For many people in Tokyo, today is the time to enjoy the cherry blossoms.

But for the majority of animation enthusiasts, today is a special day. The new work of Evangelion is about to be released!

Evangelion eva, this work in Mud Boom can be said to be a super eye-catching work.

In the country of Mihong, no other work can resonate with the same evangelion as Neonatal Evangelion. Although in other countries, the characters in this work are stupid.

But it is undeniable that this is a very special work.

Although Hideaki Anno despises the dead house very much, when making money from the dead house, Hideaki Anno spared no effort.

While the new work was released, Pi Zi also announced that the previous TV version would also need to be repaired and the box version would be reissued.

Look, you have to make money once again.

The story of re-take, Anno Hideaki said bluntly that it was "a story of another world", but for the sake of money, he did not say heavier words.

In fact, when I was creating, Musashino heard Anno Hideaki say, "As long as I didn't do eva, it's not eva."

But how to say, the gangster is the gangster, and the audience is the audience. Although the gangster was making the New Age Evangelion, he used all kinds of slandering the audience, and in the theater version, he even dug up the ridicule of the audience to the extreme, but those fans still shouted "Asukaka is my wife" and stood in front of the TV.

It's like Yuki Matsuhira at this time.

Yuki Matsuhei is not an otaku, but he also loves animation, and the work that led him into the trap is the Neon-Century Evangelion.

Half an hour before the re-take started broadcasting, Matsuhei Yuki turned off his DC-P, said goodbye to Nanali, then switched the TV to Tokyo TV station, and turned on his computer on the other side.

The network is not very prosperous in Mud Boom, but among the owners of DC-P, the network's retention rate is very high.

The ubiquitous trophy system and battle system can attract some fans even if it is in this place.

"It's beginning!"

The voices of other netizens also appeared on the colleague Matsuhei Yukiya's qicq.

Unlike those who like to visit forums, Matsuhira Yuki also prefers this system that can communicate instantly. There is this system in DC-P, and Matsuhira Yuki also likes to use this system to communicate with others.

The built-in communication system of dc-p is really super powerful. Although not many people like it, Matsuhira Yuki also thinks it is very good.

"Oh, the picture quality is completely different from the original version of Supervisor Anno!"

"This coloring is so great! It has such a textured color. Asuka's tights are super amazing!"

The story has begun at this time.

The beginning of the story is the end of the Evangelion, which is the end of the world where the world has been destroyed.

In this world, only Asuka and Shinji Ikari are left.

Then, time and space are reversed.

"Ahhhh, just now when the time and space reversal appeared, Is it a key character?"

In the group where Yukiya Matsuhei is, there are basically animation audiences. They all know that this story tells the story of Shinji Ikari returning to the past, but they don’t know the specific content.

By the way, spoilers will be destroyed by humanity in this group.

As the saying goes, spoilers are awesome...

Matsuhira Yuki liked the original version of the Neon-Age Evangelion, so he also cared about this new version of the work.

In the original state, the world was finally destroyed, but this painful ending made many people unable to accept it.

But such a story seems to be unable to come back...

However, in the re-take, Xia Sen and Xia Xue made a wonderful reversal of time and space, and then steadily followed the story.

It's really amazing.

"It appears! It appears! It's really time and space have turned back!"

After the time and space transformation, the whole story seems to have begun again. In the story, Shinji Ikari vowed that he would not make the same mistake as before, and relied on his own prophet to defeat the enemy and won Asuka's attention.

"So amazing, this Shinji Ikari has such a strong movement power!"

"If Shinji Ikari had such a power of action, the world would not have been destroyed at all, right?"

"I think the most powerful thing is supervision. Shinji Ikari's personality changes made us not realize the sense of incongruity, but instead felt that it was very reasonable. This is really good."

"Yes, it's much better than that gangster Anno!"

"That's right, right!"

At first, Yuki Matsuhei was watching TV while watching the group, but after discovering that the group had completely turned into a condemnation of the gangster Anno Hideaki, he completely focused his attention on the picture in front of him.

Twenty minutes, whether it is long or short, when the story goes on, there are still five minutes of advertisements in the middle.

The standard time for Nihong's works is 24 minutes, while the time for a play is 30 minutes. In the middle, there is a time left for the advertisement.

When entering the advertisement, Matsuhei Yuki only focused his attention on the qicq group.

At this time, those who watched the movie seriously also came back.

"The frame rate is very smooth and the movement is very comfortable. It is really worthy of being the sequel to Evangelion, it is just rich."

"Although the character is the same, it feels completely different from this article. Is there a technological generation difference of at least ten years between these two worlds?"

Some people have noticed this.

But this guy is pretty good at it.

Because in Morika's version, the whole work gives people a more "futuristic" feeling than the Neon-Age Evangelion in this article.

Tablets, visual tablets and smartphones, and more futuristic colors. These joint construction parts make the entire re-take picture better than this article.

Especially the costumes of the characters.

Although it is the same as the costumes in this article, after adding highlights, the whole dress begins to show a latex luster, making these "combat suits" more futuristic.

Moreover, the plastic texture of the original eva also becomes like carbon nanofiber after adding texture, which makes it even more dazzling. Of course, the problem is that the cost does not allow them to make a metal texture.

During the discussion, the second paragraph has begun.

The first episode of the whole re-take is a special episode of two 48 minutes, so I don’t worry that the audience will not be satisfied with it.

In the subsequent plot, Shinji Ikari discovered that it was not just me who "traveled through time", but even Asuka from the original world had traveled through time!

"Have you noticed that the original Asuka in the world was called Aoluo Akika, and the name of Asuka in this world is Shika Asuka!"

"Hey hey, it's really different!"

"Is this the author's hint? Why is there such a difference? Is this world a parallel world or Shinji Ikari's dream?"

"I think it's very likely that these people are real. At the end of this article, didn't everyone turn into orange juice? Shinji Ikari gathered human consciousness and formed a new world. The difference in Asuka's name is because the real Asuka did not turn into orange juice!"

"Well said, but this is not the case in the story. Although the names are different, the relationship between these two worlds is not that simple..."

In the end, the classmate who said "it's not that simple" did not continue because he was banned by the group leader.

So, these ubiquitous spoilers are just so painful...

Yuki Matsuhei was also afraid that he would be spoiled, so he simply closed the group temporarily and then focused on watching the episode.

Shinji Ikari originally wanted to "save the tragedy", and he also developed feelings for Asuka in this world.

But at this moment, Asuka from another world appeared. She was a character that only Shinji Ikari could see. At this time, the other party scolded Shinji Ikari for being hypocritical.

"Ahhh, it turns out that Shinji Ikari." When he was scolded by Atsushi Akira, Matsuhira Yuki actually felt this way.

Sure enough, Shinji is Shinji.

The plot continues.

But Yuki Matsuhira always feels that this new work and this article seem to be somewhat incompatible.

It's not about the plot, but about the connotation.

The original story tells people, but the story of the new work does not seem to be in this regard.

"What is hope? What is the future? Why do people hurt each other? Why am I here?"

When Shinji Ikari was asking about himself in a daze, Yuki Matsuhei also resonated with him.

Yes, as an office worker, he found that he was not very clear about his goals, what is his hope and what is his future, and what am I doing?

Confused.

After the economic recession in the 1990s, the current neon society has become increasingly hopeless. Where is the future?

He was a little confused.

Although the tone of the story is different from the original work, this also resonates with Yukiya Matsuhira.

And this is also Morixia's purpose.

The theme of re-take switches the relationship between people between Neon-Ages Evangelion to another level.

That is, "the continuation of life".

When making this work, Mori Naka thought of Shinji Ikari's mother, Ikari Yui.

In the plot, Ikari's soul is in the first plane. She finally enters space with the first plane, and then floats alone forever, telling the proof of human existence.

Morika took advantage of this concept in this article to sublimate the concept in re-take. He asked Shinji Ikari to give an answer that was different from his mother: the proof of human existence is not the cold first machine, but the continuation and birth of life.
To be continued...