However, after the 20th century, some traditional calligraphers gradually passed away and were influenced by the calligraphy of the small island country. Calligraphy became a secondary art in the Kanzi country. The new trend of calligraphy today is written in the Kanzi letters.

In the comments, there are also some people from the universe who shouted that Chinese words are ours, and Wang Xizhi is also ours from our country of big sticks.

In any case, the world was shocked by the appearance of the original work of Wang Xizhi. If it was taken to the auction, many people believed that the transaction price of this original work would definitely exceed that of all the artworks in the world that were taken to the auction.

Huang Tingjian's master of the sect, with more than 600 characters in the full text, the auction price is as high as 400 million, and a character is as high as 600,000. Huang Tingjian is also a figure as famous as Su Shi, but compared with Wang Xizhi, there is absolutely no comparison. Wang Xizhi's calligraphy has more than 1,000 characters in total. No one can estimate the real price, because this calligraphy has too many uncertainties, just because it is a national treasure-level cultural relic.

In the following time, the research and appraisal report on Wang Xizhi's authentic works written by the Institute of Cultural Relics, the Palace Museum, Mr. Zheng and Chen Yi was also published on major websites, which made the authenticity of Wang Xizhi's authentic works the greatest proof.

On the fifth day after the press conference, a grand exhibition ceremony of Wang Xizhi's original works was held in front of the Tianjing Huawen Museum. This original works will be exhibited in the museum for two months, which will allow many people to see the ink trace of the calligraphy saint.

Before the ceremony began, there were many people waiting in front of the museum, waiting for the viewing ceremony, and even waiting to see the original works of Wang Xizhi who was about to enter the museum.

Since the original work of Wang Xizhi appeared at the press conference, they have been waiting for the moment when this calligraphy was placed in the Chinese Museum. Some people even came to Tianjin in advance to prepare for a long-term anti-Japanese war here.

After the arrival ceremony began, Chen Yi's appearance undoubtedly caused a lot of cheers to the scene. Everyone shouted Chen Yi's name loudly, and what they were wearing was not the fanaticism of the star-chasing clans, but respect.

What we shout here are middle-aged people, old people, young people, men, and women. This is a picture that cannot be seen in other antique and cultural relics collectors and appraisers. Even some celebrities cannot make people of all ages so popular, but Chen Yi did it.

After Wang Xizhi's original work was settled in the Chinese Museum, the entire museum mobilized all forces to maintain the on-site order. The police department in Tianjin also sent some traffic police and police officers to work on site to prevent others from sabotaging activities.

Within a few days after the press conference, the National Cultural Relics Department officially included the authentic works of Wang Xizhi in Chen Yi's hands on the national treasure list and listed them as important cultural relics prohibited from leaving the country.

Looking at the grand entry ceremony of the Chinese Museum, other museums in China were full of envy, even the Palace Museum. If other individuals got this cultural relic, they would definitely be exhibited in the Palace Museum.

However, the person who got it now is Chen Yi, who has his own museum. They had thought before that the cultural relics department would come forward to negotiate with Chen Yi and let Chen Yi put the original works of Wang Xizhi into the Palace Museum.

However, the cultural relics department rejected their request and said that they would talk to themselves. Now Chen Yi's reputation is getting higher and higher, even if he has always been strong. He believes that all Chinese cultural relics are their cultural relics department, so he has to consider it carefully.

At the same time, major TV stations have also launched some columns and invited famous cultural relics scholars and experts to hold a series of discussions on the impact of Wang Xizhi's original works on China.

Some things and some news will slowly cool down over time, but this authentic work of Wang Xizhi was still heatedly discussed by everyone for a long time after the press conference.

With the emergence of the original works of Wang Xizhi, many people suddenly discovered that in daily life, they heard calligraphy more times than before, whether on TV and online media, or around them.

The neighbors living around and relatives and friends were discussing whether to send their children to calligraphy training classes to study.

In some major cities, primary and secondary schools have taken the lead in starting the feasibility of piloting calligraphy classes, which undoubtedly marks the further recovery of calligraphy and has received widespread praise from the society.

Chen Yi also announced to the media some time after he entered the Chinese Museum that the first Wang Xizhi Cup Calligraphy Competition will be held next year. As for the procedures and specific plans of the competition, it will be revealed to the outside world next year.

This news was also flooded the screen at the first time. Many people think that the calligraphy competition held by Chen Yi may be different from usual. Nowadays, some calligraphy and painting competitions have backdoors or secret channels, especially some large-scale competitions, which are even more so, full of interests.

Some competitions require recommendations from the Calligraphy Association or the Painters Association to participate. They can’t help but long for the competitions held by Chen Yi to have differences.

Most people even believe that this Wang Xizhi Cup calligraphy competition held by Chen Yi will develop Chinese calligraphy towards a better side. Other people's calligraphy is more or less distrustful, and the calligraphy ability shown by Chen Yi has surpassed everyone and become the number one person in Chinese calligraphy.

The emergence of the original works of Wang Xizhi has gradually entered people's lives. This is undoubtedly what many calligraphers and cultural scholars want to see, and it is also the reason why Chen Yi and Zheng Lao Rang's original works appear in the world.

The two Taoist priests Wuzhen and Xuanji, who were far away in the Sanqing Temple in Qingcheng Mountain, Shu Capital, also learned about the news that Wang Xizhi's original works appeared in the world. In the subsequent time, they were also very pleased to see the changes brought to Chinese calligraphy.

When Chen Yi brought his calligraphy back and wanted to return the Sanqing Temple, they did not accept it. It was just because Wang Xizhi's original works were placed in their Taoist temples, which could be said to be a waste of resources. They went to the world and were known to the public. This is the real destination and is beneficial to the entire society.

When this young man first entered the Sanqing Temple, they felt that this person was extremely arrogant and would definitely achieve great achievements in the future. After a few years, Chen Yi's achievements far exceeded their expectations.

After the original work of Wang Xizhi appeared, Chen Yi was free and continued to accompany his children to practice the calligraphy he evolved from the copy world. At the same time, he took time to let the inkstone of Wang Xizhi in his hand reappear in the world.

The appearance of this inkstone made Mr. Zheng and others shocked. This was not only Wang Xizhi's inkstone, but also something that Zhong Yao, the founder of regular script, used and left words.

Who is Zhong Yao? This can be regarded as Wang Xizhi's master, including later Huaisu, Yan Zhenqing, Huang Tingjian, etc., absorbed the strengths of Zhong Yao's calligraphy and some calligraphy comments from all aspects in the creation of calligraphy styles.

Moreover, on this inkstone, Zhong Yao wrote small regular script, while Wang Xizhi wrote running script, which can be said to be the most proud style of calligraphy for these two people.

The identification of this inkstone is not as simple as that of Wang Xizhi’s small calligraphy Huangtingjing. After many aspects of identification, verification and testing, the inkstone has finally been confirmed, and it is indeed something that Zhong Yao and Wang Xizhi have used.

It can be said that the preciousness of this inkstone is no less than that of Wang Xizhi's original work. The preciousness of the two people who have an important position in the history of calligraphy is really immeasurable. Since it was used by Zhong Yao, the date of production is probably the latest in the Eastern Han Dynasty.

There are quite a few cultural relics unearthed from the Eastern Han Dynasty, but there are very few inkstones from the Han Dynasty, not to mention so exquisite. The two famous figures left their words on it, which is already a national treasure no less than the original works of Wang Xizhi.

Regarding the appearance of this inkstone, Chen Yi did not hold a press conference or something with great fanfare. He just asked them to come and interview, took a few pictures, and then put the inkstone in the Chinese Museum for ten days of exhibition.

However, after the news of this inkstone was announced, it also caused a stir in China. Both Zhong Yao and Wang Xizhi used the inkstone with words and left their words, which was simply unimaginable.

Everyone also flocked to the Chinese Museum to see the inkstone. The front was engraved with the mountains and rivers of the land, which can be said to be exactly the same as some of the real scenery. On the back, there are Zhong Yao's small regular script and Wang Xizhi's running script.

This is probably the only original calligraphy of small regular script and running script left by Zhong Yao and Wang Xizhi in the world, allowing everyone to see the most proud style of calligraphy of the two calligraphy masters.

This inkstone is called Shanyan, and is placed in the same exhibition hall as Wang Xizhi's calligraphy. It can be said that it allows everyone to see the beauty of the inkstone and calligraphy, and further doubles the flow of people in the Chinese Museum.

During this period, Chen Yi did not enter the copy world. On the one hand, he had just come out of Wang Xizhi's copy, and on the other hand, he needed some time to temper the calligraphy he had learned from the copy world. Of course, there is another more important reason, that he had to accompany his wife and children.

After all, his life is still based on the real world. The copy world is not so much a world as a place where he learns.

As for the task of delivering the imperial seal, there is no time limit, so he is naturally not too anxious, because the imperial seal can be found without being anxious.
Chapter completed!