Chapter 726 Talk about art (continued)
There were not many calligraphy and paintings seized from the Japanese army this time, but there were two paintings of Qiu Ying and Qiu Shi Continents of the Ming Dynasty, which were extremely precious.
Since Liu Yimin repeatedly instilled the concept of protecting cultural relics into the army, the soldiers carefully kept the seized antiques, calligraphy and paintings. Liu Yimin was a little surprised. These two paintings were found from a lieutenant of the Japanese army. The guy sewed the painting scroll and the army.
In his coat, I don’t know what he did when he marched and stood in a row.
These two paintings attracted the eyes of several artists at once, and they bent down and stood in front of the table, holding their breath and watching carefully.
After a while, Zhang Daqian said, "It is worthy of being one of the four schools of the Ming Dynasty. Look, this "Songxi Paintings" is a painting of the stream water of long pine forests, and two high soil edges sit on the ground.
The noble man on the top was dressed in white, with a lofty expression, and looked out of the world. A guqin was placed next to him, with many volumes of calligraphy and painting, as if he was enjoying the scroll. Behind him was there a stone table under the tree, with tea drinking utensils on it, and a child held the trunk of the tree to pick up the stream.
Another child holds a fan to grow a stove and cooks tea and enjoys guests. There are many leaves in the forest, but not many strokes. However, the beauty lies in the natural twists and turns, and every branch and leaf are all in line with the real scene. The light ink divides the dark side of the tree trunk, which is self-aware.
Heavy. If you use an axe to chop the rocks, you can especially use a wet pen and throw it into water. First, it is made of thick ink and dyed immediately with clear water. The silk ground does not absorb water, so it can produce ambiguous and harmonious interest. The fine grass on the slope is
The ripples are dyed with ocher, and the ripples are flowing without any obstacles. Every stroke, one bit and one dye shows Qiu Ying's craftsmanship. No wonder Dong Qichang, although Chongnan blinked this, was really bowed to Qiu Ying.
.”
Fu Baoshi then pointed at the picture with his finger and said, "Let's look at this picture "Lotus Creek Fishing Hidden". On the picture, in front of the fence of the farm, a priest walked slowly with his children, and watched the scenery of the fields. He saw a big tree next to the ferry in front of the house.
Surrounded by the green shade. The boats are moored under the trees, waiting for the master to set off. The houses and pavilions are arranged in Qingming. Apart from a water, there are still fishing huts surrounded by dense forests. There are rocks on the slopes nearby, and green trees lean against each other.
Swimming gently by the wind. The middle view shows the fields, the river bank, lotus leaves and fields. The dense forests are clustered between the banks, village houses are scattered, small bridges are connected, and pedestrians are coming and going, which is a summer scene in the south of the Yangtze River. The mountain does not have huge ridges and cliffs, and the peaks are
The clouds and mist appear dark, which is deeply appreciated by Dong Yuan’s spirit of Xiaoxiang. The pictures are made of silk land, and the banks and houses are dyed with ochre ink, and the trees are made of grass green. The leaves of the trier leaves are reminded by stone green. The slopes are far away.
The mountains are divided by stone green and stone green. The small trees on the mountain are then accumulated with bitter green and carefully viewed, as if you have the idea of ​​a paradise for the real scenery.”
After these two people finished talking, the others followed and started discussing.
Zhang Daqian said to Guo Moruo: "Can you discuss it with Teacher Liu and ask me to copy these two paintings and take them back for the students to observe."
They spoke very loudly, and Liu Yimin also heard it, so he walked over and said, "Mr. Daqian wants to copy it, of course. But I have a request, please ask Mr. Daqian to copy it and must indicate that it is copying it. Otherwise, with Mr. Daqian's skills,
, it is likely to be fake or real."
Guo Moruo and Zhang Daqian both laughed.
Liu Yimin also said: "All the seized items of our Eighth Route Army will be returned to the public. These captured calligraphy and paintings are borrowed from the baggage regiment, and everyone will pay them back after appreciation. Mr. Daqian wants to copy them and let Comrade Tang Xingying take you there. Wait for us in the future.
After victory, the National Museum was established, and these paintings were handed over to them for collection and exhibition, so that the people of the whole country could see them."
Zhang Daqian couldn't help but look at Liu Yimin a few more times, thinking that the Eighth Route Army cadres had a broad vision, and the Japanese were almost occupying China. Liu Yimin actually wanted to build the National Museum after victory. It seems that
The War of Resistance should be victorious.
After the artists finished appreciating, they took out their representative works from the Anti-Japanese War Army and asked Liu Yimin to comment.
Liu Yimin used to live in peace and prosperity, and parents paid great attention to the cultivation of their children. According to the theory of learning organization, competition between any person is ultimately a competition of learning ability. In order not to let his children compare with others' homes.
Children are poor, so children can learn everything from piano, chess, calligraphy and painting. Liu Yimin is a man of talent, persistence, learns things quickly and understands them deeply. From childhood to adulthood, in addition to practicing profound martial arts, he is also very good at piano, chess, calligraphy and painting.
Proficient, his parents mentioned him in front of others, and smiled at the corners of their mouths.
These artists are not only masters in the history of modern Chinese art, but also patriotic patriots who have been rushing to fight for the War of Resistance. For example, Xu Beihong, who just returned from Hong Kong and Singapore, went there to hold an art exhibition to raise funds for the War of Resistance.
Fu Baoshi was Guo Moruo's secretary at this time. He followed Guo Moruo through the Battle of Wuhan. Many propaganda works during the Battle of Wuhan were written by him. At this time, his "Biographies of National Artists in the Late Ming Dynasty" had been published and was written by Guo Moruo.
Liu Yimin first opened the "Biography of National Artists in the Late Ming Dynasty", and what he saw was Guo Moruo's preface, which read: "After Beijing was destroyed, until the early days of Shunzhi of the Qing Dynasty, several calligraphers and painters expressed under the slaughter of foreign races. I personally think that
There are those that cannot be ignored. Wen Zhanji's brothers, Huang Shizhai couple, Shi Daolin, Fu Qingzhu and even the eight major masters, Shi Tao and other famous scholars, either uprising against the enemy or unyieldingly sacrificed their country. Their loyal and heroic person is strong and has been safe for the ages and is worthy of being a hero. His affairs are melodious and heroic.
Every word and action is especially true for later generations. This nation’s crisis will not be reduced to that time, and the founding of the country in the War of Resistance and War is our responsibility.”
Seeing this, recalling the ugly behavior of traitors and literati who made accomplices on tigers, Liu Yimin couldn't help but praise: "Mr. Guo Moruo is worthy of being the flag bearer of the New Culture Movement that stands on par with Mr. Lu Xun. "Goddess" and "Scream" can be called the dual Chinese New Culture Movement.
Before Mr. Lu Xun passed away, I visited Xi'an. I had the honor to accompany my husband to the Big Wild Goose Pagoda and Huaqing Pond. Unexpectedly, I met Mr. Guo Moruo and his party in Shuanggou Town, which is rich in famous wine. After hearing the loyalty and martyrdom, I learned a lot from the help of my great help.
.Mr. Guo, please forgive me for not calling you Director Guo, Director Guo, call you Mr. Guo or Mr. Moruo. This is my indifference to you in my heart for destroying your family and resisting the war of resistance. You launch the literary and artistic war of resistance and commend your national integrity.
Inspire my people to unite in the fight against Japan, and their contributions are in the country, the nation, and the attacks are in the future. Mr. Moruo, we will have a good drink later to express the respect and gratitude of the Eighth Route Army soldiers to the literary and artistic soldiers who bravely went to the national crisis and devoted themselves to the anti-Japanese war!
”
Guo Moruo had long heard that Liu Yimin, the instructor of the Eighth Route Army, was a young hero who was both literary and martial. When he met just now, he saw Liu Yimin calling him Mr. Guo Moruo. He thought that Liu Yimin did not understand his background and was unwilling to involve political disputes, so he specifically discussed art.
When he heard Liu Yimin say that he would destroy his family and fight against the war, Guo Moruo couldn't help but think of his wife and children who stayed in Japan. He sighed and his eyes were a little wet, and he felt like he met a soulmate.
When Fu Baoshi saw that Liu Yimin was reading his own book first, he quickly said, "Teacher Liu, this book is a little longer and I can't finish it in a short while. Please read your paintings first!"
After hearing this, Liu Yimin closed the book and began to carefully watch the masterpieces of the painters.
These artists are famous both at home and abroad in history. Everyone's works are national treasures when Liu Yimin lived. However, this is the beginning of the integration of Eastern and Western cultures. Chinese people want to learn the three-dimensional and light and shadow of Western paintings.
Human nature does not have the foundation of Western culture, and people who paint Western paintings are still a little immature. Traditional Chinese paintings have been baptized by the May Fourth Movement and have declined a bit. These artists are all in the exploration stage, such as Huang Binhong and Xu Beihong, who are all painting
While painting in Western style, he also painted Chinese paintings, and was thinking about how to integrate the two. Like Zhang Daqian, he copied while painting, and he was not as famous as he later.
After watching it for a while, Liu Yimin saw that the paintings brought by the artists were all their own meticulous works, including oil paintings or Chinese paintings, landscape figures, spring flowers and autumn moons, all of which were very valuable works. However, their works after they arrived at the Eighth Route Army base were large
Some of the paintings are the landscapes of Yimeng in winter, the scenery of northern Jiangsu and northeastern Anhui. In addition, the figure paintings of Ni Hua, Tang Xingying, Zhao Xiaoman and Jingjing. Even He Er became the little eighth route of the painter's paintings, dressed in
In the small military uniform, the eyes were clearly black and white, and they appeared vividly.
Liu Yimin didn't know the good intentions of Chiang Kai-shek and Soong Mei-ling. Seeing that the painting was signed and given to Ni Hua and others, he felt strange.
It cannot be said that the painters did not draw well. Look at Ni Hua on the picture, she has a heroic appearance in military uniform, a beautiful image during surgery, a long hair, a smart smile, and a beautiful eyes.
It made Liu Yimin obsessed with watching it.
Finally, Liu Yimin's eyes were fixed on a "Grain Transportation Map". This painting depicts the scene of transporting public grain to the soldiers in front of the Suiyuan War of Resistance. It contains a poem written by Mr. Tian Han: "I am so eager to look at the smoke of the beacon everywhere, this is
Survival and death are in a critical autumn. A team of donkeys and thousands of stones of wheat were passed by Baotou yesterday.”
"A team of donkeys with thousands of stones of wheat, and the grain servant passed by Baotou yesterday." Liu Yimin chanted softly several times before turning around and asked Guo Moruo: "Is Mr. Shen Yiqian here?"
A painter in his thirties flashed out and said, "General Liu, I am."
Liu Yimin pointed to the "Grain Transportation Picture" and said, "Mr. Shen, when was this painting made?"
Shen Yiqian replied that this was a work from Suiyuan during the War of Resistance Against Japan, in order to support General Fu Zuoyi and the anti-Japanese soldiers led by him, he held the "Aid Suiyuan Art Exhibition" in Nanjing in March 1937. This painting is one of them.
Liu Yimin nodded and said, "General Fu Zuoyi is a national anti-Japanese hero. Shen Yi has a thousand-body back paintings, sleeping in the open, sketching and painting for the soldiers, boosting morale, and is also a national hero."
After saying that, Liu Yimin asked Li Xiaoshuai to take the brush and ink, and after a brief thought, he wrote on the painting: "Chinese painting has always focused on lines and artistic conception, and the spirit is more similar to the shape. All landscapes, flowers and birds, and figures can be used in the painting. After being outlined and rendered by the painter, it became
Excellent masterpieces give people a beautiful enjoyment. There are many famous masterpieces in all dynasties. Since the rise of the Anti-Japanese War, the Japanese invaders have captured cities and territory, occupied our city, killed our people, and seized our wealth. They have committed crimes and are full of evil.
*** The people, regardless of all walks of life, party and faction, should unite in the war of resistance and fight against the Japanese invaders to death. Today I welcome Mr. Shen Yiqian’s masterpiece "Grain Transportation Picture", which is based on Western painting methods and uses Chinese painting techniques to write about the anti-Japanese war.
The story, the wind and thunder are turbulent and unrestrained, fully demonstrating the true nature of the heroes of the anti-Japanese military and civilians, and is truly a masterpiece of the anti-Japanese literature and art. After watching the graffiti, I encouraged the national and anti-Japanese artists. Liu Yimin, the instructor of the Eighth Route Army, remembered it."
After writing the year and day, Liu Yimin smiled and said to Chen Yiqian: "Mr. Chen, I'm sorry, my hands were itchy for a moment, polluting your masterpiece. Please forgive me!"
Before Chen Yiqian could speak, Guo Moruo said, "What are you forgiven? Thank you for not being anxious! National heroes, invincible generals, and are also a master of calligraphy. They have clear arguments and have the function of guiding the trend. This painting is probably going to be He is worth a hundred times more than his worth. Xiao Shen, why don’t you thank Commander Liu?”
Chen Yiqian's reputation was not obvious at this time, and it was quite different from those famous artists. Seeing that Liu Yimin wrote inscriptions for him and wrote so well, he expressed his feelings, and was so excited that he kept saying thank you. Liu Yimin was not I'm so embarrassed, I held him and said I should say thank you for it, not Mr. Chen.
Ni Hua naturally knew Liu Yimin's oil painting level, so he wanted to take out the oil paintings that Liu Yimin painted for him for these famous artists to appreciate. But after thinking about it, he just let it go. Liu Yimin didn't say that if she took it out herself, she might make Liu Yimin disobedient. I was happy. However, after all, it was my daughter's character, so Ni Hua still pulled Liu Yimin and asked him to write a letter to his portrait painting as a souvenir.
Liu Yimin smiled and said, "Why would I embarrass myself if I don't ask for a ready-made writer, a great scholar, and a great calligrapher?"
Guo Moruo laughed as soon as he heard this, walked over and took Liu Yimin's brush, dipped it in ink, and wrote it on Ni Hua's portrait: "Heroic sons and daughters are peony-colored, and they jumped on horses and wielded their swords to kill Yan Luo." After writing, they put the famous examples on it. He put down his pen, stamped his seal, laughed, and pulled Liu Yimin over and sat on the chair, shouted loudly to get the wine, and get the wine, and today he would drink with Commander Liu.
The best wines for art are so good. When Guo Moruo greeted me, everyone sat down. The soldiers brought the wine and dishes that had been prepared long ago. Liu Yimin and everyone clinked three glasses, and then said: "Sir, I know everyone is famous. I have an idea for a great Chinese and foreign artist to discuss with you. Please correct me if there is something wrong."
When Guo Moruo arrived at the Eighth Route Army base, he was like going home. Seeing Liu Yimin so gentle and polite, he joked that he had played with the knife's hand and pretended to be gentle. He just said anything directly, so there is no need to be polite.
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Liu Yimin's thoughts were already reflected in the inscription on his "Food Delivery Picture" to Chen Yiqian, and the artists here have seen it clearly. Now he has made a long statement, and the meaning is very clear. Everyone has begun Silently tasting tea, the scene became silent for a moment.
After a long time, Fu Baoshi said, "General Liu, you are on the front line and you are also concerned about the nationalization and popular discussion of the literary and artistic circles in the rear. I felt that the two words you said were particularly worthy of deep thought. That is, only the nation is the world, and only the popular ones are vital. I think these two sentences can be used for discussion by colleagues participating in the discussion. The purpose of my writing of "Biography of National Artists in the Late Ming Dynasty" It is for the deeds of the wise men of the past to inspire colleagues in the literary and artistic circles to join the War of Resistance Against Japan. Today, I heard your words and made me realize that I was not doing enough and should directly describe the deeds of the anti-Japanese soldiers."
Liu Yimin picked up the wine glass and toasted Fu Baoshi, saying, "Borrowing the past and satirizing the present is an important form of literary and artistic creation, a good tradition, and can also boost morale and promote anti-Japanese war. I think Mr. Fu's work is good, and in the future You can go further, collect information, and collect and organize the deeds of anti-Japanese patriots in the literary and artistic circles. You can also write down the crimes of those traitors and literati, peel off their skins, and let the people see their faces clearly. It will save us from waiting for us to win. After a long time, these people have transformed themselves and no longer admit their traitor crimes.”
When Guo Moruo heard this, he said that this idea was good, and it was a very meaningful job. After he returned, he organized people to start writing.
Pan Tianshou was 41 years old and presided over the teaching of Chinese painting at the National Arts College. Since he met Liu Yimin, he has been observing Liu Yimin. At this moment, he couldn't help it and said, "Teacher Liu, you have subverted my impression of soldiers. .I never thought that the hero who commanded the general's head among thousands of troops was also a good writer. I really couldn't imagine that!"
Liu Yimin said: "Mr. Pan, if you have the opportunity to come to the base area in the future, it is okay to run a school here. The Eighth Route Army is responsible for all the expenses of the school and ensures that you can teach with peace of mind. I am far from being the leader of our party, Chairman *** That's a great scholar. His poems are the best I've ever seen. His cursive script may be comparable to him. If you have the chance, you can go to Xi'an. If you go to see Chairman Mao, look at the words and poems he wrote, you will know that *** people are actually a group of national elites who save the country and the people. If you don’t believe it, I will recite Chairman Mao’s “Seven-character Code” for you? Long March”.
As he said that, Liu Yimin recited it. Poetry is a treasure in poetry. Liu Yimin spoke standard Mandarin again. As soon as he finished memorizing it, he attracted applause.
Guo Moruo picked up the wine glass, touched Liu Yimin for a moment, raised his neck, and drank it all. Putting down the wine glass, Guo Moruo said, "I must go to Xi'an to visit Mr. Mao Runzhi."
The meal was made by the host and guests. Later, Mr. Guo Moruo and his party stayed in Shuanggou Town for a while, leaving behind very precious paintings for Ni Hua, Tang Xingying, Zhao Xiaoman, Jingjing and others.
,calligraphy.
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