Author: I am red

At the entrance of the Capital Theater, looking at the performance cancellation notice that had just been posted, Ding Lijun, the short and fat office director, said to the two security guards: "Hurry up and close the door. Can you afford to delay Team Xu's affairs?!"

"

Pu Cunxi, who was about to go back, paused slightly when he heard this and sighed silently.

Not everyone in the courtyard was harmonious. Xu Rong was promoted so quickly, so it was inevitable that some people would have objections.

Ding Lijun is an old man from Renyi. In terms of qualifications, he has been assigned to Renyi for more than 20 years. Outsiders always think that the office is a fat job, but in fact it is also a hard job. If there is a slight mistake in everything in the courtyard, the office

Even the director is involved, not to mention his own duties such as welcoming guests and taking the blame. The office director is both a wine bag and an airbag.

People's Art is an art group, actor team, creative studio and stage design department, which are the most important core departments, especially the creative studio and actor team, and in his opinion, Ding Lijun's level is not even the slightest bit different from Xiao Xu.

He originally wanted to say something to Ding Lijun to avoid suffering later, but in the end he swallowed the words in his stomach.

Xu Rong's treatment after entering the People's Art Institute was no worse than that of Ren Ming. Two old men, Zheng Rong and Zhu Xu, escorted him all the way. Zhang Heping and him often supported him, which led to some misunderstandings among some people in the hospital. The misunderstanding was that if Xu Rong

Without the help of leaders like them, the help from seniors will inevitably lead to failure.

Just like some people’s misunderstanding of Ren Ming’s “nothing city”.

Pu Cunxi was speechless because he felt it was unnecessary, and compared to Ding Lijun's dissatisfaction with Xu Rong, there was a more important thing that needed his attention.

Once Xu Rong's performance system is established, it must be promoted.

In the original plan, Xu Rong was one of the head teachers of Renyi's current troupe class, but it is obviously not feasible now. Renyi's performance system originated from the former Soviet Union, which is a typical Sri Lankan system. After Jiao Juyin and others

The localization transformation of the predecessors formed a drama system based on the Sri Lankan system and with realism as the style.

What is certain is that Xu Rong created a line technique that is different from Bel Canto, which leads to a certain difference between Xu Rong's line style and that of past people's art actors. If new students turn collectively, then the people's art of the past many years will have a certain difference.

Almost all the results were in vain.

Emotionally, this is something he cannot accept. He was born here, grew up here, grew old here, and devoted almost his entire life to this place.

But on the other hand, he could feel the huge potential and bright future of the system created by Xu Rong.

This is a typical performance system that uses Chinese as the standard pronunciation.

So far Xu Rong has only one student, Song Yi.

Just like Stani's disciples Michael Chekhov, Katerina Brignel, Demidov, Meyerhold, and Vakhtangov, if there are no big surprises, Xu Rong's future academic work will be

With his status and influence, his students will most likely become important figures in the Chinese theater, performance theory, and performance education circles in the future. As disciples, of course, they also bear the responsibility of promoting and applying his theories.

If new students are not allowed to learn Xu Rong's acting methods, a few years later, when Xu Rong has become famous all over the world, they may still have to go back and learn. It doesn't matter whether it is too late or not. His persistence now is tantamount to misleading people.

Children.

The Moscow Art Theater could accommodate the Methodists, but the Soviet Union could not.

Office of the Director of Chinese Drama.

Xu Xiang looked at the negotiation letter that Zhang Heping pushed in front of him and said quite unexpectedly: "To take care of the family and the relationship between husband and wife? Director Xu is in our school and it also affects his relationship between husband and wife. Doesn't it make sense?"

Zhang Heping said with a smile: "I'm not afraid of your jokes, brother. Isn't this about judging the Plum Blossom Award? We happen to have a quota this year. If Xu Rong stays with you, I'm afraid people will gossip."

Xu Xiang was stunned when he heard this, hesitated a little, and said: "Dean Zhang is really sorry, we have to borrow Xiao Xu for another year. We just opened the Peking Opera Performance major last year, and we plan to list this major separately this year, and Xiao Xu will be in charge.

, he is Shang Changrong’s disciple, no one can say anything about him coming to take charge.”

"As for the Plum Blossom Award jury, I will communicate with you, which is equivalent to what I owe you."

The smile on Zhang Heping's face gradually faded, and he stared at Xu Xiang suspiciously and said, "Xu, you don't want to wait until I retire and default on the debt, do you?"

Xu Xiang said "Ah" and said in disbelief: "Oh my brother, how could you think so?"

Does he know that Zhang Heping should retire?

When he coaxed Xu Rong over, he had already determined the time for Zhang Heping's retirement.

It stands to reason that Zhang Heping should have been dismissed last year. Once Renyi gets a new dean, or like in the past, the dean position has been vacant for a few years. He will first push it, and if he is pushed, he will immediately turn his back and refuse to admit it.

.

After he quickly mentioned Xu Rong as the deputy dean and called raw rice cooked rice, he didn't believe that Xu Rong could still go back!

This was how Ren Ming stayed at Renyi.

But Zhang Heping is not an ordinary dean of humanities and arts. In terms of energy, he is only worse than the old dean who was also the dean of humanities and arts and Chinese drama.

When Zhang Heping and Xu Xiang were discussing Xu Rong's belonging, Xu Rong looked away from his notebook and turned to his memory to search for discussions on breath from various schools of all sizes.

At present, the mainstream performance theory system is mainly based on three major schools, but the three major schools are not all. For example, the style school, the human performance school, etc. also have a place. Some of these less influential schools have insufficient theoretical systems, which leads to their partial emphasis.

The Ruge School pays more attention to physical form, and some have higher requirements for learners' talent. In fact, even the three major schools, their guiding theories are not complete systems, but they are relatively complete compared to the smaller schools.

But it can be called a "school" because it is a proven system of theories and techniques that can be used for most roles.

Although he basically has the qualifications to call his school, he did not intend to name his method "such-and-such school" or "such-and-such school". "Hehe", the thinking that runs through the entire system, is taken from the Chinese "

The traditional philosophical concept of "Zhizhi Zhonghe", in which more than half of the methods and techniques are borrowed from other large and small schools and arts.

Form, he believes that as more and more colleagues join it to learn, use, innovate and improve, the guiding theory, training methods and application skills of this system will become more and more complete, and will eventually become one of the mainstream performance systems in the world.

First, in countries where the native language is monosyllabic, it will surely become the undisputed mainstream performance system.

And compared with other mainstream schools of thought, this new system has a huge advantage, that is, as its founder, he is relatively young, and he still has decades to explore and improve.

After pondering for a long time, he walked to the window, his thoughts wandering aimlessly with his sight. After a while, he withdrew his sight and landed on the Xiaogege Alley on the side of the theater. At the corner of the alley, five people wearing a certain

Half-year-old children in martial arts school uniforms were walking and discussing something animatedly.

At the end of the corridor, Zhu Xu heard a familiar voice and opened his eyes. After realizing it was Xiao Zhang, he said, "Xiao Zhang, are you here to deliver food to Xiao Xu?"

"Teacher Zhu, what are you doing, Teacher Xu?" Xiao Zhang asked softly, pointing in the direction of the corridor. She was a little confused. If Teacher Xu was receiving the leader, why were the two seniors guarding him?

Zhu Xu listened for a while and whispered: "I'll go take a look at it for you."

He hadn't heard Xu Rong recite a complete line for more than an hour, and he felt a little uneasy.

Like an audience, he watched Xu Rong groping for a path in the endless wilderness. He didn't know where Xu Rong was going, but he knew that he stopped at this time.

He stood up and tiptoed along the corner towards Xu Rong's office.

At the end of the corridor, Lan Tianye looked at Zhu Xu's actions and was so happy that he was so angry. This guy had been unreliable since he was young, but he didn't expect that he would be unreliable now.

But he couldn't shout loudly. If Xu Rong was disturbed and his train of thought was interrupted, he would regret it for the rest of his life. He could only use gestures to signal him to be gentle and not to disturb Xu Rong.

He was also a little curious about Xu Rong's condition.

Zhu Xu walked a few steps and saw Lan Tianye constantly gesturing to his feet with his hands. He lowered his head, hesitated, bent down and gently took off his shoes, barefooted, slid along the wall, and faced Xu Rong.

The office is close.

"Okay, I'll get up, I'll get up, you don't have to hit me!"

When Zhu Xu was only two or three meters away from the door of Xu Rong's office, Xu Rong's voice echoed in the corridor very suddenly. Zhu Xu was frightened and stood there holding on to the wall without daring to move.

The sound suddenly arises and then disappears.

The corridor fell into silence again.

Zhu Xu stood still for a while. After hesitating several times, he silently turned his head and went back.

At this time, Xu Rong was kneeling on the floor of the office, head held high, eyes squinting upward, silently feeling his physical and mental state.

After a few seconds, his mouth opened slightly in an "O" shape and said, "Okay."

Cheng Yanqiu used the sound from the back of his head to form his unique singing style, and he used resonance to form a unique way of vocalizing. The "emotion" is dominated by the breath.

"Okay, I'll get up, I'll get up, you don't have to hit me!"

The state of the body will affect the flow rate and direction of the breath, which means that theoretically it is impossible for an actor to speak extremely relaxed lines in an extremely restrained state.

When he saw five students wearing martial arts uniforms walking through the alley just now, he suddenly realized another skill he was proficient in.

Bajiquan.

One of the key points of Bajiquan is to breathe naturally, that is, the body state and breathing are consistent. Specifically, if the force is light and subtle, the shoulder blades are released, and the chest is relaxed, then there must be conscious inhalation, the force is steady, solid, and the shoulder blades are inward.

Hold your breath, and exhale consciously when your chest contracts.

The second key point is the internal and external harmony, that is, the body, movement and intention are consistent.

These two major points make up for the last flaw in his line theory, that is, performance should not violate physiological actions, that is, when performing "pain", the ideal state is to be able to feel physical pain.

After thinking about this, Xu Rong stood up slowly and wrote two words heavily in his notebook.

"Physical action", "Psychological action".

"bite."

This is the direction of his next research, exploration, and practice, and it is also an important part of the system.

Performance is not divided into modules. Breath, voice, and lines must involve the body. Just like the basic contents of voice, stage, form, and expression taught by university professors, they are also learned at the same time, rather than learning one module first and then learning another module.

Lan Yingying's criticism gave him inspiration, and this breakthrough was equivalent to cutting open the iron curtain of the entire technical system. The rest was a step-by-step exploration and practice, and finally achieved the effect of drawing parallels.

Xu Rong looked at the seven and a half pages of content in the notebook, with a relaxed smile on his face. Some of the basis of these seven and a half pages of content came from Li Xuejian, some from Tong Zirong, some from many seniors in Renyi, and some from Shang Chang.

The teaching of content.
To be continued...