Chapter 2: Beautiful Gao Yue

It's already autumn...

The maple leaves in the yard have begun to turn red, and the moss is no longer as green as in spring.

There has been no one living in this house for about a long time, and the wooden pillars have turned yellow.

Obviously it is decorated, newly pasted paper windows, and washed steps...

It seems that everything is in a hurry...

This house in the mountains is built against the mountains and rivers.

The house is divided into an outer courtyard and an inner courtyard, with a wide outer courtyard.

The outer courtyard, half-enclosed by the wall, actually occupied the entire back mountain.

The trees in the back mountain are lush, and the more you go up the mountain, the denser the grass and the last mountain road is covered.

Even if you reach the top of the mountain, you must return from the original path. There is no way to go to the top of the mountain.

In such a place, as long as the courtyard gate is closed, it is impossible to escape.

From the top of the mountain here, you can see Heianjing from afar.

It turns out that this is the mountains and fields near Heianjing.

Heian Kyo is now Kyoto, located in the central and western part of Honshu Island, Japan, in the northern part of the Kyoto Basin, and is located in the central part of Kyoto Prefecture.

It is only 5 kilometers east of Lake Biwa, Japan's largest lake. There are Tanba Mountains on the east, west and north, surrounded by Mount Bira and Mount Kibune.

According to legend, when the construction of Heianjing was built, the opinions of religious scholars, spellists, and Onmyoji were gathered, and the capital was designed to block the spell space of all resentful spirits.

This magnificent capital building is similar to Luoyang and Chang'an cities during the Sui and Tang Dynasties in China.

This is because when Heianjing was founded, it was the prosperous Tang Dynasty in China, and China and Japan had close exchanges.

In the 8th century AD, when the new capital of Heianjing was built, the capital of the Tang Kingdom was the standard for the construction.

The entire Ping'anjing building is arranged in a rectangular shape, with the Zhuque Road that runs through the north and south as the axis, and is divided into two east and west Beijings (also known as the left and right Beijings).

Tokyo imitates Luoyang, and Xijing imitates Chang'an.

The palace city where the royal family is located is located in the center of the north of the city.

Outside the palace city is an imperial city used as a yamen office.

Outside the imperial city is the capital where ordinary officials live and ordinary people live.

The city has an area of ​​about 20 square kilometers, with vertical and horizontal streets and symmetrical intersections, making it a chessboard-like city.

This house, located in the middle of the mountain in the suburbs of Heianjing, has different buildings in the inner and outer courtyards.

From the outer courtyard of this house, you can lead to the top of the mountain.

Here you can see Heianjing from afar.

The house in the outer courtyard is large, while the house in the inner courtyard is relatively small.

The small thing mentioned here is relative to the outer courtyard, because the outer courtyard occupies almost the entire back mountain.

There are two separate houses in the inner courtyard.

This design is originally used to hide the beauty of a golden house, and the family members live in the inner courtyard, while the servants live in the outer courtyard.

No reason is needed, this is where the teenager will arrive.

Looking from a distance, a white figure stood on the tree.

He was covered in white shirt and had a veil on his head, and he couldn't see his appearance. He didn't know whether it was a man or a woman, as if a white puppet stood, and then gradually, gradually, slowly disappeared.

I didn't see anyone, was it that I was dazzled?

The man in white appeared again and disappeared again.

Is this a human? I can't help but wonder, because it is impossible for a person to stand on a tree easily and then disappear out of thin air.

The pictures I saw and the feelings in my heart made me know that this is the ancient Japanese and this is Heian Kyo.

From the information I searched for later, it can be confirmed that this kind of clothing was dressed from the Heian period 1,200 years ago. The picture I saw was indeed Heian Kyo.

Everything is not my daydream.

Why do I see these pictures? I am deeply curious.

Although knowing that the practice of the fetal world will bring practitioners back to their previous lives, what do these fragments reveal?

Is Heian Kyo 1200 years ago related to me?

Who am I? Who is the teenager?

Following the boy were the two guards with swords.

The boy passed the gate of the outer courtyard and entered the courtyard. He followed the path to the inner courtyard and entered the courtyard.

The guards did not follow into the inner courtyard, but retreated outside the gate of the inner courtyard house.

Push open the door to the lobby of the inner courtyard, this will be the place where the boy will live in the future.

The slightly decorated inner house has not lived in it for too long, and although it has been cleaned, the house still has mold.

There is a corridor outside the front hall of the inner house, so it should be a pleasure to sit here and relax.

Looking out from the front hall, you can see a tall pine tree planted on the right side of the inner courtyard door.

The pine trees are tall and straight, and the canopy is large and dense, extending beyond the inner courtyard wall.

There are many trees in this house, and the outer and inner courtyards are full of trees.

The canopy covers the roof of the inner courtyard, and the leaves rustle with the wind.

The wind at dusk is so strong that the fallen leaves that have been touched by the rain can actually fly against the ground with the strong wind.

There are some calligraphy and paintings hanging in the front hall of the inner house, and I believe the owner of the house is also a kind-hearted person.

But these are some unknown calligraphy and paintings, and they are not well drawn.

For Japan, the Tang State thousands of miles away had everything needed, including words.

The calligraphy and paintings of the Tang Dynasty were loved by the Japanese people.

Japanese aristocrats like to hang calligraphy and paintings of famous masters from the Tang Dynasty to demonstrate their status.

These calligraphy and paintings are written in Chinese. The paper has been stained with water vapor and has become damp. The paintings are broken and yellow and faded.

Calligraphy and painting are not exquisite. Since they are old and faded, they should not be hung again, but they are hanging here, which is really annoying.

The servants who cleaned and organized such old calligraphy and paintings would not have missed it, but they should have done it on purpose.

Such old calligraphy and paintings are still used as home decoration, which obviously makes it embarrassing for those who move in.

The boy stood in the front hall of the inner house, looking at the calligraphy and paintings hanging on the wall.

The boy's vision was fixed on calligraphy and paintings, and such calligraphy and paintings were actually of no appreciation.

He should be a person who knows paintings. From the perspective of a young man, he will definitely be able to draw better.

After looking carefully for a while, the boy stood still and stopped moving.

The boy looked at the painting blankly, without any expression on his face, without any anger, embarrassment, or displeasure... He was so calm that it was scary that no one could see through his heart.

Rather than saying that the boy is looking at paintings, it is better to say that he is meditating!

Judging from his clothes, he should not belong here.

He must have never been to such a place!

In such a place, I wonder how he feels at the moment?

This autumn is cold and wet dusk, and the sky becomes darker. Standing in the inner hall, I feel the chill of the autumn wind a little.

The male servants in coarse linen were busy unloading the things from the ox cart and moving boxes into the inner house.

Soon, boxes were placed on the ground beside the boy.

These boxes are made of black sandalwood, with golden "tung patterns" and "chrysanthemum patterns" carved on them.

Brass is inlaid at the connection of the wooden box, and patterns are also carved on the brass handles.

From the carry-on boxes unloaded from these ox carts, it is not difficult to see how noble the young man's identity is.

The male servants were in and out of the boy, and soon a few boxes were piled up in front of the boy.

Looking at the boy from the angle of the box, he saw his back facing the box, and his back was slender.

Looking down from the beam, you can see that the young man's eyes are fixed on calligraphy and painting.

Those paintings are plum, orchid, chrysanthemum, bamboo, landscape paintings, and poems are mentioned in the paintings.

The boy finally shifted his eyes from calligraphy and painting to the box in front of him.

The boy looked at the box and was in a daze. Once upon a time, he...

These days have gone from now on and are not back.
To be continued...