Different people have completely different perspectives on the same thing.

It's like going out to eat crayfish together.

When a chef eats it, he will naturally think about the steps to make this crayfish, how much ingredients are used, how the heat is, and where the seasonings are used very well or very rubbish.

Accountants may sometimes think...Crayfish suddenly become expensive recently, perhaps because the supply of aquaculture production issues is less than demand, which affects the supply and demand balance. The output decreases and demand remains unchanged, so the price will naturally rise...

When eating Aquaman, you may wonder if the girl will be hot all the time before and after, which will make herself hot too...

......

This is naturally true for music.

If ordinary people listen to music, they often have their first impression.

Is it good or not, or are you interested in the story and style of the music?

Furthermore, some music lovers may unconsciously consider the stories told by music, the images depicted, etc.

And musicians are no exception.

As a very broad discipline, there are too many branches of music, and the general concept of musicians has different focus.

The musicians in the audience also have completely different perceptions of Li Wenyin's works.

The composer is carefully listening to the levels of music, analyzing the motivations, changes in tone, and the use of orchestration, strength and sound effects that appear.

The violin bow and strings are hit by the back to achieve a special sound effect. The rapid staccato and strength are clearly divided to express the tragic tragedy of war. The sudden appearance of a large number of discordant notes can also depict the evil feeling of war and achieve a cloudy effect of war.

The subsequent movements, from fast to extremely slow, and from passion to tranquility, express a picture transformation.

Many composers began to remember what Li Wenyin expressed in their hearts.

Although many of the things that Li Wenyin uses, when it comes to the musician level, are all clichés.

but.......

Clever talk or meditation is usually used two things.

How to put theory into practice.

How to improve the ability of practice.

This is something composers must consider.

Especially Li Wenyin's sao operation, using the back of the violin to hit the strings to create a special tone. No one has ever thought about such a wonderful idea.

I didn't even dare to think about it.

After all, compared to the sound pulled out with a bow, the sound of the bow back is completely different from the same magnitude, five times... or even ten times the difference is very likely.

And in the entire orchestra, the "normal" volume of the strings itself reaches a balance with the wind music.

If it is replaced by a sound effect created by archback tapping...

If any composer present does not have a practical case, if you tell him that you can use this special performance method, he will definitely give you a big b-bag and cause serious damage to your young mind.

But what seemed a bit ridiculous to the composers...had it become like this?

Although the sound of the archback is relatively small.

But after the quantity increases, the overall sound effect is in a subtle situation that is looming and can be heard very clearly, but not very clear!

This feeling comes!

The main voice parts create a general, wide-eye overall war image.

And this subtle sound effect is like the neat steps of countless soldiers moving forward, or the sound of armor and weapons accidentally rubbing together.

You don't need to hear it clearly, and you can't even hear it.

But there must be!!

In the shallow layer, this is a kind of "hint"!

After thinking this, Larson's entire face began to change.

So much so......... After the larger amount of information came, I seemed a little confused.

As a composer, you must have a thorough understanding of "musical psychology".

For example...

There was once a famous psychological experiment.

In two cinemas with the same films, normal movies are shown on one side, while in the other side, an occasional picture of ice cola is inserted for screening.

Afterwards, he joined the "Ice Coke" cinema, and Coke's sales increased significantly. Many customers felt thirsty after watching the movie and consumed Ice Coke.

......

You can't see clearly or even be aware of it, but as long as you receive the entire message at that time, even if you don't remember, see clearly or even realize it, your brain has processed the image and just processed it as a useless image.

But the subconscious that remains is genuine and can influence and suggest the audience.

That is to affect subconsciousness.

Of course, such statements are difficult to prove, and such incidents sound mysterious...

However, subconscious advertising is real, but some methods are listed as illegal advertising.

However, Larsen clearly realized that the "bow-back-knocking" method used by Li Wenyin in the first movement was very similar to the cases of using psychological knowledge.

I seemed to hear it, but I didn't.

I heard it clearly, but not very clear.

Even if a brother without a musical foundation is easily taken over directly by carelessness, it is difficult to notice this highlight.

But it really exists and constantly inputs "trivial" information to the audience, and the unique sound effects of the "rack" are mixed with wind music, which directly affects the audience's overall listening experience.

A strange idea suddenly appeared in Larson's mind.

Li Wenyin can handle this and achieve a really amazing effect... So, did she also ignore more tones before?

There must be some reference!

So, Larsen seemed to have returned to the time of taking appreciation classes in college, and began to quietly continue listening to music, and his mind unconsciously drifted in the repeated musical and changing levels.

......

Singers and critics focus more on looking at the humanistic elements conveyed by their works.

How to draw planets in line with humanities?

Naturally, we look for myths from the origin of each planet’s name, and then follow the corresponding gods to abstract the concrete “theocracy” and replace it with elements and fragments in humanistic life.

Emotional communication from this perspective.

These singers and critics also thought carefully about the thoughts and philosophy that Li Wenyin wanted to express while listening to music.

Brick sometimes frowned slightly, sometimes his eyes shone, and sometimes his expression was soothing.

If, in the eyes of many people, this set of planetary suites describes the characteristics of each planet and the events reflected by the corresponding gods in human society...

Then, in Brick's eyes, this song is another feeling.

The first movement was the fire of war, and the rebirth after destruction made Brick feel a sense.

"Create the world"!!

From the first movement, after the world was destroyed by war, it entered the second movement. After being guided by love and beauty, nature began to reheal itself and the destructive world was reborn.

Immediately, another group of completely different human beings were born and developed again.

That is the third movement.

Development, prosperity.

Brick couldn't even help thinking.

If this planetary suite is replaced with another image...

It is possible to form a finale of four movements!!

That's right!

If we look at it according to the traditional chapter, Chapter 4 can completely write about the extremely prosperous human society, and once again, the war broke out due to the expansion of desire, and then the world was destroyed and fell into a cycle of dolls.

A strong contrast is expressed in the movement, which can also echo the beginning and end, which is thought-provoking.

But...this is obviously impossible!!

According to Li Wenyin's plan, it is obvious that more planets will appear later.

That planets representing the different gods, different concrete and imagery... So how should we write it?

Brick is irritated.

If it is arranged by Li Wenyin......

It’s hard to express the meaning of “reincarnation” in your guess!!

Having given such a strong humanistic experience to celestial music, Brick feels that the humanistic experience given by Li Wenyin must not be missing!
To be continued...