Chapter 75 'Daughter's Country'(1/2)
At the scene, Shen Yinuo immediately became excited when he heard that Luo Mo had another song based on "Daughter's Love".
She and Jiang Ningxi need masterpieces so much.
To what extent is it necessary?
If the quality of Luo Mo's song is high enough, she personally can accept it without any profit sharing.
Xin Yu's daughter has a lot of money. It's not a big deal to spend money to buy an out-of-the-circle movie.
Jiang Ningxi focused her attention on Luo Mo. Luo Mo looked at her and smiled at her old deskmate, causing the beautiful girl with a cold temperament to immediately look away.
However, her peripheral vision was still focused on Luo Mo.
Jiang Ningxi asked herself, she liked this song "Daughter's Love" and the poem on the screen at the end very much. She personally liked them more than the previous "Chi Ling".
Maybe Chujing is her idol, and her idol wants this song, but she knows she can't compete.
And from the perspective of singing the song, the female version of this song sung by Xu Chujing is indeed better than sung by her and Shen Yinuo.
However, when Jiang Ningxi heard that there was a sister song with a more popular attribute, she felt her heart beat faster.
Wei Ran looked at Luo Mo and sighed.
Brother Wei couldn't control his curiosity. He knew that Luo Mo was deliberately trying to catch Wei, but he still took the bait.
He felt that his curiosity was like a fish with a memory of only seven seconds.
At first I thought I couldn't take the bait because the bait was deliberately tempting me.
Seven seconds later: Ouch it looks delicious!
I saw Wei Ran holding the microphone, sighing and saying: "Luo Mo, since this is a sister chapter, why don't you... try singing a few lines?"
Luo Mo looked at him, didn't say anything, just smiled.
Seeing his playful smile, Wei Ran felt a little annoyed and said, "Hey! You're still young! Sing, sing for me now!"
"How can anyone sell songs without giving them a preview? How about pretending that we don't understand?" Wei Ran turned to the audience and said loudly, leading the whole audience to cheer together.
The audience immediately gave a huge response, everyone wanted to hear another song from Luo Mo's mouth.
Shen Yinuo felt even more itchy at this moment, it was so itchy, so itchy.
Luo Mo turned to look at Tong Shu and said, "Tong Shu, do you still remember the lyrics?"
Tong Shu nodded.
He has taught Tong Shu this song, a companion piece to "Daughter's Love". Because of the chorus of this song, that kind of singing is actually very suitable for Tong Shu to use for practice.
Luo Mo looked at the instructor's seat and the audience and said, "Then Tong Shu and I will sing a small part a cappella. I haven't finished the music for this song on my computer yet, so I'll use it as a canvassing session, okay?"
The scene immediately burst into cheers.
But, again, the joys and sorrows of human beings are not the same.
As hot as the scene was, there was despair in the waiting room.
Many trainees sighed in their hearts: "Here we go, it's the familiar part where the main film loses to the easter eggs."
Previously, their stage was not as powerful as the electronic suona that Luo Mo used to canvass votes.
Now, if he and Tong Shu casually sing a few lines a cappella, will they give us a second?
Luo Mo said: "This song is called "The Kingdom of Women"."
This is a song that he personally likes very much. It comes from a movie "Journey to the West" that was not very good at the box office and reputation. It is the theme song of this movie.
This song was sung by Li Ronghao and Zhang Liangying. It was created on the basis of the classic song "Daughter's Love". At the same time, it also incorporated the poem by Tsangyang Gyatso, which was the one that just appeared on the big screen. head.
Judging from the overall style, this song is actually quite amazing. The creator is Zhao Yingjun, a very talented, optimistic and funny musician who died young.
During his lifetime, he often wore an afro and was active in various variety shows.
Luo Mo coughed a few times and began to calm down to find his state.
The creative perspective of this song is actually the perspective of the holy monk and the queen.
Almost ready, Luo Mo and Tong Shu looked at each other and nodded.
Without accompaniment, the feeling of this song still exists, because its singing method is very special, and singing a cappella will amplify this specialness.
"[There is no way to have both ends of the world,
I will not let you down, nor will I let you down.
Reflect on all the thoughts that harm the holy life,
I have never been so smart...]"
As soon as Luo Mo opened his mouth, everyone had a very clear feeling that the singing method was very similar to that of a monk chanting Buddhist words, with a sense of coldness and alienation.
When Li Ronghao sings, his enunciation seems to be standard and clear, but he sounds slightly vague.
His singing method can well create a sense of chanting.
Luo Mo sang the first part directly, and then came Tong Shu's reverse part.
With the help of Luo Mo, Tong Shulai's singing skills have improved by more than just a few points during this period.
The indisputable voices of male and female soon echoed throughout the audience.
"[What does it say about royal power and wealth?
Are you afraid of keeping the rules and regulations?
My heart falls in love with me a thousand times,
Take me far away quickly..."
Judging from the voice and singing method, it is the kind of singing that is also a bit closed, but the tone is clear and graceful.
This feeling can well create a woman who is eager to break through the constraints and give everything for love.
This song has a very wonderful magic, that is, it has a sense of character creation and a sense of storytelling.
When Tong Shu sang the first line, Shen Yinuo and Jiang Ningxi's eyes lit up.
The part that Tong Shu sang was the part that belonged to them.
"I like this song! I like it so much!" Shen Yinuo said in his heart.
She imagined that if she used her own voice to sing in this way... Shen Yinuo would be so excited that she wanted to tremble.
"It will work, it will definitely work!" She was sure of this.
You can’t say that Tong Shu is more feminine than yourself, right?
Jiang Ningxi's focus is slightly different from Shen Yinuo's. She mainly likes the expression of the song, rather than starting from personal listening experience like Shen Yinuo, who just thinks "it sounds good, it sounds really good"!
She really likes this feeling of being unrestrained and desperate despite being restrained.
"Huh? Wait!" She thought this and couldn't help but glance at the man on the stage.
Are you bound and desperate for love?
For some reason, this girl from the girl group suddenly became a little distracted.
She will try her best to sing this song well.
………
………
"[Let the next life wither and turn into ashes, and I will exchange for being with you in this life.]"
When Tong Shu finished singing this line, the simple acapella singing between the two ended.
If it is the official version of the song, there will be a male and female chorus at the end.
The low voice like chanting will overlap with the female voice to create a resonance, which has an excellent effect.
But it is best to have a soundtrack for this part, otherwise the a cappella singing will look a bit messy.
At this moment, many viewers are still immersed in this song.
This eloquent form is still very fascinating.
The audience still feels that they are not satisfied, but the trial listening is just like the free trial in the mall, give a little, and you will get a little.
It doesn’t cost money anyway, so don’t be short on it.
What about below? What about below?
Hehe, the bottom is gone again!
………
………
Luo Mo's side is broken, but we still have it here.
The stage of "Creating an Idol" has a VIP area set up in a relatively hidden location.
There is an independent box here for some special groups to watch the trainees' performance live.
To be continued...