Ren Ming became increasingly puzzled: "Who will I learn Peking Opera from?"

"Teacher Shang Changrong."

Ren Ming frowned and thought for a while, and smiled and sighed: "I think it's only three minutes of popularity. Peking Opera is not that easy to learn. Who does it really learn? He is just starting to learn it now, and he is so busy that he doesn't touch the ground. I'm afraid that he can go around and he doesn't necessarily have to be able to become a teacher."

Tang Ye was not easy to talk to. She originally wanted to agree, but in front of Guo Na, she could only smile. No matter how Ren Yuan said it, it would be okay. If she said it badly, she would become the leader behind the scenes.

While learning from Shang Changrong, Xu Rong felt that he was touching the essence of opera bit by bit.

When he first watched the opera, he thought about learning something from the opera, but after watching it for a long time, he couldn't see anything except making himself irritable and depressed.

After that, he calmed down and regarded watching the show as a pastime. Gradually, he had some insights, but he couldn't say much.

Now that I have really studied in depth, I realize that I have taken it for granted.

You can't watch every move when watching a play. For example, before, he thought "appearance" was a very interesting technique, but he ignored what it highlighted, what simplified, what preparations were made before highlighting, and what effects did it bring to the plot after highlighting.

Opera is composed of many such points, and this point is often the end of the previous relationship and the starting point of the next relationship.

Analyzing each movement and expression from a holistic perspective, although what you get is not very specific, it is the essence of opera.

(End of this chapter)
Chapter completed!