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Afterword to Volume Three

Each volume has at least one focus, and each volume has a God-expanded it.

The focus of the third stage is also the first sentence in the introduction that represents the main line of the book: "Create the world by yourself" is also one of the ways and methods of creating various worlds.

The world creation in the third volume: to prove the truth by killing, to create the world by killing.

after……

When some people turn around and leave when they see the third volume, only those who have always seen the afterword of the third volume are those who have great perseverance, perseverance and wisdom.

Those who claim to be unable to understand, claim to be chaotic, and claim to not know what to read are incomparable to you, because you can understand what they cannot understand, aren’t they the most? Otherwise, wouldn’t it be true that some people say “only the author can understand it themselves”?

For this, I want to say "goodjob"!

Here, I will start to talk about my views and arrangements for the third volume.

The content of the third volume is more than the sum of the first two volumes, precisely because of its importance in my heart.

The third volume is actually an important turning point and a plot sublimation, so it seems a little logically complicated.

Simply put, it is the essential progress of the protagonist.

I am very disdainful of certain writing styles, such as how the protagonist is so angry after getting a golden finger. Especially this writing style often makes the native protagonist very distressed at the beginning, at least he must be a loser in some aspects, and time travelers may be better, but in fact, it should be similar.

I think in this way of writing, especially the protagonists who are originally weak and scum, they often get the ability to go against the will of heaven and are often as successful as villains, and they are all kinds of pretentious. In my words, if you remove the golden finger, what else will be left of such a protagonist? I guess after reading this kind of book, the only thing you really remember is the golden finger.

So, I used three volumes to describe how the protagonist, from a dead ordinary soul, really began to grow into a qualified intern creator.

The three volumes only talk about two things. One is to use the prehistoric stream, which means that the protagonist kills the three corpses.

The head represents good, and the body represents evil. If the two are united and unaware of the original mind, the personality will be divided. Therefore, the normal protagonist is obviously the protagonist who succeeds in killing the three corpses.

Killing the three corpses is just a saying, a state of mind, and does not mean that the protagonist will become a saint in the prehistoric world.

The second is the experience of world creation. In the three volumes, the protagonist actually experienced all the processes of world creation and world destruction, and these insights resulted in the content of the world experiment in the fourth volume.

In fact, in the third volume, I also tried a way of writing, which was to use supporting roles to highlight the protagonist. Unfortunately, not many people could understand these, and not many people adapted to this way of writing.

Simply put, this way of writing is that the brother is not in the world, but there is a legend about the brother.

More than one author has used this kind of writing style of supporting roles in the days when the protagonist is here, but I wrote it very long, so it makes people uncomfortable. Fortunately, everyone has persisted and can see the exciting content of the next volume.

I also have a carefully designed plot in the next volume, and I will change my writing style again. I hope everyone can continue to adapt.
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