But after all, nothing is loved by everyone.

Especially in today's entertainment society.

Sometimes, if you want breadth, you must give up some height appropriately.

If you want height, you must also abandon part of the breadth.

Although it can be done well in coordination between height and breadth, it is also extremely valuable after all.

When pursuing infinite heights and pursuing philosophy, thoughts, and artistic levels, you will always lose some breadth.

And in itself, Li Wenyin's purpose is to pursue this extreme height.

Therefore, the emergence of this work will naturally bring high levels and appreciation thresholds.

It is also destined that "Nibelongen" may become popular with many excerpts and "interludes".

But overall, the whole opera will be a bit niche.

However, a niche does not mean it is useless.

Many people may have the idea of ​​"What is the use of pursuing height? I am very good at raising music and entertaining myself?", but this idea is based on entertainment and life, not on music science and music art.

The so-called works that are not too high or too low...

The more people entertain, the faster they die, the more they are, the more they are, the more they are, the more they disappear, as if the gunman was trembling, the pleasure was fleeting, just like fast food, the easier it is to get comfort, the more likely they are to be abandoned.

What truly stands at the top and can be passed down for a long time are all the highest achievements in art, and all are the so-called "high and low".

Apparently niche?

But in fact, the impact is not on the number of people in the horizontal direction, but on the vertical inheritance!!

Although some works may be accepted by only one hundred people in the current ten years, they are enough to affect hundreds of years or even longer.

Some works may have been sought after by thousands of people, but they are fleeting in a flash.

In the long river of time, all the shining gold that can be left behind is the shining gold that has been screened out from the waves.

The polarized view and evaluation, the musicians' extremely trembling reaction, can make people feel that the height Li Wenyin has reached is probably really unimaginable.

"Schopenhauer!! There is the shadow of Schopenhauer in Li Wenyin's works!!"

Several musicians were still discussing heatedly.

"It's true that when you watch the performances over the past two days, all the motivations of the character's behavior can really summarize Schopenhauer's ethical thoughts."

"I remembered that after you said this, selfish, vicious, sympathetic!!"

Selfishness, or in other words, the root cause of most people's actions is selfishness.

For example, meet some basic physiological needs, eat and sleep.

Or psychological satisfaction.

Personal reputation, morality, selfishness, or laws and regulations.

And viciousness means jealousy and gloating.

This is the dark side that human nature cannot escape. The purpose is to hope others suffer. Such viciousness is everywhere, or everyone has it.

But viciousness will be suppressed by the third motivation.

pity!!

This is truly rare morality.

Just as Rousseau said.

People will not feel the same way as those who are happy, but only feel the same way as those who are unfortunate.

The essence of sympathy is empathy. It empathizes with the sorrow of others and regards others as one. It is based on true emotions and morality, noble and selfless.

And the higher the content of this third type of "sympathy" in a person, the higher the moral standard.

The Virgin is the true Virgin, empathetic, bound, regarded as one, and united in words and deeds.

Once there are double standards, it is the false Virgin, who will only use relics to destroy others. The false Virgin is actually excessive selfishness. They need to use "sympathy" to cover up the "malice" and thus "selfishness".

People will respect those moral and noble behaviors...

Doesn’t it mean that those moral behaviors are unique?

In the opera currently performed by Li Wenyin, it can be said that the role’s motivations are all carried out according to Schopenhauer’s ethical model!!

Especially on the point of view of [Fate]!!

Fatalism and determinism!

Especially when thinking about the subsequent plot... these musicians feel that this opera can completely influence a group of people, and even countless people will devote themselves to their research! Or specialize in studying for years and decades to perform this opera!!

Some domestic bigwigs looked at each other and all showed shock.

A more terrifying idea came up vaguely.

"This day... has really changed!"

Li Wenyin... Perhaps a new round of music "Red Studies" with the world as the drawing board!!

Redology, that is, the study of the "Dream of Red Mansions", spans multiple disciplines such as literature, philosophy, history, economics, psychology, traditional Chinese medicine, etc.

And Li Wenyin can definitely start a wave of so-called "Niberongen" with just one movie!!

This work has many details, even spanning multiple disciplines such as drama, opera, stage art, modeling, music, singing, folk customs, myths, philosophy, ethics, etc.!

"Li Wenyin, from a performer and composer, to a musician, to an artist."

Chen Guotao glanced at Professor Wen who was dying of euthanasia and couldn't help but sigh

"Now, Li Wenyin can say... Going further from an artist and exploring what true beauty is, he has become an aesthetician!!"

"Based on Feuerbach's sensual materialism and referenced by Greek art..."

Chen Guotao smiled and couldn't help but shake his head.

"Even if you just walk on the road, you will fall too far away from us!!"

After the overall performance, Chen Guotao naturally saw Li Wenyin's various unique designs!!

It seems that the inspiration comes from ancient Greek tragedy.

The construction and setting of the stage are sculpture art and painting art, while music and singing are auditory art, actors' interpretation, physical movements, based on dance art, and these serve tragedy, which forms poetry, which is the art of reason.
Chapter completed!