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Chapter 457 Black Heart Trader

On December 10, the new single "angel song -イヴヴの-" was released as scheduled. As the last single of the year, it is also the first single of the new year, continuing the momentum of the year.

The Japanese attach no less importance to Christmas than the New Year. A Christmas single with a high popularity can really return to the list every day around Christmas, becoming a guarantee of the singer's income source.

For example, the most famous Christmas song is Yamashita Tatsuro's "Currentiクスマスイブ".

Of course, "angel song -イヴの叶-" is not a famous song that can be the kind of famous song that returns to the charts every year, and the famous song is not calculated based on the singer's fame.

However, since the quality is in place, it is okay to get a shot.

Christmas songs and winter singles have been released by singers since October. After December, those singles that have been released for a while will take advantage of this momentum to slowly rise.

Singing cherry blossoms in spring, the sea in summer, and in winter, it is inseparable from flying snowflakes.

When singing during a marathon, don’t give up and cheer up. When singing during a broken heart, don’t sing in love again to cheer up.

When I was drinking alone late at night, I sang "Drink, drink, drink, drink, drink, drink, drink, drink, drink, drink" from the explanation. When I became a mistress, I could sing "I am just a woman who fell in love" from the perspective of mercy. (Note)

In short, before we knew it, people have become accustomed to connecting their emotions, encounters, and changes in their surrounding environment to music.

Although it is related to whether a song can become a famous song, the most important thing has nothing to do with the singer, but in the initial sales, it is related to whether a single can start well, and the singer's own fame and popularity are crucial.

The original singer's brilliant green, even though he is in a state of constant decline, this single is still popular, not to mention Ye Zhao, who is now in a situation where his fame and popularity have reached its peak.

After the single was released, it naturally reached the championship position on the chart without any suspense, and on this upcoming Christmas Eve, it was constantly broadcasting on the streets and on the on-demand radio.

The tour approaches Tokyo little by little, and the closer it is to its final destination, the stronger the Christmas atmosphere you feel.

On the 18th, the tour team returned to Tokyo on schedule and made final preparations to arrange a performance in Hibitani Noto.

The 19th is the final rehearsal, and the 20th is the penultimate performance. It is also interesting. Among the audiences who entered the venue that day, there were many girls dressed in Santa Claus.

Generally speaking, the penultimate performance is often the best in the best performance.

After a short rest, I have also accumulated experience and tacit understanding along the way, as well as the momentum of sprinting when approaching the finish line in the long-distance race. Even when I was in the backstage and before the performance officially started, I could already feel the confident and full of momentum from the band and team staff.

On the 20th day, PUFFY's Dakan Yami, Yoshimura Yumi, and Kawamoto Makoto visited the backstage together.

As the "works" of the same producer in the same record company, although Kawamoto Makoto and PUFFY cannot become friends due to differences in personality, their relationship is still pretty good.

Having said that, the positioning and resources of both parties do not overlap. Since they are not competitors, it is better to maintain a good relationship.

In the last week of November, PUFFY released their carefully crafted debut album.

The album's tracks were still organized by Ye Zhao, but because of the tour in the middle and the time was not enough, the album's arrangement was handed over to the Sony arrangement artist.

PUFFY, which became popular as soon as she debuted, had no experience of the dormant period of newcomers at all. After winning two million singles in succession, this album has achieved great success. Within a month of its release, it has exceeded 800,000 copies, and remains in the top ten on the charts every week, steadily heading towards millions.

Not only that, even this year's Red and White Song Festival has invited them.

In the original timeline, for some reason, PUFFY did not appear on the stage of the Red and White Song Club for the first time until her 20th anniversary of her debut. At that time, two young girls who were once extremely youthful were already young aunts over forty years old.

This year, they will participate in the Red and White Song Festival at a whirlwind speed of "I went to the Red and White Song Festival when I debuted", and will serve as the opening of this Red and White Song Festival.

A year ago, the little girl who was helping to sing a small show in the studio, became a star who is not inferior to anyone after a year. If she doesn't pretend to be a disguise, she will not be able to act freely.

After experiencing such a popular life, from the initial lack of realism to the present, Daikan Yami and Yoshimura Yumi have become much more calm, and it can even be said that they have become like some celebrities.

All the PUFFY contracts are in the hands of Sony, and Ye Zhao is only a music producer, so except for record production, there are basically no other places to interfere. Kawamoto Makoto is different, and her agency contract is in the hands of Ye Zhao.

Therefore, in contrast, although she has a million single and a million album, Kawamoto Makoto is a singer-songwriter and under Ye Zhao's deliberate protection, she did not let her participate too much in the entertainment industry, and was more pure.

"How did the songs collected for the new album?" After meeting, Ye Zhao asked Kawamoto Makoto.

"It's quite smooth," Kawamoto Makoto replied, "I've prepared a new song again."

"Well..." Ye Zhao nodded, "Let's pick and see when the performance is over."

Intentionally, Makoto Kawamoto transformed into a full-time singer-songwriter, so Ye Zhao's attitude has always encouraged her to write original songs, and then selected songs with her, leaving behind suitable songs, and the rest will be filled by him.

Before, he specially asked Kawamoto Makoto to release a single that tried the waters. She took care of the title song and the C/W songs by herself. After the release, the overall response was pretty good.

This strengthened Ye Zhao's determination to transform.

Anyway, as a producer, even if he gives up Kawamoto Makoto's record royalties, just taking the producer's profits is enough to make a big profit.

For example, the reason why a wealthy producer, Kobayashi, earned so much is that his band MLL is just a part of it. What's even more amazing is that he has worked as a producer of the Nantian Stars and discovered and produced Mr. Child.

In addition, because her agent contract is also in the hands of Ye Zhao, she can also take a second commission through the firm.

After saying this, it seems that it is quite a bit of a pastiche.
Chapter completed!
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