"There are two cherry blossom songs released this time?"

"Yes, although it is a spring single, they all borrowed cherry blossoms for metaphors. And if the two titles are connected together, it also means 'cherry blossoms are beautiful flowers'."

"This is all Tamorisan's idea," Ye Zhao added. "The last time I came to MS, Tamorisan said 'let's play Zhang Chun single', so I heard you do this."

"Since that's the case, I have to pay for the use of my idea. Having said that, since I'm doing cherry blossom song, do you have any memories of spring and cherry blossoms?"

"When I was in my hometown of Nagasaki, I lived near Matsushima for a while. There was a small hill called Sakurasaka, and I often went there for a walk."

"Hey~ It's not bad. Next time you write a cherry blossom song, just use this as the theme."

Ye Zhao heard it while listening, and couldn't help but say, "Tamolisan, be careful and right."

"Yes, if Tamorisan said it again, wouldn't it be a second idea fee?" Fukuyama Masaharu looked like he was going to make a calculation.

"Then I don't have to work. I just rely on prophecy and charge for usage fees to make money." The field laughed at Tamori's words. At this time, Tamori asked again: "What about you, Ye Jun, what are you (about cherry blossoms) memories?"

Ye Zhao thought for a while, "When it comes to cherry blossoms, it's true. Before I debuted, I worked as a singing artist in Ueno Park. Once during a performance, I was singing vigorously, and suddenly the wind blew, and then I ate the cherry blossom petals."

"You boy is really bad!" Tamori laughed.

Noting that the stage has been arranged, He Mayo took over the topic: "Next, please enjoy the special suite of the song "Beautiful Flower" and "Sakura" brought to everyone by Masaji Fukuyama and Ye Aosan."

Ye Shogh and Fukuyama Masaharu also picked up the microphone, got up from the stands, and walked towards the stage.

...

The day after attending MS, Ye Zhao appeared again in the NTV headquarters building.

As early as when we decided to do SP production, the production of the series was also put on the agenda. The ratings of the SP drama injected a dose of heart-warming agent into the production team, so the routine of "Kinda Yi-Yi Youth Event Book" was successfully on track, and it was scheduled for the Summer Time of the Tujiu on July 15th.

RB's TV station divides the schedules of Japanese dramas based on seasons. One year is divided into winter, spring, summer and autumn. It is a schedule, with three months in a quarter, twelve weeks, and one episode a week, so it is almost ten episodes (not counting the TV series with year as the schedule produced by NHK). As for the one or two weeks of vacant periods that may occur when the new and old dramas are handed over, various SP dramas will be filled.

In addition to the fact that the number of episodes of Japanese dramas is generally shorter than that of domestic dramas and is broadcast in weekly manner, the shooting method is different from that of domestic dramas. Domestic dramas are produced by companies such as film and television companies, and all the dramas are filmed at one time, and then sold to TV stations for broadcast after production.

Japanese dramas are produced by TV stations. Generally, when the TV series is officially broadcast, the stock of two to four episodes is filmed first, and then the filming is performed while playing. During the playback process, the TV station can adjust the script according to the ratings of the TV series. Usually, a ten-episode TV series will be completed around the seventh or eighth episodes.

Because the schedule is short, if you want to attract audiences, you must work hard on the script. Therefore, the dominance of a Japanese drama is often in the hands of the scriptor, and the director becomes the executor instead.

It was the last conference room, and it was fifteen minutes in advance. However, this time, when Ye Zhao walked in, except for the producer, everyone else had basically arrived. Since the screenwriter and director were present, the atmosphere was a little more serious than when only the actors were there.

"Sorry, I'm late." Ye Zhao owed.

Director Yukihiko Tetsu, who had met him, waved to him and pointed to the empty seat beside him, "Jun Ye, come and sit down." The expression on the face that seemed a little difficult to get along with was much more kinder than when they first met.

After Ye Zhao sat down, screenwriter Fukasawa Masaki, who was sitting on the other side of Yukihiko Tsuki, nodded to him, and Ye Zhao quickly returned the gift. Yukihiko Tsuki whispered to him, "The soundtrack produced by Ye Jun for the SP is quite outstanding, it's amazing."

"Thank you, Tisang. I also watched it when the SP drama was broadcast. The shooting technique of Tisang is very interesting, and that kind of mystery is perfect for detective dramas." Ye Zhao has been able to use this kind of social rhetoric for so long.

Yukihiko Tsuki smiled, "Thank you. The person who provided the text on the paper is Kurosawa. I am the one who turned the text on the paper into a flowing picture, but Ye Jun is the one who sets up the atmosphere of these pictures. So in a sense, I am the person who works with Ye Jun the most closely in this TV series. I like Ye Jun's soundtrack very much. Ye Jun is also my honor to be satisfied with my shooting technique."

Seeing that the two were having a good conversation, Fukasawa Masaki also joined the topic, "Speaking of this, there are more and more artists (artists) crossing the border, so Ye Jun never thought of participating in TV performances as well?"

"Well, I have never acted in a play. I don't know if I have talent in this area, so I haven't considered it seriously. Moreover, if it's a drama, I prefer behind the scenes than performing in front of the stage." Ye Zhao said.

"I like the things behind the scenes more?" Fukasawa Masaki and Tsuki Yukihiko were both surprised.

"It's probably curiosity about things that you don't understand," Ye Zhao explained. "I'm the type of person who is interested in something, and you can't help but want to think about its structure." This is also the reason why he is trying to learn various things. This process of solving problems can bring him great satisfaction.

"Very good." Tsukiyuki praised, "curiosity creates creativity. If Ye Jun has time, when the TV series starts filming, you can go to the scene to see the filming process."

This was right when Ye Zhao said, "If Di Sang didn't mind me being in the way, I would definitely visit him."

"Since that's the case," Fukasawa Masaki simply suggested, "Actors are an indispensable and important part of a play. Since Ye Jun is going to the scene, why not experience the actor's work? Anyway, the TV series is still in the early preparation stage. In addition to the protagonist, there are many roles that have not been decided. Ye Jun might as well give it a try."

"Do you want to play a guest role?" Ye Zhao was a little moved.

"Not necessarily. Ye Jun can try it out later. If the effect is good, he can also play a more important role."

What are the important characters in the detective suspense drama? It is nothing more than the little brother who only follows the protagonist's leader, and the stupid guy who sets off the protagonist's IQ. Of course, there must be a murderer who must commit crimes in front of the protagonist and a beautiful vase that makes the protagonist fascinated. They appear in the protagonist's childhood sweethearts and make the protagonist jealous, but in the end they are either the murderer or the victim's all kinds of unlucky handsome guys.

Thinking of this, Ye Zhao said: "If I can really pass the audition, I hope I can play the role of the murderer."

"Play the murderer?" Fukasawa Masaki was once again surprised.

"How to say it," Ye Zhao grabbed his hair. "If you want to act in a detective drama, you really want to try the role that plays the protagonist around. Even if it will definitely be seen through in the end, you will have to cause some trouble for the protagonist."

Yukihiko Tetsu's face looked a little strange, "I didn't expect that Ye Jun was actually shaking S's personality."

What Fukasawa Masaki is concerned about is another point, "Isn't Ye Jun afraid that the image of playing a villain will be affected?"

"No. If I just play a villain role and I will be affected, then my original image will be too weak." Speaking of this, Ye Zhao joked, "Besides, my acting skills will not be so good that people can get so into the role."

...

After the meeting, at the suggestion of Masaki Fukasawa, an audition for Ye Zhao was only staged in the conference room. The TV series scheduled to be broadcast on July 15th has only been determined to adapt the case so far. The script of the first episode "The Murder in the Innocent Village" was only prepared. Since Ye Zhao wanted to play the murderer, Masaki Fukasawa directly selected the scenes of the murderer Oda Keijin (Ryuichi Six Stars) for him to audition.

With the starring Takashi Domoto and Rie Tomosaka present, the actors who were accused of this audition were very luxuriously used by the two.

If you talk about the acting experience in the two lifetimes, not counting the MVs that I had filmed with no plot and the BP machine advertisement with awkward plot before my debut, it is probably only when I pretended to have a stomachache when I was studying in my previous life. It is said that his acting skills when he pretended to have a stomachache were superb. No matter how keen-eyed teacher was, he could slip away from him smoothly and get very concerned greetings afterwards.

It's really not worth showing off experience.

The murder case of Yirendang Village was once borrowed by "Young Bao Qingtian" and adapted into the unit "Mystery of the Secret Village". The core parts such as the crime method and motive have basically not changed. The murder method of Yirendang Village was also borrowed from Shimada Zhuoji's "Astrology Murder Magic", so that Ye Zhao, who had read "Young Bao Qingtian", had a feeling of being spoiled in advance from beginning to end.

The scene in which Masaki Fukasawa asked Ye Aki to act is the scene where the murderer Oda Keijin was exposed and Kaneda Ichi asked him why he wanted to lure Toda Ruoye. In this story, as the child of the rescued "seventh mummy", Oda Keijin, also known as the Six-Star Ryuichi, was instilled with the idea of ​​revenge by his mother since childhood. Although he loved Toda Ruoye, he still killed Toda Ruoye who loved him deeply in order to avenge him.

Close your eyes, try your best to understand the character's mood, and imagine in your heart what expressions and tone should be used to express this emotion. After a moment of brewing, Ye Zhao opened his eyes, took a deep breath, and made a gesture that could be started.
Chapter completed!