Since it is a reply in the post, there is no title.

I have read many comments about Qing Yu Nian, but it finally looks like it. From the beginning of reading the first volume casually, to now gradually entering the plot, I can't help but sigh: I'm afraid another big guy, Sisan, is definitely not the kind of earth-shaking appearance.

The writing is like a small bridge and flowing water, with clear wind and light clouds, elegant and lively without lack of intimacy. Yes, when I read the second volume, the first thing I could think of was to use these two words to describe the big writing style. A slightly naughty technique cannot cover up the elegance between the lines and the pride of self-admiration (perhaps this word is not used well).

The author's ability to control words and literary background seems to be so incompatible with popular writers in this era of so-called rampant online literature. Oh, or is it super easy to be? Reading such words brings me kindness. I have had the same familiar feeling in many literary dictionaries a long time ago. To sum it up in a very vulgar summary: everyone's style

I always think that every line and sentence of a good book is leaping with its soul, always conveying a sense of beauty. Even if such a book is aside the ups and downs of plot and sensual descriptions, it is a pleasure to just read such words.

It is difficult for me to explain this feeling to others or refute other people's opinions. Perhaps reading and preference for words can only be attributed to a feeling. After all, these elves that only leaps between the lines and lines do not capture what you like plainly and easily like a specific storyline.

In fact, in the so-called online literature that pursues short-term pleasure, people who write and read like this should not appear. Such abrupt things will inevitably attract criticism from others, and in this circle, there is nothing wrong with such people.

I just like this feeling that I haven't had for a long time, so I like "Qing Yu Nian" with such words. I also hope that this feeling can last until the end.

This book will be the fourth online novel I would recommend to my friends, right?

The first book is "The Legend of Wukong", an old book I read almost ten years ago, a tragic love story under a plot coat that is familiar to the public? A fantasy essay full of philosophy? Perhaps it is more like an essay that reveals the cruelty and dark side of reality? The first high-quality product in online literature, and the recommended targets are not limited to age.

The second book is "The Demon Du". I am very impressed with how Yan Da constructed those cruel, sinister and reasonable plots that gave you hope but destroyed hope. Later I learned that Yan Da had a prominent past like a listed company chairman. I couldn't help but understand that the road in reality is probably full of thorns. The protagonist with extremely personal personality, ups and downs, bloody violence, seductive eroticism, and dark human nature; all the popular elements are included, but behind the unscrupulous back, blood, sweat, and tears are what many people can read? "There is light!" In fact, who can really become God?

It is really something that children are not suitable for recommendations to young and optimistic male friends.

The third book is "The Good Men of the Tang Dynasty". It also has an unpleasant name. More than half of the masters seem to have almost precise control over the development of the plot, ordinary but reasonably as stable as daily life. This is an online novel that rarely makes me feel warm and natural, and it is also the only online novel I don't want to see the end, because I am afraid of seeing the end, just like I am afraid that daily life will be interrupted.

The writing style of "Tang Man" is also quite good, but it is a style like a slang, which is often hilarious; and the exquisite carving between the structure also makes people laugh. Perhaps the style of "Qing Yu Nian" is too grand and solid, but the plot is not as natural as "Tang Man".

Perhaps "Tang Man" and "Qing Yu Nian" can still be amazed by me in pure writing. The former is a warm and comfortable plot control, while the latter is the writing skills of everyone's style. This is the feeling I personally admire, and it depends on the feeling. If someone refutes it, I will be speechless. Just like when I recommend these two books to others, I am just as speechless when I compare them to a certain yy novel to reach the conclusion: because, these are incomparable.

I would like to give some comments to Mao Da: Regarding the level of martial arts, we should not simply apply the level to measure it. It is too formal and Westernized. Maybe Mao Da is too lazy to choose such a ready-made routine, right? In fact, in this novel that is more oriental, it is just a rough and empty definition like in the old martial arts novels. The so-called master is more in line with the style of the novel. No one knows who is the most powerful when fighting. As for the measurement criteria: they are all masters, guess it yourself.
Chapter completed!