Why can't Furuta Shinji, a group of manga authors from his own family, beat Higashino Tsukasa alone?

Can a human be compared with a printer?

However, before he left, he repeatedly said that if Higashinoji had the idea of ​​joining Fuji Publishing, please call him immediately. The employees of Fuji Publishing would welcome Higashino.

Even though he knew that Higashinoji had already submitted a new draft, he didn't care at all and was still very perseverant, which really shocked Higashinoji.

It’s no wonder that Shinji Furuta was able to take so many people to Fuji Publishing House to establish a new weekly manga magazine. He still has this skill.

Similarly, before leaving, Shinji Furuta also asked Higashino about the situation and type of new comics.

These things are all insiders in the industry. As long as Furuta Shinji has some connections, he can find out about it immediately, so Higashinoji didn't care and simply told him the type of manga.

"Professional comics? About lawyers?" Shinji Furuta looked surprised.

He did know that there was a professional comic series in "Abominable Cold", but why did Higashino suddenly take the risk of changing the category?

Wouldn’t it be nice to continue drawing horror comics?

The most important thing is...their Fuji Publishing House's new work by Shumotofuji will soon be serialized, and Shumotofuji's new work is also a professional-type comic...it is also a professional-type comic about lawyers.

Isn’t this just a rush to compete with Higashinoji?

The same subject matter, the same professional comics... It's just that!

Shinji Furuta did not hide the type of work that his family was doing, and told Higashinoji with a little worry.

Then came Higashinoji's cheerful smile and his expectant voice: "Well, what a coincidence. It's an honor for me to be able to compete with Mr. Kukimoto Fuji in the same type of comics."

There was absolutely no trace of timidity on the other person's face, which made Furuta Shinji even more confused - this person was too confident. Could it be that all printers are so confident?

Or is it that Higashinoji is actually very confident in his comics?

But this isn't right either...

Fuji Publishing also specially invited a team of lawyers to explain their court debate experience for this lawyer-themed professional cartoon by Fuji Shumoto.

The purpose is to create a popular comic again and lift up Shumoto Fuji, who was previously suppressed by Higashinoji.

Is it possible that the stall that Higashinoji set up halfway can overthrow their team of senior chefs?

How is this possible... No, maybe it's really possible.

The previous "Midnight Ring" and "The Lonely Gourmet" were like this... maybe Shumotofuji really can't beat Higashinoji this time?

Of course, Shinji Furuta was not stupid enough to say something as stupid as, "Can you give me a storyboard of Higashino-sensei's draft?"

He just touched his remaining hair a little uneasily, half-bowed to Higashinoji in thought, and then said goodbye and left.

Head...could it really be bald?

Shinji Furuta couldn't help but think about it.

Watching Furuta Shinji leave, Higashinoji also exchanged a few words with Okano Ryoko before turning around and leaving.

"Teacher Okano, that student just now must be Higashinoji, right?" the teacher next to him asked curiously.

"Well, it's probably the editor-in-chief of Fuji Publishing who wants to poach Higashino-san..." Ryoko Okano nodded, took a sip of water from her teacup, and spoke vaguely: "Recently, many people want to interview Higashino-san.

."

"Tsk, tsk, Higashikata-kun is so awesome." Another male teacher stood up and sighed loudly: "I don't know if the kid in my family who just entered junior high school can be as impressive as Higashino-kun."

"That's going to be a little difficult, Daimon-sensei."

"That's right, haha."

The teachers laughed and discussed.

Higashino Tsukasa has always been their talking point, after all, the other party is also the current face of Kitajuku.

They can almost expect that there will be a large number of students enrolling in the North Free School next year.

...

After Higashinoji left, he did not go back to the classroom directly. Instead, he found a quieter place and called Hosokawa Koharu.

Although it was not necessary, Higashinoji still felt that it would be better to tell Hosokawa Koharu about Furuta Shinji coming to poach him, so that if it was brought up later, he would not say anything... which would be a bit bad.

He called, and about five seconds later, Hosokawa Koharu answered the phone: "Hello? Teacher Higashino?"

At this time, Hosokawa Koharu was repeatedly looking through the draft storyboards of Higashino Tsukasa's "The Winner is Justice".

She needs to proofread it one last time to confirm whether there are any typos or uncomfortable parts in the storyboard arrangement.

The sudden call from Higashinoji undoubtedly interrupted her work progress.

"Well, it's me. There is something I have to tell Editor Hosokawa after thinking about it."

"Um...what's going on? Is there something wrong with the draft storyboard?" Hosokawa Koharu turned over the draft handed over by Higashinoji with one hand and pressed the phone with the other, a little absent-mindedly.

Then, Higashinoji's next words made her eject from the chair and stand up:

"What? You mean the editor-in-chief of Fuji Publishing House just went to your school to look for you?" Her eyes widened, and her original absent-minded expression disappeared: "Teacher Higashino, where are you?"

Sure enough, he is so ambitious! I knew that Fuji Publishing House would definitely take action against Higashinoji.

She didn't even care to read the manuscript anymore, and simply put down the draft storyboard, planning to drive to Higashinoji's place now and face to face with the editor-in-chief of Fuji Publishing - Dare to poach the most powerful single seedling in our village?

This is really unbearable.

"Uh..." Higashinoji obviously didn't expect Hosokawa Koharu to be so excited. He was stunned for a moment, and then replied kindly: "Editor-in-chief Furuta has left now. I did not agree to his request for poaching."

Editor-in-chief Gu Tian?

Hosokawa Koharu had a strange look on her face. She was originally the kind of little girl who easily thought about things, but now that she heard Higashinoji calling Furuta Shinji that way, she couldn't help it.

Is it possible that Mr. Higashino is really moved?

But she couldn't ask directly, so she could only think about it. Finally, she felt aggrieved and asked Higashikata: "What do you think, Mr. Higashino?"

"Huh?" Higashinoji was stunned when he heard her aggrieved voice, but he quickly came to his senses and comforted with a smile: "What do you think? Editor-in-chief Furuta is pretty good, but didn't I say that before?

?I won’t change jobs, editor Hosokawa, you can rest assured.”

But soon he jokingly said to Hosokawa Koharu on the other end of the phone: "I considered that Editor Hosokawa was trying to get me the serialization qualification, so I rejected him directly. Editor Hosokawa, please don't let me down."

silence--

A long moment of silence.

Just when Higashinoji was wondering if he had said something wrong, Hosokawa Koharu over there finally spoke: "Don't worry! Higashino-sensei! I will definitely let "The Winner Is Justice" get the serialization qualification!"

Her voice filled the air so loudly that Toyoshi's ears hurt from the shock.

"If I can't do it...I'll take the blame and resign!"

Hosokawa Koharu seemed to be so moved that she even took the blame and resigned at the end of the story.

"Well...it doesn't have to be so serious..." It was originally a joke, but Tonoji didn't expect Hosokawa Koharu to be so serious.

"Don't worry! We will definitely succeed!"

After Hosokawa Koharu said this seriously, she cut off the call.

She was going to find the editor-in-chief Urashima. After all, she had completely listened to what Higashinoji had said.

It was because he was still fighting for serialization qualifications that Higashinoji directly rejected Fuji Publishing.

If you can't get the corresponding results, wouldn't you be completely sorry for the other party?!

Hosokawa Koharu thought about how many manga authors came to ask about it when he was a new editor... This kind of treatment was also brought by Higashino Tsukasa.

Even if you don’t succeed, you have to succeed!

After all, Hosokawa Koharu was still a young man. He had only been in society for less than a year, and he easily got angry. He simply walked to the editor-in-chief's desk with Higashino Tsukasa's new work "The Winner Is Justice" in an aggressive manner.

"Uh..." Editor-in-Chief Urashima had just finished his work and planned to go downstairs to buy something to satisfy his hunger. When he saw Hosokawa Koharu coming over in a menacing manner... he was also stunned.

Hosokawa Koharu has a ferocious look...I can't really say that she has a ferocious look, but she looks menacing anyway.

This makes it seem like Koharu Hosokawa is the editor-in-chief of Inquisition, but he is acting as a subordinate as editor?

He had a puzzled look on his face and couldn't help but pull his chair behind his desk and asked, "What's the matter? Editor Hosokawa?"

"Teacher Higashino gave me a new work. Although it is only a draft storyboard, its potential cannot be underestimated."

"Oh?" After hearing what Hosokawa Koharu said, Editor-in-Chief Urashima was a little surprised: "Didn't he just finish "The Ring"? Is he going to start serializing it again?"

Of course, the editor below heard the conversation between Chief Editor Urashima and Hosokawa Koharu.

They also looked surprised at seeing a ghost.

No... this is too scary, isn't it? Didn't "Midnight Ring" just come to an end? Why are you starting to serialize a new comic again?

The printing machine spitting out paper is not that exaggerated, right?

"What is the specific content of Mr. Higashino's new work?" Editor-in-chief Urashima was not surprised for too long, and asked the most critical question in a deep voice.

Yes, this is what he needs to care about as the editor-in-chief.

"This is the draft storyboard Mr. Higashino gave me." Koharu Hosokawa placed the draft storyboard of "The Winner is Justice" in front of the chief editor Urashima.

It’s better to just use words to describe it, so it’s better to let Editor-in-Chief Urashima see it directly.
To be continued...