(text version)

When reading novels, come to High-Speed ​​Text Novels to create a perfect reading experience.. The latest chapter of Throne of the Divine Seal

(text version)

When reading novels, come to High-speed Text Novels to create a perfect reading experience.. The latest chapter of Throne of the Divine Seal Chapter 1388 The Fleet is Destroyed

Li Cong is not the kind of country bumpkin who has never seen money, but this money is really a lot at this moment. Li Cong glanced over. At this time, he had no experience to see how many diamonds there were one by one. I guess

There should be such large diamonds in several belts. As for the small ones, Li Cong was not in the mood to look at them at this time. If such diamonds were thrown into Li Cong's jewelry store and cut slightly, it would be like this.

It's an incredible thing. At least it's not a problem to get hundreds of thousands of yuan. In addition, Li Cong has monopolized several large-scale diamond mines in Africa over the years. The price of diamonds is definitely not cheap. These things must be available at least.

Tens of billions.~~

"No. 1, you stay here. You can't follow me. I think you have reached your limit. I will go to the front and let you know if anything happens." Li Cong saw the expression on No. 1's face.

Something is already wrong. It's no wonder. After so many infrared rays have been traversed, it would be the most terrible thing if there is no change in the body. Li Cong hasn't felt anything wrong with his body at this moment. No. 1 also thought.

What's going on with following Li Cong to the front, but now he already knows what condition his body is in. If he really follows Li Cong, if there is any danger ahead, not only will he not be able to help, he may also have to

Bad things.

No. 1 nodded, Li Cong smiled, and disappeared with a whoosh. At this time, Li Cong wished he had the ability to see through things, so that he could save himself from having to see bit by bit.

Arriving at Baoshan is actually a fatal thing. Looking at the treasures takes too much time and effort. The person in the world who has this idea is probably Li Cong. What Li Cong is thinking at the moment is, if the treasures he met before are the same as

This is simply incomparable. Riben's Sanling family and Beichen Daoliu's back then were only worth hundreds of billions of dollars. Look at how many of these things I have found here. They are only a fraction of those.

There are too many. It seems that these inherited families are really far behind compared to the previous dynasties. From now on, it is not bad to just look for treasures everywhere. Of course, you can learn from them for your own storage. But on this point

Don't worry, Li Cong has already set up a base on Mars. At worst, he can just take his things to Mars. No one will be able to find it.

Finally, when Li Cong walked about two hundred meters, the things in this room were finally different. Now it was Li Cong's turn to be surprised. Damn, the things in this room are all antique calligraphy and paintings.

Ah, even though I am arty and give myself some nuggets when I am fine, but compared to what is here, it is just rubbish. These things are all exquisite products from medieval Europe. Li has never been very good at these European things.

In the past, when he bought shareholders, he didn't want these things. In his opinion, these foreign devils' gadgets are far different from those of our ancestors. It just so happened that these things could be converted into money. Li Cong was about to move forward.

While walking, a huge picture album fell down, and Li Cong opened it out of curiosity. Damn it, this *** turned out to be the emperor in the Chinese legend of calligraphy and painting - Along the River During the Qingming Festival????

One of the top ten famous paintings handed down from generation to generation in China, "Along the River During the Qingming Festival" is a Northern Song Dynasty genre painting with a silk design. This scroll is the only surviving masterpiece by the Northern Song Dynasty painter Zhang Zeduan. It is a national treasure-level cultural relic. It was originally stored in the Palace Museum in Beijing.

After the Eight-Nation Allied Forces entered the capital, they disappeared from history. However, the above paragraph is written in the name of the Puppet Manchukuo Emperor Pu Yi. I guess it has something to do with this guy. I really didn’t expect to be here. Li

I wish I could just put my hands on my hips and scold the old coward, Damn, I can shoot everything, and I don’t think I’m a human being. The work is in the form of a long scroll, using the composition method of scattered perspective, vividly recording the Chinese city in the twelfth century

The face of life is unique in the history of painting in China and the world. In total, more than 550 people of various colors, cattle, horses, mules, donkeys and other livestock are painted in the five-meter-long scroll.

Sixty horses, more than 20 cars and sedans, and more than 20 large and small boats. It fully demonstrates the beauty of social life and the characteristics of architectural facilities at that time. It has high historical value and artistic level.

"Along the River During the Qingming Festival" depicts the natural scenery and prosperity of Bianliang, the capital city, and both sides of the Bianhe River during the Northern Song Dynasty. The author used the composition method of scattered perspective in the form of a long scroll to incorporate the complex scenery into a unified and varied picture.

In the picture, the city outline, bridges, houses and huts are far and near, the grass, trees, horses, cattle, donkeys and camels come and go, as well as the residents and travelers, the boats and carts coming and going, all of them are innumerable, and the whole scene is huge.

, the content is extremely rich, the whole painting is magnificent, the composition is rigorous, and the brushwork is meticulous, which fully demonstrates the painter's profound insight into social life and superb artistic expression ability.

"Along the River During the Qingming Festival" is not only a great realist painting art treasure, but also provides us with detailed first-hand information on the commerce, handicrafts, folk customs, architecture, transportation tools and other images of the metropolis of the Northern Song Dynasty. It has important

The value of historical documents. Its rich ideological connotation, unique aesthetic perspective, and realistic expression techniques have made it regarded as a classic in the history of painting in China and the world. Li Cong began to hear people talk about it when he was in elementary school.

What happened? I didn't expect to meet you here.

Going along the river during the Qingming Festival was a folk custom at that time, just like today's festival gatherings, where people used to participate in business activities. The whole picture is large in scale and rigorous in structure, and is roughly divided into three sections: the first section is the spring scenery in the suburbs of Bianjing; the second section is Bianjing

The river scene; the third section is the market in the city. What Li is looking at now is the spring light in the suburbs.

Zhang Zeduan completed this painting praising peace and prosperity

After a long history, it was first presented to Song Huizong. Song Huizong therefore became the first collector of this painting. As a master of calligraphy and painting in Chinese history, Song Huizong loved this painting and used his famous "thin gold style" calligraphy to

On the picture were inscribed the words "Along the River During the Qingming Festival" and stamped with the double dragon seal (now lost).

This masterpiece, which is famous at all times and at home and abroad, has been played and appreciated by countless collectors and connoisseurs for more than 800 years since its creation. It has been the target of plunder by emperors and dignitaries in later generations. It has been tossed around, gone through several wars, and experienced many disasters... It once

He entered the palace five times and was stolen out of the palace four times. He experienced many disasters and performed many legendary stories.

In the third year of the Jiajing reign of the Ming Dynasty (1524), "Along the River During the Qingming Festival" was transferred to the hands of Lu Wan, a native of Changzhou.

Minister of the Ministry of War, with a great reputation). Li Rihua's Diary of Wei Shuixuan in the Ming Dynasty records: After Lu Wan's death, his wife sewed "A Picture of Along the River During the Qingming Festival" into her pillow, and never left her body for half a step.

The son was also not allowed to see her. Mrs. Lu had a natal nephew named Wang. He was well-spoken and very good at pleasing his wife. Wang was good at painting and preferred celebrity calligraphy and painting, so he went to great lengths to beg his wife to borrow "Along the River During the Qingming Festival". After repeated requests,

The lady reluctantly agreed, but he was not allowed to bring a pen and inkstone, and he was only allowed to admire it in her attic, and was not allowed to tell others about it. Wang readily obeyed the order, and after two or three months of visiting and seeing it more than ten times, he actually copied a painting.

There is a painting with some resemblance. At that time, the domineering official Yan Song was searching everywhere for "Along the River During the Qingming Festival". When Wang Yan, the imperial censor, learned about it, he spent 800 taels of silver to buy a fake from Wang and presented it to Yan Song.

Tang Chen, a framer in Yan Song's house, recognized that the painting was a fake, so he blackmailed Wang Yan and asked him to bribe him with 40,000 taels of silver, but Wang Yan ignored him. Tang Chen became angry and held a banquet in Yan Song.

During the celebration, the old colors in the painting were washed away with water. Yan Song was greatly embarrassed in front of everyone. Later, he looked for an opportunity to kill Wang Yan. Wang, who copied the painting, was implicated and was arrested and starved to death in prison.

In fact, after Lu Wan's death, his son was eager for money, so he sold "Along the River During the Qingming Festival" to Gu Dingchen's house in Kunshan, and was later forcibly taken away by Yan Song and his son. Before this, Yan Song had indeed asked Wang Yan to buy a "famous painting".

It is true that Wang Yan once bought a copy of Wang Biao from Suzhou and presented it to Yan Song, but it was later discovered.

During the Longqing period, Yan Song and his son were impeached by the imperial censor Zou Yinglong. Finally, the officialdom lost power, Yan Shifan was beheaded, and Yan's mansion was confiscated. "Along the River During the Qingming Festival" was once again included in the palace.

"Along the River During the Qingming Festival" was first collected by Lu Feiqi (a native of Xiangxiang, Anhui Province) after the Qing Dynasty. Lu Feiqi was a Jinshi during the Qianlong period. After he obtained the picture, he also printed an inscription and postscript on it. It was later purchased by Bi Yuan. Bi Yuan (

1730-1797), a native of Zhenyang (now Taicang, Jiangsu), he was a Jinshi in the 25th year of Qianlong's reign (1760). Bi Yuan loved epigraphy, calligraphy and painting throughout his life, and had a rich collection at home. After he obtained "Along the River During the Qingming Festival", he

It was appreciated by his younger brother Bi Long (a collector and connoisseur of the Qing Dynasty), and there are two people's marks on the painting today.

When Bi Yuan was serving in Guanzhong, he devoted himself to repairing and protecting local cultural relics, but unexpectedly these became his "crime". Shortly after Bi Yuan's death, the people of Huguang rebelled against the Qing Dynasty. The Qing court believed that when Bi Yuan was the governor of Huguang, "the first religious bandits"

"Because of negligence and misuse of military expenditures", not only did Bi's family position be taken away, but his entire family was killed, and his family property was confiscated and confiscated into the palace.

After the Qing court brought "Along the River During Qingming Festival" into the palace, it kept it in the Yingchun Pavilion in the Forbidden City. Emperor Jiaqing cherished it so much that he ordered it to be included in the book "Shiqu Baoji Sanbian". From then on,

, "Along the River During the Qingming Festival" has been collected by the Qing Palace. After the British and French Allied Forces invaded the capital twice in 1860 and the Eight-Power Allied Forces in 1900, its whereabouts are unknown. Li Cong's understanding of this is also the same, but the painting is still with it.

A book actually records where this thing went.

On February 12, 1912 AD, the last emperor in China's feudal history, Aisin Gioro Puyi, stepped down from the throne. It announced that the dream of ruling China's feudal dynasty for more than two thousand years fell apart in an instant.

According to the "Preferential Treatment Regulations", Pu Yi still lives in the Forbidden City of the Imperial Palace. Unlike any feudal emperor in China, Pu Yi was educated by the British teacher Johnston when he was a boy. He was influenced by Western cultural ideas since childhood, so he has always had the desire to study abroad.

Dream. In order to have enough funds to realize his wish after leaving the palace, he thought of the large number of treasures, calligraphy and paintings collected in the palace. From this, "Along the River During Qingming Festival", which has gone through the four dynasties of Song, Yuan, Ming and Qing Dynasty,

It was taken into the palace four times and mysteriously disappeared again and again. This time it began its mysterious and long journey again.

Pu Yi, who had left the throne of the emperor, took advantage of his imperial power. During the 73 days from November 16, 1922 to January 28, 1923, in the name of "rewarding" his younger brother Aisin Gioro Pujie, he

1,285 calligraphy and painting scrolls and 68 albums were moved out of the palace. Each of these precious calligraphy and painting masterpieces from all dynasties in China is priceless. Among them, "Along the River During the Qingming Festival" has four volumes, including "Qingming Festival" painted by the Northern Song Dynasty painter Zhang Zeduan

"Along the River During the Qingming Festival"; "Along the River During the Qingming Festival" imitated by the Ming Dynasty painter Qiu Ying; and "Along the River During the Qingming Festival" imitated by other painters in the Ming Dynasty with Suzhou as the background. In particular, "Along the River During the Qingming Festival" painted by the Northern Song Dynasty painter Zhang Zeduan

It can be called a rare artifact in the history of Chinese art, and has been a treasure collected by royal nobles of all dynasties.

On February 24, 1925, the second day of the second lunar month, commonly known as "the day when the dragon raises its head", Puyi dressed as a businessman and came to Zhangyuan in the French Concession of Tianjin under the supervision of the Japanese. He "rewarded" him

A large number of treasures, calligraphy and paintings that were moved out of the Forbidden City in the name of his younger brother Pujie were also secretly transferred to Tianjin. "Along the River During the Qingming Festival" accompanied Puyi for more than seven years in Tianjin.

On March 8, 1932, under the control of the Japanese invaders, Pu Yi moved from Tianjin to Changchun with his family and a large number of treasures, calligraphy and paintings, and became the emperor of the Puppet Manchu State. "Along the River During the Qingming Festival" also accompanied him

With Pu Yi, he spent 13 years and 4 months in Changchun. The "Jixi Tower" of the Puppet Imperial Palace in Changchun witnessed the time Pu Yi and his family spent in Changchun. "Jixi Tower"

The name "Ji Xi" was given by Pu Yi himself. The word "Ji Xi" comes from "The Book of Songs? Daya? King Wen": "King Mu Mu Wen, Yu Ji Xi Jingzhi." However, Pu Yi believes that the "Xi" in "Ji Xi"

The word "Xi" is the same as the word "Xi" of Emperor Kangxi. Pu Yi admired Emperor Kangxi's talent and state-governing strategy very much. Therefore, the meaning of the word "Ji Xi" is self-evident. Pu Yi wanted to inherit the ambition of his ancestor Emperor Kangxi and restore the country.

The great cause of the Manchu Qing Dynasty. For this reason, it is not difficult for people to guess the reason why Pu Yi loves "Along the River During the Qingming Festival" so much. The purpose of royal nobles in the past dynasties competing to collect "Along the River During the Qingming Festival" is because they are attracted by the dreamlike appearance of "Along the River During the Qingming Festival".

Intoxicated by the prosperous and auspicious atmosphere.

In 1945, Fuso Kwantung Army Commander Yamada Otsuzo notified Puichi to move the capital to Tonghua. Puichi understood that the so-called capital move was actually an escape, and Puichi asked Yamada Otsuzo to give him three days to pack his luggage. In fact, Puichi

The most worrying thing are the treasures, calligraphy and paintings brought out from the Forbidden City in the capital. For 13 years, "Along the River During the Qingming Festival" and a large number of treasures, calligraphy and paintings have been sealed in the calligraphy and painting building behind the Puppet Palace in Changchun. Only Pu Yi and a few

The personal entourage knew the secrets sealed in the calligraphy and painting building. Pu Yi and his personal entourage hurriedly entered this mysterious "little white building". He selected some treasures from a large number of treasures, calligraphy and painting, and fled to Tonghua. The remaining treasures

, the calligraphy and painting were robbed by some shi shi. Among them, which volume of the four different versions of "Along the River During the Qingming Festival" was kept by Pu Yi? Which volume was lost to the people? People don't know... Pu Yi took some of the treasures, calligraphy and painting with him.

He and his family hurriedly fled to Dalizigou, a small mountain village at the foot of Changbai Mountain in Tonghua. Puyi only lived in Dalizigou for three days, and then hurried to Shenyang, preparing to escape from Shenyang to Fusang. Puyi again left from Shenyang.

The treasures brought by the Puppet Palace in Changchun were once again selected among the calligraphy and paintings. Only a small number of treasures, calligraphy and paintings were selected. He fled to Shenyang with his younger brother Pujie, two brothers-in-law, three nephews, a doctor and a follower.

Most of the family members and some treasures, calligraphy and paintings were left in Dalizigou. Some of the treasures, calligraphy and paintings abandoned in Dalizigou were divided up, some were burned, and were finally confiscated by the People's Liberation Army.

On August 19, 1945, Pu Yi took a plane at Shenyang Airport and prepared to flee to Fusang. After the plane took off, it was forced to land by the Soviet Central Army. Pu Yi and his entourage, as well as the treasures, calligraphy and paintings they carried with them, were intercepted by the Soviet Central Army.

Pu Yi was deported to Chita, Soviet Union, and then to Khabarovsk by the Soviet Army. Five years later, Pu Yi was deported back to China. The whereabouts of four different versions of "Along the River During the Qingming Festival" are unknown.

After reading this book, there is Pu Yi's signature at the back. It turns out that Pu Yi is not entirely a traitor. At least he left such evidence. I want to tell everyone how these things got to this place, and how much it is.

To atone for his crime, Li Cong knew what was going on after reading this book. This guy Pu Yi can be regarded as a calculating person. He seems to have made an ancient book. It is estimated that the old máozi is not a person at all.

I didn't recognize this, so it was left here as a cultural relic, but there were some other things recorded on it. Li Cong didn't have time to look at this at this time, so he tidied it up carelessly and continued to move forward.

Many treasures have gone.

Li Cong was very comfortable here and was looking for treasures everywhere, but the brothers who were advancing behind were miserable. Although they were good among the soldiers, every one of them was either Li Cong's escort or a close guard.

The soldiers of the division, but no matter how powerful they are, they are still human. They are not perverts like Li Cong. Every step they take is very difficult. At the beginning, it was just infrared, and then there were all kinds of weapons.
To be continued...