The dilemma doesn’t stop there——

If you want to maintain the strong character of the Transcendent, you should not write down the battle process of the Transcendent in detail. However, if you want to be responsible to the readers, you should not avoid embodying your imagination.

I said a long time ago that I fight clumsy battles like Cao Jie. I dig a hole, fill a hole, and when it comes to solving the problem, I go to complete the problem. Although it is often thankless, I

I feel that this is my greatest responsibility to the readers and the work.

I have described to you in detail the two deaths of transcendents.

Especially the scene with the Nameless One, it was almost like a live lesson on how to kill the Transcendent One.

From determining the battlefield, determining the era, determining the time... step by step, confirming the name, and finally the actual killing.

I need to maintain the power level of the Transcendent, but at the same time, I need to make Him clearly visible, the process clear, and the details complete - this is also contradictory in itself.

Because everything that surpasses imagination falls out of imagination when it is concretely presented.

I can only do my best. Because presentation itself is the author's responsibility.

(Including many times, many readers will say what the author's point of view is, but in fact the author has no point of view. It is the point of view of the character in the book, and it is just an expression based on the character's own values.)

When the Nameless Man died in the end, I saw many people saying...it was too difficult to kill!

Then I think, this is enough.

It is indeed difficult to kill him, and the process of killing him is convincing, which achieves the purpose of writing.

The plot of The Nameless One was originally at the back. What I designed was that after the real Ksitigarbha was born, everyone would kill the Nameless One, and Ksitigarbha would come and take him in as a listener. It had a bit of a meaning of "taking away all the monsters with a background".

But after careful consideration, I still think it would be better to resolve the plot in this volume.

The Emperor of Chu who went to sea changed from Xiong Ji to Xiong Zidu.

But the direction of the story has not changed.

Everything Jiang Wang did before the scroll, everything he said "crying under my sword", was all for him to finally stand in front of Ksitigarbha and say what the World Honored One is.

After the name, blazing, and strictness, Jiang Wangzai truly got closer to the World Honored One!

But he is far from the World Honored One.

He has not yet received equal respect from all living beings, nor has he shown equal compassion to all living beings.

The way of heaven is that great love is as ruthless as it is ruthless, and it gives equal ruthlessness and love to all living beings.

The World-Honored One is truly compassionate and gives equal love to all living beings, but he does not have a cold side.

This is of course an extremely ideal existence.

So He cannot really exist.

So He will never return.

I had a fleeting thought to ask Jiang Wang to say "I am the World Honored One" as the highlight of his closing of this volume.

I believe I can write that picture brilliantly.

But in the end I gave up, even in the last few paragraphs of the volume, there were rare scenes that were not of the protagonist.

Because Jiang Wang is not the World Honored One.

He is not walking the path of the World Honored One.

He sees, he admires, but he is himself. He has his own way that is different from anyone else.

After writing this and looking back, I see that there are still some things left. If I had enough time to polish it and had enough energy... I would definitely be able to do something better.

Among them, what I personally regret most is that Gu Shiyi did not write enough.

He is actually the person in this volume who is closest to the dignity of the Blessed One. That is, purity, and "convenience for the benefit of all sentient beings."

When writing the character Gu Shiyi, I have always deliberately misled readers, making them think that he is the hero of the country of equality. Later, when I suddenly turned the page, his purity, his preciousness, and even his nobility were presented to everyone.

But the problem is that his space is too little. His stories are too few.

Although I set up a lot of experiences for him and interactions with different people, they are scattered throughout the chapters of the book. They are fleeting and can be missed if you are not paying attention. It is no wonder that some readers say "What did he do?" "It seems like

Nothing has been done”.

Moreover, these experiences happened in the past! It is difficult for it to give readers a real feeling. However, those misguidances that Gu Shiyi is a magic hero are real.

This leads to the fact that not everyone can accept Gu Shiyi's purity. He may even think that he is a sloganeer.

In the final analysis, the character foundation is not thick enough.

It is also very simple to solve this problem - just arrange a scene where he and the protagonist experience together, so that readers can see his heart through the choices he is making.

For example, when he saved Jiang Wang and refused to be equal to the country, they were all mentioned by others later, and they did not have a profound personality expression.

But the problem is...

In such a tight plot arrangement of this volume, I don't have room for him to have a scene.

The role of Gu Shiyi does not have enough weight. The weight here refers to his role in the whole story.

I definitely write mainly about characters such as Ji Fengzhou, Ye Xiaohua, Xiong Ji, Zhuge Yixian, Huang Weizhen, and Lou Yue.

In the scene where Gu Shiyi dies, the focus is also on the plot of Jing Mie Yizhen. He is not even the protagonist in the East China Sea. The battle in the East China Sea is just a small part of the whole scene of Yizhen.

I can only describe him a little bit through Ying Jianghong and other characters. But it is inevitable that I will miss the mark.

As mentioned above, I already know the pros and cons of writing this way, and finally made this writing choice.

Because sometimes writing is like life, you don't have a perfect choice, there is always a side of the scenery that you miss at the fork in the road.

I can only try my best to write what I think is the best chapter and dedicate it to the best readers.

But I'm not sure if it's the most popular one.

In the journey of life, none of us can win everything, can we?

I promised you very early on that I would try my best to properly fill in all the pitfalls and give you as complete an ending as possible on this journey.

When all the big holes are filled in, this story ends.

Now that the story has developed, I believe everyone understands that there are not many pitfalls left.

Many people think that they have been dug into a natural chasm that is impossible to manage, or they are pits that many people have forgotten. I have worked hard to fill them all one by one!

Now we look forward, it is a smooth road to the end!

Speaking of which, some readers suggested to me that I should forget about filling in the holes for now and just write a volume that is purely enjoyable and feel good first.

To be honest, I want to move, but my biggest worry is... I'm afraid that the pleasure will collapse. Once I let go of the reins and run wildly, it will be great, but how will it end in the end?

In the final analysis, having a beginning and an end is the most important pursuit of this book until now.

This volume should be the one I update most frequently. Everyone knows the reason.

I have two spelling groups. Almost every day I am the first one to go to work and the last one to leave work.

I get up at eight o'clock every day, wipe my face and edit my essay, eat at twelve noon, then take a nap, drowsily stare at the computer in the afternoon, skip a few words for half a day, and turn off the computer at twelve o'clock in the evening. I feel sleepy every day

.

My writing becomes more and more difficult, and I become more and more hesitant and hesitant. The further back I go, the less I know how to properly explain everything in the past. It becomes harder and harder for me to concentrate, and I often stop reading when I go back to the previous article.

When I came down and looked in, a long time passed...

It's really time for this journey to end.

I don’t want to write more in the last three to five months, slowly exhausting my writing energy and killing my enthusiasm for writing.

I did everything I could, and I shouldn't have too many regrets - maybe?

When I finished writing this volume, it was 11:40 noon yesterday. I was very relaxed! I was jumping around the room.

But I couldn't sleep at night.

There is no need for an alarm clock in the morning, but I just stay up until morning...

I didn't do anything. I just watched videos and read books. I woke up when I felt sleepy. I was still not very energetic today.

I decided to lie down for a few days.

Eat more meals with friends.

I accidentally talked so much again.

That's it.

In my framework, this book originally had two volumes left at the end, but it was like the plot of the Nameless Man was transferred to the World Honor Bureau and was used by Ksitigarbha. I also want to try to see if I can put the remaining content into

It’s all in one volume. I’m always afraid that if I continue to write and take more time to write, I’ll become less and less able to write.

Give me some time to think about how to do it better.

How to start well and end well.

Since we have talked so much, I would like to ask for a monthly pass.

Investing at the bottom at the beginning of the month and investing everything at the end of the month is also a good start. If you don’t invest, it will expire and be wasted.

…
To be continued...