Chapter 634: Sacrifice the ego and achieve the decay of the big self. Get out of here!

What story did Jiang Ziya tell, what kind of intention did it mean, and why did so many people admire it?

A senior film critic took advantage of this wave of popularity to watch Jiang Ziya's movie.

After reading it, I wrote a review on the Internet.

The title is "What is Jiang Ziya talking about?

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Some of those who have never seen Jiang Ziya thought to themselves, isn’t they just helping King Wu defeat Zhou, or aren’t they just the things about the list of gods?

Can you tell any different stories?

However, when netizens saw the number of likes received by this review, they were immediately shocked.

He actually gave tens of thousands of likes.

With a casual look, some people clicked on this film review.

Only see, the film critic wrote:

"Unlike other stories, Jiang Ziya started writing this time after King Wu defeated King Zhou.

You must know that after the attack on King Zhou, everything was settled.

There seems to be no story to write about the Conquest of Gods.

and

At this time, it was through the Heavenly Lord's order to kill the fox demon. Through this incident, I discovered that the fox demon had a disaster in the world, and there was another hidden story!

The so-called "Tianzun" to kill the fox demon was actually to silence him.

It turned out that before, the Heavenly Lord saw King Zhou being foolish and in order to overthrow King Zhou, the Heavenly Lord asked the fox demon to connect with humans with the same life lock, and promised to give the fox demon benefits, so that she could charm King Zhou and make him even more foolish!

This will speed up someone to step up and overthrow King Zhou.”

"When I saw this, many people would be shocked. It turned out that the fox demon that everyone was killed was actually the victim of being deceived by the Heavenly Lord. The entire fox clan was killed by the Heavenly Lord.

But the real planner behind the scenes is high and compassionate for the people of the world."

"It turns out that the Heavenly Lord thought that in order to give the people a better life, he chose to fight and protect the people!"

"But after the war, the people lived a miserable life!"

"When Jiang Ziya discovered this, her beliefs were in great conflict. The Heavenly Lord asked him to kill the fox demon. What he cut off was not evil, but good. He wanted to kill one person to save the people! This is where Jiang Ziya could not obey his orders!"

"This is a story about control. Tianzun is like some family parents who deprive you of your freedom in the name of love and think it's for your own good."

"Whether it is the creation of gods or the killing of fox demons, it represents authority, and the ladder is like an umbilical cord, protecting and restraining us."

"Until the end, I believe that the Heavenly Lord did not think he was wrong, and even thought he was wholeheartedly doing his best for the people! If the destruction of King Zhou was not accelerated, would the people live under tyranny for a longer time?

There is no accurate answer here!

But Jiang Ziya had his own answer in his heart.

That is, no one’s life can do anything to the sky!

No matter whether it is a god, a demon or a human, no one can be controlled!

This is the story this movie is telling!

It’s abyss enough, it’s subversive enough! It’s thought-provoking enough.”

Three o'clock in the morning.

The critic posted the review he had finally written.

Unexpectedly, I received a lot of likes and attention immediately.

In an instant, this film review became popular.

Netizens also posted their opinions:

"It can be said that I was a surprise. I didn't expect to shoot a road film with the Shell of the Gods, and I didn't expect that after the extremely noisy Nezha, I could shoot such a rebellious Jiang Ziya.

The opposition between individuals and the common people, the confrontation between individuals and systems, and the constraints of human nature by systems, are not common in existing literary and artistic works, and it is even more precious to present it as an animated movie."

"First of all, this is not another Nezha movie, and there is no need to do Nezha again. Chinese comics require more possibilities.

Secondly, this work is basically a concentrated reflection of the industrialization level of domestic animation. There is no need to say about the careful polishing of a team of 1,600 people, the pictures, visual effects, and Chinese elements.

Finally, the story is told, resulting in a slow pace. This will probably become a big complaint point for users who are looking for Nezha, and they don’t have the patience to continue watching!”

"I don't know why there are so many bad reviews, but isn't this finally a movie with universal values?

If you don’t save one person, how can you save the people?

Have you ever seen this kind of value orientation of "save Soldier Ryan" in domestic films?

I hope more and more people can watch this movie! Sacrifice the little self and achieve the decay of the big self, get out of here!"

"Glorious                                                             �

Come out of the rules, come out of the order, and "become your own god."

The Chinese comics are going further and industrialization is on the road.”

"Nezha is already good enough. It's hard for me to imagine that Jiang Ziya can still mature her mind to this point! There is no shortcoming in all aspects, art and mirror movements reach the pinnacle, every frame of the scene can be used as wallpaper, the sound effects are shocking, the soundtrack rendering and the perfect rhythm control gradually mobilize my emotions to the highest point.

The literary and martial arts are balanced, the literary and artistic issues are profound, and the world view is extremely grand. Animation that is not purely entertainment is a serious drama, not as rough and direct as Nezha.”

“The feeling of conveying value is obvious compared to simple stories.

Those who are arrogant always use grand ideas and rhetoric to cover up their true purpose, and Jiang Ziya is breaking this myth.

It is valuable to save someone in front of you, rather than use the so-called people to destroy specific individuals.

"The technical picture is not to be told. The story is more adult and grand than Nezha, but it is not that funny and lifelike.

Anyway, I think it is quite amazing to tell such a story during the National Day holiday.

Don’t you think it’s terrifying to think about it carefully?”

"I never expected that the Chinese comics would shoot a story of "anti-black integrity" with injustice, ladder, fate lock, eliminating demons and enthroning gods, sacrificing one person to save the "people". This is my best arrangement for the people... You try to bring it into that system, and think about it carefully and it is extremely intimidating! The creator dares to express it! Jiang Ziya's obsessive-compulsive disorder is so lovely, Taigong's persistence in justice will penetrate into the small details."

"It's completely different from "Nezha".

"Nezha" is a more family-friendly comedy type, and "Jiang Ziya" is deeper and heavier; "Nezha" talks about a child's rebellion and resistance, and "Jiang Ziya" talks about the burden of a middle-aged man and his compassion for the people, "How to save the people if you don't save one person."

Perhaps "Nezha" is easier to please ordinary audiences, especially parent-child audiences, but "Jiang Ziya" is also precious from a creative perspective."
Chapter completed!