After the meeting ended, the "adults" such as screenwriters, directors and producers first left the conference room. Of course, these "adults" did not include Ye Zhao. Then the actors said goodbye to each other and walked out one after another.

Before leaving, Tomosaka Rie specially made an agreement with Ye Zhao, "Ye Zhaosang, you must go to the set if you have time. Don't you perform like that on TV? The composer goes to the set to find composition inspiration and so on. I'm still waiting for Ye Zhaosang's signature CD."

"I will go if I have time. But will you bring the CD or will I give it to you?"

Tomosaka Rie thought for a while, "The opportunity is rare, so why not bring one by myself, and Ye Zhaosang gave another one, and sign it twice."

"I'm so greedy, Miss Tomosaka." Ye Zhao complained.

...

The promise to visit Rie Tosaka ended up being a blank check because he was really not free at all. The soundtrack for the film and television drama was not like Rie Tosaka imagined, and he could still go to the set to find inspiration without any trouble, but a somewhat boring job.

Because the shooting and scheduled time were too tight, Ye Zhao did not have enough time to wait for the end of the filming to make a soundtrack in the film. Therefore, while the SP drama there was started, Ye Zhao had to first understand the artistic conception of the script and prepare the songs that were generally needed.

Although it comes with gold fingers, Ye Zhao can't even have the soundtrack of a TV series more than 20 years ago. Fortunately, the soundtrack is just a matter of relying on experience to make up for the lack of talent. At what time, what kind of orchestration and melody are used, there are all available routines, which are different from writing bestsellers.

Of course, the premise is not to bring out monsters like Professor Ryuichi Sakamoto. After all, this is just a soundtrack for ordinary film and television dramas, not a century-old masterpiece that competes for grand prizes and leaves its name to the history of music.

So Ye Zhao made the soundtrack for the first time in his life. He quietly spent the second creation on the basis of those melodies while recalling the melodies available in his mind. It is not easy to turn the invisible things into tangible, especially the special nature of the soundtrack itself, but he still worked harder and more seriously than ever.

Maybe he will never have the "talent" to write bestselling songs in his life, so he hopes to accumulate "experience" in these things that can be improved through hard work and do more things he can do.

However, although he was nominally the soundtrack, it was not to say that he would take the more complicated orchestration and arrangements from the melody to the CD. Others still need to help with the more complicated orchestrations. In order to reduce the workload, after roughly determining the melody, Ye Zhao asked Hiroto Gujing to help, and slowly processed the melody that could only be called the prototype to the finished product in his mind.

The biggest feeling of making soundtracks is that I only regret that I have too few instruments. If I am proficient in all kinds of martial arts, it will definitely save time, effort and worry.

...

March is destined to be a busy month. In addition to completing the soundtrack of "Kinda Ichiko Event Book", there is also a collaborative single with Fukuyama Masaji. In terms of song recording, since Fukuyama Masaji and Ye Zhao both have their own busyness, there is not much time to get together, so there is only one day when they go to the studio to report, record their own parts, and finally transfer the recorded tracks to the mixing room to synthesize.

When Sakura Frontier entered Kyushu territory, BMG informed that Ye Shogh and Fukuyama Masaharu's collaborative single finally completed the last step of the mix-up.

In the recording studio, Ye Zhao heard the complete mastering for the first time. Although Ye Zhao had been a little worried that the effect of the two songs would be reduced because it was not very consistent with Masaji Fukuyama's voice, after hearing the finished product, the original hidden worries disappeared.

Since it was Zhang Yinghua's single, AMUSE was also rich and powerful in the MV shooting. She directly organized a team to go to Fukuoka together, and completed the shooting in the sea of ​​cherry trees in the blooming sea of ​​cherry trees in Wuzuru Park.

During the shooting interval, Fukuyama Masaji took his Pentax camera to wander around the park, taking pictures wherever he went, and he was quite interested in photography.

"Fukuyama Sang really likes photography." said the staff on the set.

"Sometimes, I really want to just throw my job and go to study photography." Fukuyama Masaji shook the camera in his hand. No one present took this sentence seriously. Fukuyama Masaji, who was at its peak in film, television and songs, no one believed that he could really give up his current top popularity just to satisfy his interest in photography.

Only Ye Zhao nodded affirmatively and said, "Stop talking about Fushan Sang, even I want to hide and learn photography."

"Ye Jun is also interested in photography?" Fukuyama Masaharu looked at him with admiration.

"It's not so much that I'm interested, maybe I just don't want to be hated." Ye Zhao joked, "You think, if the photography skills are so bad and the good scenery is a mess, don't Fukuyama Sang want to curse, 'Apologize to those scenery, bastard!'? In addition, if you go out for a trip with your girlfriend, 'Please take photos' My girlfriend, please, but the proportion of the good beauty is unbalanced, this will definitely be dumped."

Fukuyama Masaharu is unsupported, "Ye Jun, you are really..."

"Is it fun? Fukuyama Sang has said this many times." Ye Zhao replied in a relaxed tone. The cooperation during this period has made the relationship between the two more harmonious, and it is common for such ordinary complaints.

After the filming was completed, a birthday cake was also served with the bouquet. The cake was written with chocolate sauce and it was written with "Twenty years old, おあでとう (congratulations)!!".

"Ye Zhaosang, happy 20th birthday!" The staff members congratulated collectively.

Come back to his senses from the confusion, Ye Zhao took the bouquet with a touching look on his face, and kept saying "Thank you, thank you everyone!"

Fukuyama Masaji walked forward with a bottle of champagne in his arms, and invited with a relaxed expression: "Ye Jun, when it comes to twenty-year-old adults, this is of course the essential thing. How about you, do you want a glass?" He paused, "Of course, even if you say 'no', I will pretend not to hear it."

"Hey hey..." Such a good atmosphere is OK even if you don't show off, Fukuyama Sang.

The staff brought the champagne glasses that had been prepared long ago, poured the wine in turn, and everyone raised their glasses together and blessed again: "Happy 20th birthday of Ye Zhaosang!"

"Thank you!" Ye Zhao took the cup and toasted it all before drinking the champagne in the cup.

The one who cut the cake was Ms. Saga, a dressmaker, who cut off the piece with "お" first and put it on Ye Zhao's plate. He asked quips: "Ye Zhaosang, if you have any prospects in the 20th generation?"

"That's it..." Ye Zhao also responded with a joke, "Anyway, let's have a drink first. You have to get drunk first when you are twenty." After that, he stretched out his ring finger with a little cream and put it in his mouth, "It's so delicious, thank you Miss Saga."

...

On March 25, the day after returning from Kagoshima, Ye Zhao received a call from Sakai Izumi.

Extending his arm from the quilt and groping at the head of the bed, grabbed the phone, pulled out the short antenna with intuition, and did not look at the caller ID, and answered: "I am Ye Zhao, who do you think?"

"Ye Jun, you seem to have not gotten up yet after hearing the sound?" Sakai Izumizu's gentle voice came from the receiver.

Ye Zhao was shocked and got up from the bed, "Sister Quanshui, sorry, I went to the celebration with the staff from Fukuyama Sang last night, so I overslept. Please wait, I will go and meet you soon!"

"Don't hurry," Sakai Izumi chuckled softly, "I called to ask you if I don't mind changing the schedule slightly."

"Hmm?" Ye Zhao paused his clothes.

According to the agreement with Sakai Izumi after returning to Tokyo yesterday afternoon, Sakai Izumi would invite him to have lunch at Nishimabu at noon today as compensation for sending the wrong gift at that time. Of course, it was accompanied by the agents and assistants of both parties.

"That's right. I went to the office today and found that I received two tickets for the premiere of the movie. It was at 3:00 pm. There was no one here to make an appointment. If Ye Jun didn't mind, go and watch it together in the afternoon. Have dinner after the movie ended. Of course, if you are inconvenient, we will follow the original plan."

"Okay, I'll have nothing to do in the afternoon anyway." Ye Zhao said, "By the way, Sister Quanshui, what kind of movie is it?"

...

The name of this movie is "Love Letter", yes, it is the "Love Letter" you think of.

If we talk about the intersection of Shunji Iwai and Insumi Sakai, it was at the beginning of ZARD's debut. Shunji Iwai once filmed the MV of the first three singles for ZARD. At that time, Shunji Iwai was a fledgling novice director, and ZARD was just a newcomer band that was just beginning to emerge.

In just under four years, ZARD has become a top-notch brand, and Shunji Iwai has also become a highly anticipated newcomer in the film industry.

...

At 2:20 pm, after meeting downstairs of SENSUI, Ye Showa Uemura Yuki took a car, Sakai Izumizu and his assistant Ms. Imai took another car, and drove for about twenty minutes. The two cars arrived at the Kakugawa Cinema in Michy, Shinjuku, one in front and one behind.

As early as after receiving the call from Sakai Izumizu, Ye Zhao ordered Uemura Yuki to customize the flower basket. Uemura Yuki and Imai each delivered the prepared flower baskets. Ye Zhaoze and Sakai Izumizu took a special elevator and entered the venue from a special passage.

About 200 people attended the premiere. In addition to the fifty ordinary audiences drawn by phone ticket booking, the rest were related people from film companies, TV stations, and insiders who received the tickets. In addition, there were also a small group of members of the civilian censorship organization.

Neither Ye nor Sakai Izumizu had the habit of recognizing familiar faces on such occasions. After entering the cinema, he silently found his own place to sit.
Chapter completed!