The next day.

Although he said he would not be anxious about Higashinoji, he thought that the other party had asked him to go over to pick up the song today, Hosokawa Koharu hesitated for a moment and came over obediently.

But it would be a bit too fantastic to ask Higashinoji to write a good song just one night. To be honest, it is simply impossible.

Considering respecting Higashinoji and maintaining Higashinoji, Hosokawa Koharu called Higashinoji several times before coming, and said openly and secretly that even if he didn't finish writing, you don't have to worry. Teacher Higashino, anyway, it's just an opportunity to compile music into textbooks. At worst, we don't want it anymore. Anyway, we don't care about this opportunity.

She had a good attitude, spoke softly, and cheered her up next to her, fully expressing the idea of ​​"I am on your side".

Higashinoji smiled and comforted her several words, asking her to come over early, and said that she would definitely be able to come out with a good work and hand it over to her.

Since Higashinoji said so, whether from the perspective of obligation or reason, he still has to go over and see the situation.

Then

"Has it really been written?" Looking at the two-page simplified plots that Higashinoji used a clip to hold it together, Hosokawa Koharu couldn't help but pinch his chin.

Higashinoji has always given her many surprises, but this time the surprise is a bit too big.

This made Hosokawa Koharu hide his surprise and said half-jokingly: "Teacher Higashino, you are too fast, you can solve a big problem in one night. This is a bit unscientific. Someone said that you have more brains than normal people, which makes me believe it now."

"Look at the simplified score first." Higashinoji narrowed his eyes and smiled. At Hosokawa Koharu then reached out to hand over the simplified score, and at the same time made a 'please' gesture.

"Yes." Hosokawa Koharu didn't hesitate, took over the simplified score, hummed the tune lightly, and quickly swept the lyrics at a glance.

The title of the song is "Don't Give Up", which is very straightforward and simple.

But Hosokawa Koharu doesn't care.

The song still depends on the song and lyrics. The title of the song is more straightforward and simple, but it makes people feel like they hit the soul directly.

She just hummed the tune and realized that this song was obviously different from Higashinoji's "Le Touch N" and "Empty".

Compared to "Le Touch N", "Empty" is different, and the lyrics of "Don't Give Up" are very straightforward.

‘Don’t give in, look, wherever you are, the goal is ahead.’

It is this simple lyrics, paired with a melody that expresses one's feelings, but for some reason it can impress Hosokawa Koharu.

If "Le Touch N" and "Empty" are unpredictable changes in baseball, then "Don't Give Up" is a simple and straightforward straight ball.

But it is precisely this kind of straightforward, unpretentious, and without any makeup, that makes Hosokawa Koharu raise his eyebrows, and he sincerely feels that this song is really good.

Just like Sakai Izumizu, a national treasure-level queen, even if she doesn't wear makeup, her beautiful appearance will be difficult to hide.

Humming this song softly, Hosokawa Koharu was not like many novels described? It was like a chicken blood in one go. His complexion turned red and he felt like he had drunk stimulant, but gradually felt that strength appeared in his heart and his whole body was full of energy.

She sighed a little.

Since taking over the editorial team leader task, her pressure has indeed increased a lot, but this song has suddenly made her feel that the pressure has dissipated a lot.

Perhaps this is the appeal of the art of music.

"How is it? Hosokawa editor?" Higashinoji asked when he saw her put down the sketch.

"It's indeed a good song. Although the lyrics are straightforward and simple, it feels like it hits the soul directly? It's really inspiring."

Hosokawa Koharu commented objectively, and then said with a little amusing: "Actually, the music textbook compiler over there wants such simple and simple songs? After all, the textbook compiled is mainly composed of Chinese middle school music textbooks, which is more simple than Japanese basic education. And this time, the re-compilation of music textbooks is mainly to inspire young people who are confused after the economic crisis. Unexpectedly, Teacher Higashino took out this work."

It is undoubtedly easier to impress others in a tactful and varied form, but it is very rare to express your feelings directly and directly and brightly.

Higashinoji also sighed a little.

After Koharu Hosokawa said this, he inexplicably discovered that there seemed to be "the will of heaven in the dark."

The song Sakai Insumi was the result of the rise of the Japanese bubble economy. In this world, this song was born under Higashinoji and was actually similar to the previous life Sakai Insumi, mainly to inspire those confused and confused young people

There is indeed a feeling of "God's will" in it.

This made Higashinoji shake his head.

Just as Higashinoji sighed, Chiaki, the mountain next to him, looked here twice, and his eyes immediately shrank back. He didn't understand very well that this song was that good?

She doesn't understand music theory or the view of simple scores. She thinks Hosokawa Koharu's statement is a bit exaggerated. Her family is a standard family that struggles to survive because of the bubble economy.

As a worker who broke down a factory, my father was unable to find a job after the bubble economy, so he could only make money with his mother to make money to subsidize his family. That period was really difficult. In addition to her, she also had a younger brother in the family, so she had to drop out of school and transfer to school for a short period of time. Even at this time, her life could only be considered a mess by the bubble economy back then.

Is this song so good?

I haven't actually heard of it, she doesn't make any comments.

As if he noticed Chiashi of the Yama, Higashinoji turned around and asked curiously: "Chiashi, do you have any ideas?"

"Hey? No, nothing"

Halfway through her speech, she saw Higashinoji's meaningful smile, which made her swallow her words back and said in a subtle voice: "Or why would you sing a few words?"

This was her true thought, but she regretted it as soon as she said it, and felt that she was simply a fool.

What attitude is this to talk to Higashinoji?

I sang a few sentences and really thought Higashinoji was the kind of singer who sang on the street with a small speaker on his back?

Chiashi Yamaguchi was about to change his words, but unexpectedly, Higashiji nodded thoughtfully: "Well, indeed, if you didn't actually sing it, just look at the lyrics and tunes, you really don't feel anything."

It’s true that it’s a mule or a horse and it’s true that I still have to take it out for a walk. Not everyone is like Koharu Hosokawa, who can understand the simplified score and the theory of joy.

Anyway, it's okay to just sing a few lines.

Higashinoji didn't hesitate and started singing very simply.

Unlike many Japanese singers, his advantage is that his voice is clear and transparent. With this song "Don't Give Up", it really makes people feel that courage comes to their hearts.

Even without the blessing of the background sound and simple singing, the feeling of this song was accurately grasped by Higashinoji and sang it out.

This is actually a singer. Higashinoji has heard of the singing of Sakai Izumizuhara, so there is no problem in singing as long as she follows her feelings.

But Higashinoji was not particularly satisfied, because even if he sang according to his impression, he felt that he still hadn't restored much of the essence of "Don't Give Up".

The emotional investment is not deep enough, and there is no such power that goes straight to the bottom of your heart. In short, it is a mess.

Higashinoji stopped halfway and coughed a little embarrassedly: "Sorry, I didn't sing very well."

He only said half of the words, and then he saw that Hosokawa Koharu's eyes were red, and he seemed to feel tears flowing out, but she was fine, so she held it back.

Qianxia, ​​a mountain next to him, couldn't help but start yelling in a low voice, "Sand is in your eyes" and rubbing her eyes.

As for what Higashinoji said just now, "I didn't sing very well", this sentence was ignored by both of them.

It's so good that this is not good. The feeling has penetrated their hearts.

Higashinoshi felt that Chiashi Yamakami's reaction was too exaggerated, so he couldn't help but turn his head and ask her.

Perhaps his emotions were slightly moved by the song, and Chia Yamakami told Higashinoji about why he worked so hard and the specific situation at home.

When Higashinoji heard Chika Yama say that he was one of the victims of the bubble economy, Higashinoji understood.

It is obvious that the song "Don't Give Up" evokes some memories of Qianxia of Shankan and resonates with her emotions to a certain extent.

This sounds mysterious, but in fact it is similar to not listening to love songs when you are sad.

"It's really a good song." Chiashi Yamakami wiped her tears and told Higashiji a little excitedly: "Teacher Higashino, putting this song into the single disc that is being produced will definitely be very popular."

Anyway, she will definitely buy it.

Yano Ryuichi has contacted the D production factory, and they are willing to produce the single D of "Le Touch N" and "Our Hands are empty". After discussion between Higashinoji and Yano Ryuichi, they decided to set the price between 1,500 yen and 2,000 yen, according to the market price.

However, the CD-engraving has not officially started there. If Higashinoji has the idea, he can add "Don't Give Up" to it.

The dubbing actors and singing studio at Higashino Studio have also started construction, so it is simply a coincidence that you can use this song "Don't Give Up".

Higashinoji didn't say anything about this, did not make a decision, but just looked at Hosokawa Koharu.

Although he can make his own decisions, he still has to respect Hosokawa Koharu. Does this kind of book compiled into music textbooks allow him to sing it first?

"It's OK." Hosokawa Koharu obviously noticed Higashinoji's gaze. She didn't read the documents, and explained by memory: "This kind of thing is something that the Ministry of Justice asks Higashino. They will definitely not care about such small things. The higher the singing level, it will be very helpful for the promotion of new music textbooks. They may have to support it."

After saying this, Higashinoji nodded, saying that he had probably understood the specific situation. Then he thought about it and said, "I'll consider it."

However, the advice given by Chiashi Yamakami is really good and can be useful. Higashinoji will discuss it with Yano Ryuichi.

"Then I'll take this brief summary back first. Teacher Higashino, I'll notify you of the results in the afternoon. There should be no problem? Teacher Higashino?"

Hosokawa Koharu smiled and put the sketch in his hand into his arms, and spoke.

"No problem." Higashino replied with a smile.

The two of them exchanged greetings for a while, then Higashinoji watched Hosokawa Koharu leave, then greeted Chiaki Yamakami, turned around and went to the office to call Yano Ryuichi.

To be honest, Yano Ryuichi, who received a call from Higashinoji, was particularly excited.

He was going to check the original soundtrack, but on the way, Higashinoji called him, which made him so excited that he pinched the phone in his hand and made him clatter.

What's wrong?

Could it be that Higashinoji finally remembered the importance of him as an animation supervisor and wanted to join the supervision team of "The Winner is Justice"? This is absolutely fine! He has always wanted to make great efforts in this career as a supervisor, rather than taking the high salary given by Higashinoji, doing such insignificant "little things" that are enough to make his black hair fall off.

He suddenly became interested and answered the phone: "Teacher Higashino? What's wrong?"

"I want to talk to Yano San for some things. Can I come here?"

“Come now.”

Yano Ryu put down the phone without hesitation, turned around and called a taxi to head towards Higashino Studio.
To be continued...