlong patterns' on both sides. The hilt is hollow, and the top part where it meets the hilt and the blade protrudes outward.

So it is speculated that this should be a semi-finished product or an accessory for the sword."

While the photographer was taking pictures, he was shocked by Li Mo's profound knowledge.

"Brother Photography, you need to keep your hands steady. If you are tired, tell me and you can rest for ten minutes."

"It's okay, I can't hold on any longer and a colleague came over to replace me."

"OK."

Li Mo put the golden sword hilt of the Eastern Zhou Dynasty into his own special safe and had it escorted out of the cabin by the special police.
Chapter completed!