"Big brother, drink tea."
"Thanks."
Kamiyagawa is currently at the home of former Tokuma Animation Studio head Satake Tsukada.
He came to visit with gifts.
As soon as he arrived and sat down in the living room, Mr. Tsukada's daughter jumped up and brought him hot tea.
This little loli is so cute and has a sweet mouth.
Kamiya and Tsukada Satake exchanged greetings in the living room for a while, and found a suitable moment to explain their purpose: "Mr. Tsukada, actually I came here to ask about the past. As I said, I want to establish a family
A small animation studio.”
Because Tsukada experienced the Tono Soba incident, he came up with the idea of ​​​​retiring from work.
And his Tokuma Studio was acquired by Taisha.
According to Mr. Tsukada’s previous statement, this acquisition and reorganization will bring a large-scale personnel reshuffle to Tokuma Studio.
At that time, some experienced animation industry practitioners will flow into the talent market.
Kamiyagawa had made a wishful thinking before. He planned to win over some animation production staff from the original Tokuma Studio to form a small studio of his own.
It is now late July, and the acquisition of Tokuma Studio has been finalized.
So Kamiya came to Tsukada Satake with gifts and sincerity.
"Sure enough, you haven't given up on this idea yet. I really admire your determination to stick to your dream." Tsukada chuckled. Since he was relieved of work, he seemed to be a lot more relaxed and friendly. He was no longer the first person.
He felt tense and serious when he saw me, "I had planned to contact you in the past two days, it just happened."
Mr. Tsukada said, pulling out a pamphlet from the drawer of the coffee table and handing it over.
Kamiya took it and opened it to see some names, contact information, and position written on it.
Like original animator, 3D producer, production manager, animation director, coloring, editing, etc.
Tsukada Satake: "These are very good guys. They are leaving the reorganized Tokuma for various reasons. If Mr. Kamiya is interested, you can try to contact them. But it depends on whether you are willing to join your studio.
It’s their personal wishes.”
"It helped a lot."
Kamiyagawa also had a good preview of the process of establishing an animation studio.
Looking at the positions recorded in the brochure, if we recruit all these people, we can really form a grass-roots team of our own.
If work such as voice acting is outsourced, more than a dozen professionals performing their respective duties are enough to support the operation of a low-cost animation.
However, it is somewhat unrealistic to use all the people in this book for your own use.
These people also left the reorganized Tokuma for various reasons, and their needs for the next job were different.
All Kamiyagawa can do at present is to offer them the same salary as Tokuma, and bring [Thousand Silver Needles·Change] with them and visit them one by one to see if he can use his "childhood animation dream"
Such passionate words can impress the other party.
After carefully flipping through the booklet Mr. Tsukada gave him, Kamiya's eyes stopped on the second page.
There is a contact whose information is specially marked with an underline -
[Xuse, script writer, contact number...]
The script writer, that is, the animation script writer, is equivalent to the screenwriter.
A key player in animation production who is responsible for adapting copyrighted works or creating original animation plots.
The plot of an animated work depends entirely on the creation and performance of the script writer. Therefore, the script creator has become the position most likely to be criticized by the audience after the supervisor.
The only scriptwriter that Mr. Tsukada could contact was this one.
Well, "Xuse" is obviously a pen name.
"This Xuse teacher?"
"Oh, his real name is Chiaki Miyake. He is a very good script writer and original writer. I think he is a young genius. Has Kamiya heard of "The Legend of the Stick Brave"? That was his debut in writing light novels.
A masterpiece that won a prize at the Dengeki Novel Awards."
Mr. Tsukada has a very high opinion of Kyoshi.
It is said that this teacher became famous as a teenager when he wrote light novels, and he is still very young now. Tsukada Satake was considered to have a keen eye at the beginning, but it still took a lot of effort to win him over to join the studio.
Tokuma Studio's main animation project last year was for Kyoshiki to be responsible for the script and script supervision.
The animation industry also has very good reviews for Xu Se, and occasionally people will mention him together with another senior figure in the industry.
Of course, as a newcomer who has just emerged in the industry, there is still a huge career gap between Xu Se and the knife-loving boss.
But this can be regarded as a kind of recognition, indicating that his future is promising and his future is limitless.
Kamiyagawa: "It sounds like Mr. Kyoseki is Tokuma's ace script writer?"
Tsukada Satake: "That's right."
"Then why didn't he stay in the reorganized Tokuma?"
"This... I don't know. The club that originally acquired Tokuma also valued him very much and offered him a big price in the hope that he would stay. At first, I had reached an agreement with him. But the day before yesterday, he suddenly refused to sign.
Regarding the contract, maybe he plans to go it alone. With his talent, writing his own light novel is also a very good way out."
"That's right." Kamiya smiled bitterly, "Then I think it's unrealistic to persuade such a person to join my little-known studio."
"Try it... maybe you can impress him. After all, he is also a young man."
"Well, can you give me Teacher Xuse's address?"
"Wait a minute, I'll look for it."
A good animation script writer is very important for Kamiya to establish an animation studio.
Moreover, it can be regarded as a soul character.
After all, Kamiya can not interfere in other aspects of animation production, but he only has his own absolutely unchangeable requirements for animation scripts. His primary purpose in creating animation is to spread the faith of his shikigami.
If it doesn't work out, we can only consider letting Wenche Yafei learn script writing.
This chapter is not finished yet, please click on the next page to continue reading the exciting content! However, Kamiya’s training position for Xiaowen Che is to be the general affairs of the studio, the director system, etc., and the manager who coordinates the overall situation.
In this way, he can be the hands-off shopkeeper with peace of mind.
It may be a bit too difficult for Bunche Yaobi to fully take care of script writing. Even if Kaitan itself requires less rest time than humans, there are only 24 hours in a day.
Let’s take one step at a time.
…
Roppongi, Minato-ku, Tokyo.
rain.
This is an apartment building in Roppongi.
A black Honda car passed through the pouring rain and parked in the parking lot next to the apartment building. Sitting in the car was a man in his mid-twenties.
He looked a little tired and upset, as if he hadn't had a good rest recently.
The man was wearing a standard suit for office workers, and the time now was three o'clock in the afternoon, not the normal off-duty time.
He sat in the cab, rubbed his messy hair, rolled down the window and lit a cigarette.
Raindrops pattered on the front windshield, meandering into streams of water.
There were also many gaps along the opening of the windows on the side of the cab, splashing onto the men's sleeves.
Halfway through his cigarette, he took out his phone.
Toot——
I made a call and no one answered.
"Damn it!"
The man clenches his fist and knocks on the steering wheel.
His body is very strong, and you can see good muscle lines even in a suit. Perhaps he is more like an athlete than an office worker.
To be continued...